Kay Tobin Lahusen, gay rights activist and photographer, dies at 91
The First Art Newspaper on the Net    Established in 1996 Monday, November 25, 2024


Kay Tobin Lahusen, gay rights activist and photographer, dies at 91
Ernestine Eckstein, an African American lesbian activist who picketed the White House for gay rights in 1965, on the cover of the lesbian journal The Ladder in June 1966, photographed by Kay Tobin Lahusen. Lahusen, a prominent gay rights activist whose photographs documented the movement's earliest days and depicted lesbians who were out when they were virtually absent from popular culture, died on Wednesday morning, May 26, 2021, at a hospital in West Chester, Pa. She was 91. Kay Tobin Lahusen, via New York Public Library via The New York Times.

by Daniel E. Slotnik



NEW YORK (NYT NEWS SERVICE).- Kay Tobin Lahusen, a prominent gay rights activist whose photographs documented the movement’s earliest days and depicted lesbians who were out when they were virtually absent from popular culture, died Wednesday in West Chester, Pennsylvania. She was 91.

Her death in a hospital, was confirmed by Malcolm Lazin, a longtime friend and the executive director of the Equality Forum, an LGBTQ civil rights group.

Lahusen and her longtime partner, Barbara Gittings, were at the forefront of the lesbian rights movement, determined to make whom they loved a source of pride rather than shame.

They were early members of the Daughters of Bilitis, the first national lesbian organization, and soon spoke out about their sexuality and their demands for equality at a time when gay rights groups were less vocal. In the 1960s, they helped organize protests at a National Council of Churches meeting, the Pentagon and the White House well before the Stonewall uprising in Greenwich Village in 1969, a pivotal event for the gay rights movement.

They helped lesbians realize that they were not alone by producing The Ladder, a newsletter published by the Daughters that was the first nationally distributed lesbian journal in the United States.

Gittings was The Ladder’s editor, and Lahusen became an important contributor, writing under the surname Tobin, which she had picked out of the phone book, she said, because it was easy to pronounce, unlike Lahusen (pronounced la-HOOZ-en). She also photographed many of the earliest gay rights protests, providing important documentation of a period when many gay people chose to remain in the closet.

“Occasionally somebody would bring a camera to a picket, but I was the only one who went at it in a sustained way,” Lahusen said in an interview for this obituary in 2019.

Some of her protest photographs appeared in The Ladder’s inside pages; with few gay people wanting their faces to appear in a magazine, let alone on the cover, the journal’s covers were given over to illustrations. “I said, ‘What we really need are some live lesbians,’ and we couldn’t find any,” Lahusen said.

By the mid-1960s, however, Lahusen had persuaded some women to pose for cover portraits, among them Ernestine Eckstein, an African American lesbian activist who picketed the White House for gay rights in 1965, and Lilli Vincenz, who was discharged from the Women’s Army Corps after she was outed.

In a 1993 interview with Outhistory.org, Lahusen described her goal then as “taking our minority out from under wraps, and what you might call the normalization of gay.”

As the 1960s wore on, Lahusen and Gittings came to believe that the Daughters of Bilitis’ approach was too conciliatory, that it was more focused on signaling respectability than fighting for equal rights. “It was all aimed at reforming laggard lesbians,” she said.

They began to work outside the organization, finding common cause with gay rights activists like Franklin Kameny.

Lahusen helped Kameny and Gittings lobby the American Psychiatric Association to remove homosexuality from its list of mental illnesses, in part by persuading a practicing psychiatrist to testify about being gay at the organization’s national convention in Dallas in 1972. The psychiatrist, Dr. John E. Fryer, addressed the association under the name Dr. H. Anonymous, wearing a mask and a wig so that he would not face professional repercussions.

Lahusen photographed him, fully costumed, with Gittings and Kameny. The next year the association removed homosexuality from the Diagnostic and Statistical Manual for Mental Disorders.

Lahusen’s photographs offer a rare visual record of the gay rights movement’s earliest days. Many of them are now in the New York Public Library’s archive and were a major part of the 2019 exhibition “Love & Resistance: Stonewall 50,” which celebrated the 50th anniversary of the uprising.

Marcia M. Gallo, a social movement historian and the author of “Different Daughters: A History of the Daughters of Bilitis and the Rise of the Lesbian Rights Movement” (2006), described Lahusen in an interview as “one of the key foundational organizers and chroniclers of the LGBTQ movement from the ’60s on.”




Gallo said that Lahusen had been eager to speak about the earliest days of the movement, and that she and Gittings had organized a gay lunch-table group at the care facility where they lived in Kennett Square, Pennsylvania.

“She was organizing into her 90s,” Gallo said.

Katherine Lahusen was born Jan. 5, 1930, in Cincinnati. She was adopted soon afterward by her grandparents George and Katherine (Walker) Lahusen. Her grandfather sold cable for a steel company; her grandmother was a homemaker.

Katherine first realized that she was attracted to women when she was barely a teenager, developing crushes on actresses like Katharine Hepburn. It was the 1940s, and many Americans viewed gay people as deviants. But Lahusen refused to internalize society’s prejudices.

“I decided that I was right and the world was wrong and that there couldn’t be anything wrong with this kind of love,” she was quoted as saying in “Different Daughters.”

She went to a private elementary school and graduated from Withrow High School in Cincinnati in 1948. She followed a girlfriend to Ohio State University, where she majored in English and planned to become a teacher.

Lahusen graduated in 1952 and moved in with her girlfriend. But the girlfriend soon had second thoughts about their relationship.

“She believed that we couldn’t have a good life together,” Lahusen said. “She wanted to have a white picket fence and a hubby, and she wanted to have children.”

Lahusen moved to Boston in the mid-1950s and took a job there as a researcher at The Christian Science Monitor while struggling to find a companion. She learned of psychiatrist Richard C. Robertiello, who had written the book “Voyage From Lesbos: The Psychoanalysis of a Female Homosexual” (1959).

“I thought, ‘I don’t want to be cured, but I do want to find out how to meet other lesbians,’” Lahusen recalled in 2019. “I had the impression there were others in Paris, but I didn’t know any locally.”

She made an appointment with Robertiello, who showed her a copy of The Ladder. She wrote to the publication and in time met Gittings, who had founded the New York chapter of the Daughters of Bilitis in 1958.

Gittings became her partner, and they lived together for decades in Philadelphia, where an apartment they shared early on was honored with a historic marker in 2016.

Gittings and Lahusen supported their activism by working different jobs, Lahusen as a waitress and in a music store. In 1972 she and Randy Wicker published “The Gay Crusaders,” one of the first collections of interviews with prominent gay rights figures.

Gittings died in 2007, before the Supreme Court legalized same-sex marriage in 2015.

No immediate family members survive.

Lahusen said she was overjoyed by how far gay rights had come, but she cautioned young activists against complacency.

“I think some of these advances, as wonderful as they are, are being taken for granted, even now,” she said. “They need to be codified into law.”

© 2021 The New York Times Company










Today's News

May 29, 2021

Rehabilitating Nero, an emperor with a bad rap

At his moment of triumph, Arthur Jafa is looking for trouble

Exhibition explores the changing nature of the British monarchy and royal portraiture

1,000-year-old 'stolen' artefacts to return to Thailand from US

Gilbert & George's street-level explorations of our modern world on view at Thaddaeus Ropac Paris

Cowan's new era of arms & armor kicks off with $1.1M two-day auction

Rescuing artists of vision

A label reissued a dead Brazilian artist's album. He was still alive.

Brazil's Jaime Lerner, urban transport pioneer, dies at 83

Displays of work by Imi Knoebel, Charlotte Posenenske, and Franz Erhard Walther on view at Dia Beacon

Cris Scorza joins the Whitney as Helena Rubinstein Chair of Education

Leader of Americans for the Arts retires after workplace complaints

Hauser & Wirth announces representation of artist Christina Quarles

Spectacular circa-1900 gilded 'Native American' weathervane headlines Morphy's June 8-9 auction

The Hollywood Bowl is now on plan c: Filling all 18,000 seats

Exceptional results for the Marion Lambert Collection achieving €8.3 million with 97% of lots sold

A writer's one-act plays debut, continuing her resurrection

Freeman's Books and Manuscripts auction achieves 97% sell-through rate and $525,861 total

Kay Tobin Lahusen, gay rights activist and photographer, dies at 91

City Art Centre opens first major exhibition of artist Donald Smith with Islander

Hunting for mini artworks on New York's streets

Movies can go right to streaming and still be eligible for the Oscars

New exhibition featuring 80s Pop Art icon Keith Haring opens at Fenimore Art Museum

Chiswick House & Gardens opens a new artistic programme 'Bring Into Being'

Windermere Jetty Museum reopens with new stories of shipwrecks and ruins in the Lakes

How to find a sport betting operator with high odds

The Art Display Technique- Learning How to Perfectly Display Art




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful