MoMA PS 1 opens the first major exhibition of works by Gregg Bordowitz
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MoMA PS 1 opens the first major exhibition of works by Gregg Bordowitz
Gregg Bordowitz. Drive. 2002. Antique wheeled derby car with vinyl stickers on custom pedestal designed by the artist. 96 x 60 x 18 in. Courtesy of the artist.

LONG ISLAND CITY, NY.- MoMA PS1 presents Gregg Bordowitz: I Wanna Be Well, the first comprehensive overview of the New York artist’s prodigious and influential career, on view from May 13 to October 11, 2021. Born in Brooklyn and raised primarily in Queens, Gregg Bordowitz (American, b. 1964) has been living with HIV for more than half of his adult life, and transformed his art practice in the mid-1980s in response to the AIDS public health crisis. Working with New York’s ACT UP (AIDS Coalition to Unleash Power) and several video collectives that he co-founded, he organized and documented protests against government inaction, advocating for health education and harm reduction. During this time, Bordowitz created remarkable video portraits of himself and others living with the disease, often using his “personal history as a way to tell a story shared by many.”

I Wanna Be Well surveys 30 years of Bordowitz’s practice alongside the coalitions of activists, artists, writers, thinkers, and friends who have shaped his life—and among whom he continues to find sustenance. The relationship between art and activism is critical to Bordowitz’s sustained investigations of identity, illness, and desire. While developing a visual language in his collaborative works capable of communicating harm-reduction models to a broad public, he made videos and television broadcasts that juxtaposed performance documentation, archival footage, role play, and recordings of protest demonstrations, drawing influence from feminist conceptual art.

Named after a 1977 Ramones song, I Wanna Be Well raises broad questions about how we define health, community, and care in the context of the urgency of the continuing AIDS epidemic and COVID-19 pandemic. In a new large-scale sculpture created on-site for the PS1 exhibition, Bordowitz explores parallels between COVID-19 and aspects of the enormous loss and resilience experienced by many communities affected by AIDS. Modeled on Vienna’s Pestsäule (Plague Column), which commemorates those lost to the Great Plague in 1679, Bordowitz’s sculpture integrates historic religious iconography with contemporary protest symbols, speaking to the uprisings for racial justice that gripped the world last summer after the murder of George Floyd, and advocacy demanding health equity in the treatment of COVID-19.

Long active as a poet, writer, and teacher, Bordowitz has more recently engaged in live and recorded performances that explore the nexus of religious, sexual, political, and cultural identities with which he affiliates. The exhibition features these performances alongside his foundational videos and films, as well as drawings, poems, sculptures, ephemera, and works by artist friends. Tracing the artist’s own experiences and evolving views in tandem with the development of AIDS activism around the world, I Wanna Be Well draws connections between Bordowitz’s intimate depictions of living with AIDS and the continuing global AIDS crisis.

I Wanna Be Well will feature the fourth iteration of the artist’s performance-lecture Some Styles of Masculinity, a three-part event in which Bordowitz explores the concept of masculinity and its entanglement with ethnicity, sexuality, religion, humor, and national identity. The exhibition is accompanied by a free publication featuring a collection of pandemic-inspired haikus that Bordowitz has written over the past year, available at Artbook @ MoMA PS1 and online at

Gregg Bordowitz: I Wanna Be Well was organized by the Douglas F. Cooley Memorial Art Gallery, Reed College. The exhibition is curated by Stephanie Snyder and organized at MoMA PS1 by Peter Eleey, former Chief Curator, with Josephine Graf, Assistant Curator.

The exhibition was previously presented at the Art Institute of Chicago, where it was organized by Robyn Farrell and Solveig Nelson.

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