The First Art Newspaper on the Net    Established in 1996 Tuesday, May 17, 2022


Constance Demby, prominent new age composer, is dead at 81
Demby, whose ethereal music, some of it played on instruments she designed, was much admired by New Age adherents, spiritual seekers and fans of electronica, died on March 19 in Pasadena, Calif. She was 81. Lisa Verlo via The New York Times.

by Neil Genzlinger



NEW YORK (NYT NEWS SERVICE).- Constance Demby, whose ethereal music, some of it played on instruments she designed, was much admired by New Age adherents, spiritual seekers and fans of electronica, died on March 19 in Pasadena, California. She was 81.

Her son and only immediate survivor, Joshua Demby, said the cause was complications of a heart attack.

Demby’s 1986 album, “Novus Magnificat: Through the Stargate,” was a breakthrough for both her and the New Age genre, selling more than 200,000 copies, a substantial figure for that type of music. Pulse magazine named it one of the top three New Age albums of the decade and called it “a landmark, full-length electronic symphony reminiscent of Baroque sacred music with crystalline effects that take you out of the realm of everyday experience.”

More recently, tracks like “Alleluiah” and “Haven of Peace” from “Sanctum Sanctuorum,” a 2001 release, have been drawing attention from a new generation of fans, said Jon Birgé, owner of Hearts of Space Records, Demby's label for the past 20 years.

Demby viewed sound, when harnessed properly, as having transformative and even healing power.

“Music is a realm of consciousness the listener enters by traveling on a beam of sound,” she told Malibu Surfside News in 2010. “It opens the heart.”

Eleni Rose-Collard, her former assistant, saw the effects of Demby’s music on audiences, including those who came to her studio for small-scale house concerts.

“Her home concerts were magical, immersive, healing, profound,” Rose-Collard said by email. Rose-Collard herself experienced those effects.

“One of my deepest memories was being there with her while she was composing ‘Novus Magnificat,’” she said. “I was across the room, I fell to my knees, crawled to her, put my head in her lap and sobbed.”

Demby’s studio was full of synthesizers, computer monitors and various instruments, including one she named the Space Bass, which she created in the 1960s when she was an artist in Manhattan's SoHo neighborhood making sculptures.

“I brought this 10-foot-long sheet of mirror-finished steel to the studio and hung it up to start torching it,” she recalled in the 2010 interview — and she was transfixed by the sounds that emanated from the metal when it wobbled. She added some brass and steel rods and other refinements, and the Space Bass was born.

There was also the Whale Sail, another sheet-metal creation, as well as a hammered dulcimer she and the noted instrument maker Sam Rizzetta designed especially to reach notes lower than a traditional hammered dulcimer can produce.

“It ended up being almost 5 feet long,” Demby wrote on her website, “because that low C string demanded a certain length in order to achieve the note. The resonance is such that the sound of one string being struck hangs in the air for nearly 15 seconds.”

Writer Dave Eggers, a nephew, recalled how his aunt’s albums and artworks had brightened his youth in Chicago.




“Whenever Connie would create a new album, she’d send it to us,” he said by email, “and the contrast between our many-shades-of-brown house and her records and posters, all with ethereal themes and rainbow colors, was dramatic.”

Later he would visit the studio where she made her music.

“In her place in Sierra Madre, in a light-filled front room, the Space Bass made sounds of thunder and crashing oceans,” Eggers wrote. “Most of her compositions were otherworldly — as if she were composing the soundtrack to the next world.”

Constance Mary Eggers was born on May 9, 1939, in Oakland, California. Her father, John, was an advertising executive, and her mother, Mary Elizabeth (Kingwell) Eggers, was a homemaker.

She grew up in Greenwich, Connecticut. When she was 8, her mother acquired a grand piano, which sparked Connie’s interest in music.

“I watched her two hands interacting,” she said. “Within days I was taking piano lessons.”

Demby married David Demby in 1961 (the marriage ended in divorce), and she spent much of that decade in New York, where she fell in with musicians like Robert Rutman, who would become well known as a multimedia artist. In 1966 Demby relocated to Maine, and soon Rutman did, too. Around 1970 she joined him in the Central Maine Power Music Company, a performance group that made much of its music with homemade instruments.

“It has given concerts in various auditoriums,” a local newspaper wrote of the group, “sometimes playing to large, enthusiastic audiences, and sometimes playing to a baffled and resistant handful.”

Demby lived in Spain for a time before settling in California. She took her music all over the world. Eggers recalled her telling stories of performing at Stonehenge in England and at the foot of the pyramids at Giza in Egypt. She often performed at planetariums and other astronomy facilities, including the Mount Wilson Observatory in California.

Her music was used or sampled in a number of films. Her other albums include “Set Free” (1989), “Aeterna” (1994) and “Spirit Trance” (2004).

“What Demby likes to do,” Demby told the Los Angeles Times in 2000, “is to play energy, and play the audience as one of her instruments.”

Eggers said he had spoken frequently to his aunt, most recently a few weeks ago, when her health was failing.

“Her memory was not good, and she couldn’t remember many friends or any recent events,” he said. “But she knew her music. She knew everywhere she’d played, and the name of every composition.”

“Out of nowhere she began talking about heaven,” he added. “‘I think I’ll be welcomed there,’ she said. ‘I think they’d like the music I made, and they’ll open the gates for me.’”

© 2021 The New York Times Company










Today's News

April 4, 2021

20 Women...

22 mummies are moved in a glittering display in Cairo

Should museums sell treasured works? Pandemic revives debate

Amalia Pica is now represented by Tanya Bonakdar Gallery

Galerie Thaddaeus Ropac Salzburg opens an exhibition of works by Georg Baselitz

Who are the pharaohs who moved home in Cairo?

MASSIMODECARLO opens an exhibition of new works by Aaron Garber-Maikovska

Phillips to offer REPLICATOR by Mad Dog Jones, the first NFT in company history

Flea circus contraptions to encore at Sworders' Out of the Ordinary auction

Constance Demby, prominent new age composer, is dead at 81

First NASA flight director's personal collection coming to Heritage Auctions

Five records set in $2.2 million Heritage movie posters auction

$1M for Printed & Manuscript African Americana at Swann

Robert Berry Gallery announces its new virtual exhibition 'Tales of Adjusted Desire'

This summer, get invigorated with a live cultural performance

Review: Dreamy cowboys and a ballet bath

Super Mario Bros. sells for $660,000 at Heritage Auctions, smashing world record

Trying times for Belgium's scaffold-caged Palace of Justice

Her book is about belonging. She's struggling with the idea.

She never dreamed of acting. Now she's an Oscar nominee for 'Minari.'

Can we really picture Auschwitz?

Broadway reopened. For 36 minutes. It's a start.

Stephenson's gathers estate treasures for April 9 Spring Decorative Arts Auction

Great uses of Steroids Canada products

How Does Zapoj Help Healthcare Providers with Vaccination and Beyond?

History, Gods, and Goddesses of Greek Mythology

7 Best PS4 Games, You Should Play in 2021

Benefits of proctored exams




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

sa gaming free credit

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful