LONDON.- Phillips announced Jean Dubuffet’s La féconde journée, executed in 1976, as a star lot of London’s 20th Century & Contemporary Art Evening Sale on 15 April. La féconde journée hails from Dubuffet’s seminal Théâtres de mémoire series and has featured in the major centenary retrospective at the Centre Pompidou, Paris in 2001. La féconde journée will be virtually on view from 7 to 11 April before a public viewing at Phillips Berkeley Square from 12 to 15 April.

Olivia Thornton, Head of 20th Century & Contemporary Art, Europe, said, “La féconde journée is an incredibly radiant and visually immersive work that represents a significant milestone in Dubuffet’s career – his Théâtres de mémoire series. It is a particularly exciting moment for Dubuffet, with the Barbican staging the first major survey of his work in the UK for over 50 years this Spring. The inclusion of La féconde journée in our April Evening Sale marks the first time that the work will be offered at auction.”

Dubuffet’s oeuvre comprises a number of celebrated series, including Portraits, Corps de Dame, Paris Circus, L’Hourloupe, and Théâtres de mémoire, to which the present work belongs. He worked on the Théâtres de mémoire series from September 1975 until August 1978. Containing some of the largest compositions Dubuffet ever made, this series would be the last sequence of paintings of this magnitude before the artist, suffering from back ailments, would be forced to focus on smaller-scale projects. Rendered in his immediately recognisable palette of reds and blues and on an exceptionally large scale, Dubuffet has built upon the definition of Art Brut that characterised his work of the late 1940s, layering materials (44 sections precisely) to impart the composition with added impressions of movement and tumult.

Included in Dubuffet’s major centenary retrospective at the Centre Pompidou, Paris, in 2001 – the first substantial monographic exhibition of the artist’s work in France since his show at the Grand Palais in 1973 – La féconde journée is an exquisite, museum-quality example of his revolutionary opus. With his heightened sensitivity to colour, form, and raw human physiology, the work is a testament to Dubuffet’s unique sensibility towards humanity and urban spaces. The artist’s oeuvre will once more be the subject of critical and institutional acclaim in Spring 2021, with a major monographic exhibition taking place at the Barbican, London.