Lucy Lacoste Gallery opens an exhibition of ceramics by British artist Ken Eastman
The First Art Newspaper on the Net    Established in 1996 Friday, November 22, 2024


Lucy Lacoste Gallery opens an exhibition of ceramics by British artist Ken Eastman
Ken Eastman, Shaping Silence, 2020. 13.25h x 17.50w in.



CONCORD, MASS.- Lucy Lacoste Gallery starts the 2021 season with the esteemed British artist Ken Eastman’s exhibition Border Country, created expressly for the Gallery. The work of this modernist master centers around the idea of the vessel. He uses the vessel as a subject, to give meaning and form to an expression. Working through the medium of ceramics, Eastman can be both builder and painter handling shape and structure, as well as exploring tone and color.

These latest multi-faceted pots were made from numerous slabs of clay, shaped and assembled in a spontaneous and intuitive way. This process meant that the forms couldn’t be planned beyond loose ideas about scale, proportion and complexity. These vessels with their composition of broad, sweeping planes and layers of color can be seen as landscape, painting or sculpture. Lighting on these delineated sculptures emphasizes the planes and abstract composition.

The following is a catalogue essay for Ken Eastman: Border Country, written by Glenn Adamson, the curator and writer, who is currently senior scholar at the Yale Center for British Art:

“The Border Country is where I live, and the border is something I’m aware of and often cross.” So says Ken Eastman, and the proof is in his work. His ceramics seem built from pure contradiction. Small enough to be set on plinths, they have the commanding presence of whole mountains. Their undulating volumes are formed of thin, flexible planes, yet one could not imagine anything more solid, or definite. And while that concreteness lends them an air of serenity, they also produce a completely contrary impression of vertiginous movement, of turning and tumbling, of sloping and sliding.

I think of Alison Britton, another master of muscular, wonderfully unpredictable, hand-built ceramics. Back in 1989, she wrote of an Eastman pot: “Its pleasures are abstract, it provides a place for the eye to wander in.” That reminds me in turn of another British artist, William Hogarth, writing in his Analysis of Beauty (1753) of compositions that “lead the eye a wanton kind of chase.” Other connections come to mind, too: the sculpture of Barbara Hepworth, the architecture of Frank Gehry, the choreography of Martha Graham, the tailoring of Cristobal Balenciaga. All these figures share Eastman’s particular form of genius, to pitch a curve in space just so, and meet it with another, and another, and another, each shape compounding the intelligence of the whole.

Yet Eastman has something going for him that none of these others do (Britton excepted, of course): the affordances of pottery. Uniquely among art forms, it allows for a dialogue between inside and out. The relationship between a vessel’s interior and its exterior topologies has no exact parallel: it is not simply a repetition, nor a mirroring, nor a molding, but its own special kind of counterpoint. In Eastman’s work, that primary dialectic is echoed in a perpetual series of unfurlings, the pot in constant dialogue with itself.

Over the past few years, in the UK and the USA alike, debates over the meanings of borders have raged. Are they necessary protective barriers, delineations of identity? Or should we see them as acts of violence, cutting across the human fabric? Eastman’s work exists beyond such stark opposition; every one of his edges is also a threshold. At a time like now, it’s helpful to have his objects to think with.

Glenn Adamson January 2021

Ken Eastman was born in 1960, studied at Edinburgh College of Art (1979-83) and at the Royal College of Art, London (1984-87). He exhibits widely and has won numerous awards in the field of the ceramic arts, including the ‘Premio Faenza’, Italy in 1995, the ‘Gold Medal’ at the 1st World Ceramic Biennale, 2001, Korea and ‘Bronze Medal’ at the 5th World Ceramic Biennale, 2009, Korea, the ‘Primer Premio’ at the 8thInternacional Biennal de Ceramica de Marratxi, Majorca, Spain in 2016 and the Primer Premio at the 8thInternacional Bienal de Ceramica, Talavera de la Reina, Spain in 2017.

Eastman’s work is held in leading international public collections including the Victoria & Albert Museum, London; The Shigaraki Ceramic Cultural Park, Japan; The Powerhouse Museum, Sydney, Australia; The Museum of Fine Arts, Houston, USA; The Gardiner Museum, Toronto, Canada; Museum Boijmans van Beuningen, Rotterdam, Netherlands; Landesmuseum, Stuttgart; The Fitzwilliam Museum, Cambridge, UK; Museu de Ceramica de Manises, Valencia, Spain and the Musee des Arts Decoratifs de Montreal, Canada.










Today's News

January 21, 2021

Lucy Lacoste Gallery opens an exhibition of ceramics by British artist Ken Eastman

Who designed Jill Biden's Inauguration outfit?

NY LX Pavilion designed by OLI Architecture to house Richard Serra's London Cross

Roger Mandle, museum director who helped bring art to Qatar, dies at 79

Banksy's works come 'In Focus' as Heritage Auctions holds curated sale

Tom Friedman's 10-foot tall sculpture looking up displayed at Rockefeller Center

Stolen 500-year-old Leonardo da Vinci copy found in Naples flat

Almine Rech opens an exhibition of works by Marcus Jansen

Cuban artists showcased in Modern, Contemporary and Latin American Art online sale

The Metropolitan Museum of Art's directorship receives endowment from Marina Kellen French

Gladstone Gallery opens an exhibition of works by David Rappeneau

Tim Van Laere Gallery opens its first solo exhibition of Marcel Dzama's work

Exhibition of new work by Doug Aitken opens at Regen Projects

Heritage Auctions' January Comics & Comic Art event sets records and smashes expectations

Klaus von Nichtssagend exhibits a series of photographs by Barry Stone

Top British musicians hit out at Brexit impact on tours

The Patricia & Phillip Frost Art Museum FIU opens two dynamic spring exhibitions

Poet Amanda Gorman, age 22, hails democracy at Biden inaugural

A New Orleans Mardi Gras with a different sort of mask

New e-publication Americana Insights focuses on American Folk Art and Americana

Major new study celebrates the career and legacy of trailblazing artist and educator Luise Kaish

Tang Teaching Museum announces publication of 'Culture as Catalyst'

Shani Peters is CAPE's 2021 Artist-in-Residence

What's the Difference Between Litigation, Mediation and Arbitration?

Who Pays My Medical Bills while I Wait for an Insurance Settlement?

Holland Casino in Nederland - an example of a casino that uses design psychology to attract and engage players

What is the Best Type of Internet Connection?

3 Useful Hacks for Every Bathroom's Hopeless Mess

10 Bathroom Curtains That Will Give Your Restroom More Flair

Where to stay near Neuschwanstein Castle

Where to Conveniently Buy Flowers for Valentine's Day

Top 5 Expenditures to Manufacture a Wholesale Backpack Business

4 Tips For Choosing The Game To Play In A Casino

What Makes an Iconic Album Cover

Register sportsbook judi mix parlay bola

The benefits of SEO (search engine optimization)

Why do we use vector clipart and where to download it?




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful