The First Art Newspaper on the Net    Established in 1996 Sunday, December 5, 2021

Eusebio Leal Spengler, who restored Old Havana, dies at 77
As a historian and director of the Havana City Museum, Leal was passionate about saving Cuba’s architectural history. Photo:

by Steven Kurutz

NEW YORK (NYT NEWS SERVICE).- Eusebio Leal Spengler, who led an effort to preserve Old Havana, transforming that historic district from a forgotten slum into an architectural jewel and tourist destination, died July 31 in Havana. He was 77.

His death was reported by Granma, the official newspaper of the Cuban Communist Party. In recent years he had been treated for pancreatic cancer.

In a statement, President Miguel Diaz-Canel of Cuba called him “the Cuban who saved Havana.”

Leal began his preservation efforts in the 1980s, when the old center of the capital city was a ruin. Residents lived without indoor plumbing or reliable electricity, garbage piled up on the streets, and 250-year-old buildings sometimes collapsed before their eyes.

As a historian and director of the Havana City Museum, Leal was passionate about saving Cuba’s architectural history. He once lay down in front of a steamroller to save a colonial-era wooden street from being paved over. Through his campaigning, Old Havana was designated a UNESCO World Heritage Site in 1982.

But lack of funds hampered Leal’s ambitious restoration plans until the early 1990s, when the Soviet Union collapsed and Cuba lost millions in subsidies. Out of the economic crisis, Cuban leader Fidel Castro, whom Leal had befriended, gave him unprecedented authority to collect taxes and profits from tourism in the old center.

Through a state-run company, Habaguanex, Leal plowed money into construction projects. He restored elegant 18th-century plazas, baroque cathedrals and restaurants and hotels, including the pink-washed Hotel Ambos Mundos, where Ernest Hemingway wrote “For Whom the Bell Tolls.” Paradoxically, Old Havana became a capitalist success story: The restored buildings drew foreign tourists, whose money then paid for more restoration work.

By the mid-2000s, about 300 buildings — roughly a third of those in Old Havana — had been refurbished. And Leal, who employed 3,000 workers as head of the Office of Historian, was hailed as a hero and a role model for preservationists around the world.

“He was a unique figure for his time,” said Jeffrey DeLaurentis, a U.S. diplomat who served in Cuba during the Obama administration. “He was also given an unusual amount of autonomy. It was very novel in the system that Cuba has.”

As Old Havana became an economic engine for Cuba, Leal was known as its unofficial mayor. He greeted well-wishers on the streets (typically in his bureaucratic gray guayabera shirt). He starred in a TV series about the capital’s history, “Andar La Habana” (“Walk Havana”). He lectured at American universities and was sought out by journalists as a leading public intellectual.

Old Havana’s renewal came at a cost, however; some residents were relocated when overcrowded buildings were modernized. Preservation had its limits, too. Visiting journalists, including one from The New York Times in 2007, pointed out that Old Havana had become like a movie set, a pretty facade, while just blocks away poor Cubans lived in decrepit buildings. Workers at fancy hotels scraped by on a state salary of $20 a month.

As Leal himself told The Times, revitalizing Cuba’s colonial architecture had done only so much to fix larger social ills.

“It pains me to see every day the border that divides what has been restored and what remains to be restored,” he said.

Eusebio Leal Spengler was born on Sept. 11, 1942, in a working-class district of Havana. He was reared by his single mother, a washerwoman and cleaner, and dropped out of school in the sixth grade to help support the family. No other information was available about his mother or father. Survivors include his two sons, Javier Leal and Carlos Manuel Leal.

After the 1959 revolution brought Castro to power, public education in Cuba became free. In 1975, Leal earned a bachelor’s degree in history, and later a doctorate in historical sciences, from the University of Havana. But he had early on been self-taught, spending his youth in libraries reading about history and architecture. In the early 1960s he was made an apprentice in the Office of Historian, held at the time by Emilio Roig de Leuchsenring.

When Roig died in 1967, Leal assumed the role and oversaw the renovation of the 18th-century governor’s palace into a museum, his first restoration project.

“By ancient tradition, every old city in Latin America maintains the institution of ‘chronicler,’ who is named for life to save the memory of the city,” he told Smithsonian magazine in a 2018 profile.

But Leal did not want Old Havana to be a mummified city for tourists. He used a portion of the Habaguanex profits to build schools and health clinics and to repair apartment buildings so that longtime residents could remain. As he told The Washington Post in 2000, he took care to create “spaces of silence” in his plan — living neighborhoods removed from the tourist hordes.

His success brought him political influence. As a practicing Roman Catholic, he sought to improve the relationship between the Catholic Church and Cuban authorities, who had dispelled priests after the revolution and officially espoused atheism. When Pope Francis visited Cuba in 2015, Leal showed him around.

Building by building, block by block, he continued his preservation efforts until the end of his life. One of his last and most ambitious projects was the restoration of the National Capitol Building, which, with its domed roof and neoclassical architecture, resembles the U.S. Capitol. It opened in 2018 after eight years of work.

“What we’re doing here is trying to preserve the patrimony, the memory of the Cuban nation,” Leal told The Times in 2005.

“I won’t see the full restoration of the city,” he added. “So much is left to be done, but this is a start.”

© 2020 The New York Times Company

Today's News

August 17, 2020

Cracking codes with Sanford Biggers

Rediscovered art works by Victor Pasmore feature in Hastings Contemporary's re-opening exhibition

Eusebio Leal Spengler, who restored Old Havana, dies at 77

Tribute in Light will shine after all, officials say

He's sharing the history of Black New York, one tweet at a time

Swoon joins Turner Carroll Gallery

Museum of Jewish Heritage - A Living Memorial to the Holocaust announces September reopening

Bling no longer king in India as gold loses its shine

China Guardian Hong Kong August Auction brings $ 1 million

Screenprint by Roy Lichtenstein headlines Neue Auctions' sale

Locarno hails hybrid-format film festival

As pandemic lingers, one DJ tests virtual 'tours'

Slow motion recovery: cautious Hollywood edges back to work

Dr. Jay Galst, a specialist in eyes and coins, dies at 69

Julian Bream, maestro of guitar and lute, dies at 87

Outdoor medicine for the play-starved soul

The Contemporary Dayton announces 2020 online art auction & benefit

PHI to present the Venice Biennale's VR selection

GOST Books to publish 'Paradise City' by Sébastien Cuvelier

MOSTYN reopens with exhibition of works by Athena Papadopoulos

Govett-Brewster Art Gallery announces the release of 'Tangible/Intangible: The Sound of Sculpture'

American iconoclast Michael Almereyda's films to be shown at Museum of the Moving Image

Exhibit Columbus announces theme and J. Irwin and Xenia S. Miller Prize recipients

Maritime Injury Attorney - Your Protector

Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

sa gaming free credit

Royalville Communications, Inc
Founder's Site. The most varied versions
of this beautiful prayer.
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful