Its far out, man. Stephensons
August 14 auction of rock concert posters from the Estate of Perry Pfeffer will take you on a trip back in time to the days of peace, love, incense and sitars. The mind-blowing 339-piece collection was amassed by Pfeffer for his own personal enjoyment. However, Pfeffer later ventured into the commercial side of concert posters with the 2001 launch of a successful online business, Postercade, which he operated until his passing in February of this year.
Perry Pfeffer was a pioneer collector of concert posters, said Cindy Stephenson, owner of Stephensons Auction in suburban Philadelphia. He bought his first posters on New Years Day in 1972 after wandering into show promoter Bill Grahams store in San Francisco. On his website he wrote that the date was cemented in his mind because it was the day after he attended his first Grateful Dead concert, a New Years Eve show at Winterland. He said the posters displayed in Grahams store were eye-opening and life-changing for him. Once he became immersed in the concert poster world, he never lost his passion for it.
The collection includes many rare first printings of posters for bands and solo artists who were mainstays of the San Francisco music scene during the 1960s and 70s. Some of the musicians achieved legendary status, while others developed cult followings and became more widely appreciated as time went on. The same could be said for the talented poster artists whose psychedelic images so vividly recall the flower power era.
One of the premier entries in the sale is an original first printing of a Bill Graham Presents The Doors/Yardbirds Fillmore Auditorium concert poster from July 25-30, 1967. It is signed by its creator, poster artist Bonnie MacLean (American, 1939-2020), who also was Grahams wife at the time. This particular poster is significant because it promotes one of the Yardbirds last shows with both Jimmy Page and Jeff Beck on guitar. Beck quit the band shortly after the California gigs. Additionally, the Doors career-defining single Light My Fire rose to #1 on the Billboard Hot 100 the very week these shows took place. The poster is estimated at $3,500-$4,500.
A second Doors poster, also an original first printing, advertises the LA bands Feb. 5-6, 1970 concert at Winterland Ballroom in San Francisco. It is signed by the artist, Randy Tuten, and is estimated at $1,000-$1,500.
In addition to operating the Fillmore West, Bill Graham promoted shows at his original Fillmore venue in New York City. The top-estimated lot in the auction is an original pre-concert first printing of a lithographed poster touting two back-to-back shows by The Jimi Hendrix Experience, May 10, 1968 at the Fillmore East. David Byrds dazzling pink and yellow op-art design features the faces of Hendrix and bandmates Noel Redding and Mitch Mitchell. Below the date and show times it says Fantasy Unlimited 1968, Bill Graham, NY. No 7. Estimate: $6,000-$9,000
Posters promoting Bob Dylans early performances are rare and in great demand. Perhaps the most sought after of all Dylan posters is the historically important example publicizing a Nov. 3, 1963 show sponsored by the Congress of Racial Equality (CORE). The afternoon event took place at University Regent Theater in Syracuse, New York. This poster is significant because it is one of only a few items that tie Dylan to the Civil Rights movement, Cindy Stephenson noted. The pre-auction estimate is $3,000-$5,000.
During the British Invasion of the late 1960s/early 1970s, the Rolling Stones took America by storm with their charismatic stage presence and blues-based rock repertoire. The auction features two rare West Coast posters from that seminal period of their career. The first was produced for a Nov. 10-11, 1969 show at the San Diego International Sports Arena. An original rare version with Bill Grahams copyright, the poster is signed by its designer, Randy Tuten, and is estimated at $1,000-$1,500. An original first printing of a Winterland Ballroom concert poster with art by David Singer is emblazoned Bill Graham Presents Rolling Stones Tumblin Dice and announces two shows at the Winterland Ballroom, June 6 and 8, 1972. Its estimate is $600-$1,000.
An original first printing of a poster for blues forefather Howlin Wolfs September 23-24, 1966 appearance at the Avalon Ballroom, San Francisco, was designed by Alton Kelley (1940-2008) and Stanley Mouse. It is hand-signed S. Mouse with a mouse doodle added in pencil. Estimate: $1,000-$1,500
Every poster in the collection is a gem, so highlights are too numerous to mention in their entirety, but among them are: Alton Kelleys Jefferson Airplane/Grateful Dead Sore Thumb poster for March 15-17, 1968 show at Carousel Ballroom, San Francisco $1,500-$2,000; an original first printing of Big Brother and the Holding Companys Heart and Torch Fillmore West concert poster, Sept. 12-14, 1968, with artwork by Rick Griffin, $600-$1,000; and an original first printing of the Grateful Deads Aoxomoxoa Avalon Ballroom concert poster, Jan. 24-26, 1969, designed by Rick Griffin (1944-1991), $1,000-$2,000.
Stephensons Aug. 14 auction of the Perry Pfeffer Estate Collection of Rock Concert Posters will be held live at the companys Southampton (suburban Philadelphia) gallery, with absentee and Internet live bidding available through LiveAuctioneers. Start time: 1 p.m. ET. In-gallery inspection on Aug. 14 from 11 a.m. till start of auction. For additional information on any lot in the sale, call Cindy Stephenson at 215-322-6182 or e-mail firstname.lastname@example.org.