New presentation of the Collection of Contemporary Art at the Städel Museum, Frankfurt am Main
The First Art Newspaper on the Net    Established in 1996 Sunday, November 24, 2024


New presentation of the Collection of Contemporary Art at the Städel Museum, Frankfurt am Main
Städel Museum’s Collection of Contemporary Art. Photo: Städel Museum - Norbert Miguletz.



FRANKFURT AM MAIN.- The Städel Museum’s Collection of Contemporary Art is presented anew for the first time—nearly a decade after its opening. A history of art after 1945 fans out proceeding from the central square of the Garden Halls, which cover an area of some 3,000 square metres, beginning with major works of art dating from the recent past to the present. A total of approximately 230 works by 170 artists of various schools, styles and groups will reveal surprising comparisons, viewpoints and visual axes between the immediate present and its roots in past decades. In honour of the occasion, a large number of the museum’s most recent acquisitions and gifts will be on exhibit for the first time, for example works by Miriam Cahn (*1949), René Daniëls (*1950), Carlos Cruz-Diez (1923–2019), Jimmie Durham (*1940), Asta Gröting (*1961) and Victor Vasarely (1906–1997).

With a wide array of narrative threads, the new presentation will allow experiencing post-1945 art from a thematic rather than a chronological point of view. The dissolution of the depicted object in formless, abstract painting, as seen in works of different decades, will be one thematic focus; another will be the advent of gestural painting and its impact on the generations that followed. The presentation will also address itself to the aesthetic of geometry and objects of everyday life—an aspect that turns up time and again in the period in question, charged with ever new meanings and references—in all its various forms and thematic premises. As visitors make their way through the rooms and squares of the Garden Halls, they will moreover gain insights into how the figure found its way back into the picture, how painting conquered—real—space, how the alleged competitors painting and photography entered into a mutual exchange, and much more.

“We’ve been collecting contemporary art since the founding of the Städel Museum. In 2012, the collection of contemporary art received a superb new domicile in the Garden Halls. A lot has happened since then. Over the past years, thanks to the strong dedication of our patrons as well as numerous substantial gifts and a resolute purchasing policy, we have significantly expanded our contemporary art holdings. Our visitors can now discover these recent acquisitions—and rediscover important older works—in a changed presentation featuring works by 170 artists. It is an invitation to see a special collection and seven decades of contemporary art with new eyes”, Städel Museum director Philipp Demandt comments.

Wolfgang Tillmans’s (*1968) abstract photograph Freischwimmer 54 (2004), for example, strikes up a dialogue with the assemblage Zimbal (1966) by Gerhard Hoehme (1920–1989) and Raymond Hains’s (1926–2005) collage Coup de Pied (1960). The presentation segues from the sculptures by Jessica Stockholder (*1959) #358 (2001) and Isa Genzken (*1948) Wind I (David) (2009) to works such as Blinky Palermo’s (1943–1977) Cloth Picture (1970) and Yves Klein’s (1928–1962) sponge relief Relief éponge bleu (1960). Daniel Richter’s (*1962) abstract-figurative painting entertains a link to Francis Bacon’s (1909–1992) Study for the Nurse in the film Battleship Potemkin. Dirk Skreber’s (*1961) photo-realistic-like painting forms a transition to the spaces built and captured on film by Thomas Demand (*1964). In realms off the beaten paths of post-1945 art, various presents become visible: widely differing interpretations and accesses to the art of this period that run parallel to, intersect or complement, contradict or comment on one another. The result is an expedition through seven decades of contemporary art that enables visitors to grasp art history individually and according to personal interest. The squares, spaces and paths of the exhibition architecture offer unaccustomed visual axes and proximities that create links and make them visible, bringing together art of several decades.










Today's News

June 1, 2020

Christo, artist who wrapped and festooned on an epic scale, dies at 84

New-York Historical Society receives promised gift of more than 100 works from the Elie and Sarah Hirschfeld collection

New presentation of the Collection of Contemporary Art at the Städel Museum, Frankfurt am Main

Schantz Galleries presents a collection of new works by Lino Tagliapietra

Art Paris announces an evolution in its partnership with international art platform Artsy

Taxispalais Kunsthalle Tirol opens Corita Kent's first solo show in Austria

The natural universe of Giovanna Garzoni brings Palazzo Pitti back to life

Kensington Church Street Art & Antique Dealers' Association announces virtual summer showcase

John Loengard, Life photographer and chronicler, dies at 85

Taj Mahal damaged in deadly India thunderstorm

"100 Years of Collecting," to debut at the National WWI Museum and Memorial in Tandem with museum's reopening

The Mima reopens on the 3rd of June

Van Gogh Museum announces IMG as new licensing agent

The Approach presents a solo exhibition of new works by London-based artist Mike Silva

The 22nd Biennale of Sydney reopens with extended dates

Jewellery collecting on the rise in Australia

The National Gallery of Victoria to re-open June 27

Rare coin linked discovered in Colchester 50 years ago to be sold at Dix Noonan Webb

Zabludowicz Collection gives artists who have had upcoming shows cancelled a platform to still perform

Sullivan+Strumpf is now representing Natalya Hughes

Meteorological Mobilities opens online at apexart

The Cy Twombly Foundation donates to the city of Gaeta

Magenta Plains announces representation of Jennifer Bolande

bo.lee gallery opens a virtual show of works by Lindsey Bull, Minyoung Choi, and Nettle Grellier

Best benefits of wearing artificial wigs made from synthetic hairs

The Most Fascinating Online Casino Game - Judi Slot Online

7 Reasons to Buy A Point and Shoot Camera

"Cycling in the City: A 200-Year History" opens at Museum of the City of New York




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful