J. Seward Johnson Jr., sculptor of the hyperreal, dies at 89
The First Art Newspaper on the Net    Established in 1996 Sunday, December 22, 2024


J. Seward Johnson Jr., sculptor of the hyperreal, dies at 89
A photo provided by The Seward Johnson Atelier, Inc., J. Seward Johnson Jr. works on his first sculpture, Stainless Girl in 1969. Johnson, a sculptor who may be responsible for more double takes than anyone in history thanks to his countless lifelike creations in public places, a businessman in downtown Manhattan, surfers at a Florida beach, a student eating a sandwich on a curb in Princeton, N.J., died on Wednesday at his home in Key West, Fla. He was 89. The Seward Johnson Atelier, Inc. via The New York Times.

by Neil Genzlinger



NEW YORK (NYT NEWS SERVICE).- J. Seward Johnson Jr., a sculptor who may be responsible for more double takes than anyone in history thanks to his countless lifelike creations in public places — a businessman in downtown Manhattan, surfers at a Florida beach, a student eating a sandwich on a curb in Princeton, New Jersey — died Wednesday at his home in Key West, Florida. He was 89.

His family said through a spokesman that the cause was cancer.

Johnson had another distinction besides his art. As a member of the family that founded Johnson & Johnson, the pharmaceutical and consumer products giant, he was one of six siblings who, in a high-profile court case in the 1980s, sought to overturn his father’s will, which left his vast fortune to a former maid, Barbara Piasecka Johnson, whom the senior Johnson had married late in life. A settlement was reached just before the case went to the jury, giving the children a share of the estate but leaving most of it to Barbara Piasecka Johnson.

But more enduring were the sculptures, which often caught passersby unawares; many would pause for a closer look and, in the cellphone age, a picture. One sculpture in particular became something more than a curiosity. It was a work Johnson called “Double Check”: a seated businessman reviewing the contents of his briefcase.

The sculpture was in Liberty Park near the World Trade Center when the attacks of Sept. 11, 2001, left the area in ruins. Many other artworks in the buildings and outside were destroyed that day, but the man with the briefcase, though knocked off his perch, survived, covered in debris.

The sculpture is so lifelike that firefighters are said to have tried to rescue it. It became a makeshift memorial — a symbol of endurance to some, a reminder of the bodies never recovered to others. In 2006 it was installed in the newly named Zuccotti Park, not far from its original spot.

“I thought of him as a businessman Everyman — with his briefcase — getting ready for his next appointment, and people identified with him,” Johnson told The New York Times in 2005. “So when he survived, it was as if he was one of them — surviving as well.”

John Seward Johnson Jr. was born April 16, 1930, in New Brunswick, New Jersey. His father was the son of one of the founders of Johnson & Johnson. His mother, Ruth Dill Johnson, was a native of Bermuda whose father had been Bermuda’s attorney general.

Johnson, by his own admission a poor student, was sent to the Forman School in Litchfield, Connecticut.

“It was a place for dyslexics,” he told The Times in 2002, “although we weren’t called that then.”

He tried college at the University of Maine, where he studied poultry husbandry. (“It was the only thing they’d let me into,” he said.) Then, in 1951, he joined the Navy.

After leaving the Navy in 1955, he took a management job in the family company, but a troubled first marriage, to Barbara Kline, proved distracting. He is said to have hired private detectives to raid his own house in the middle of the night, hoping to catch her in an indiscretion; she was alone, thought the detectives were intruders and shot one of them, injuring him.

Soon after their divorce in 1964, Johnson married Cecelia Joyce Horton, who got him interested in art. Sometimes they would paint together, although he wasn’t very good at it.

“I didn’t like what I could do with paint,” he told The Times, “so my wife suggested sculpture because I had some mechanical ability.”

He took some classes and made his first piece, in stainless steel. It won a contest sponsored by U.S. Steel.

“I thought, oh gee, this is great, maybe sculpture isn’t so bad after all,” Johnson told the newspaper U.S. 1 in 2002. “I never won anything after that.”

In 1974, Johnson established the Johnson Atelier in Hamilton, New Jersey, a sculpture school and foundry where artisans helped fabricate his sculptures as well as those of other artists, including George Segal and Joel Shapiro. The foundry operated until 2004.

In 1984, Johnson created Grounds for Sculpture, a 42-acre sculpture park on a former fairground in Hamilton. Some of Johnson’s trompe l’oeil works are there, surprising visitors as they wander the property, but much of the work is by others, with abstract and other genres well represented.

“Seward is the artist that everybody loves to hate,” David Levy, director of the Corcoran Gallery in Washington, said in 2005, a reference to those who dismiss his work as kitsch. “But quietly and selflessly, he is an enormously important citizen of art.”

Not all of Johnson’s sculptures are as realistic as “Double Check” or “Out to Lunch,” the sandwich eater on the curb in Princeton.

One of his best-known works is “The Awakening,” a 15-foot-high depiction of a giant struggling to emerge from the earth. For years it was at Hains Point in Washington, though about a decade ago it was moved to Prince George’s County in Maryland. Another well-known piece, which exists in several versions, is “Unconditional Surrender,” a 25-foot-high recreation of the famous V-J Day photograph of a sailor kissing a nurse in Times Square.

Johnson also made a series of works called “Beyond the Frame,” three-dimensional translations of 18th- and 19th-century paintings by Manet, Renoir and others. An exhibition of those works at the Corcoran in 2003 did not impress Blake Gopnik, who reviewed the show for The Washington Post.

“Bad art is made every day, by tens and hundreds of thousands of well-meaning people,” he wrote, “and this is just more of the same. It’s not shameful; it just happens to be hideous and dumb.”

Johnson seemed unbothered that the art world sometimes dismissed his work.

“Most people who like my work are timid about their own sense of art,” he told The Times. “I love to draw it out of them, because they have strong inner feelings. They’ve been intimidated by the art world.”

In addition to his wife, Johnson is survived by a son, John Seward Johnson III; a daughter, India Blake; and five grandchildren.

Several other Johnson works are part of the landscape of Princeton besides “Out to Lunch,” which is in Palmer Square in the center of town. There is, for instance, “The Newspaper Reader,” near Trinity Church. A seated man — Johnson envisioned him as a conservative fellow, as evidenced by his tie and wingtips — is reading The Times. Johnson cast the newspaper pages from mats used by the newspaper in the printing process.

The issue in the man’s hands is dated March 22, 1974. But on the bench beside him is the newspaper of Aug. 9, 1974. You’ve probably seen it: Its lead headline, in gigantic type, says, “Nixon Resigns.”

In a 1975 interview, Johnson said he had already completed the metalwork when that news broke; he felt he had to add the August newspaper to the scene as a nod to history.

© 2020 The New York Times Company










Today's News

March 13, 2020

New York's major cultural institutions close in response to coronavirus

The Prado Museum's unsung workers step into the limelight

Top Dutch museums close over coronavirus

Scholten Japanese Art presents 'The Baron J. Bachofen von Echt Collection of Golden Age Ukiyo-e'

TAI Modern, leading dealer of contemporary Japanese bamboo art, exhibits at Asia Week New York

Koichiro Isezaki's first NYC solo exhibition opens at Ippodo Gallery

Thomsen Gallery showcases Modern and Post-War Japanese classics

'Tulip Mania' by Jan Brueghel II to be offered at Dorotheum's Old Master Sale on 28 April 2020

D. Wigmore Fine Art, Inc. exhibits works by artists from The Washington Color School

J. Seward Johnson Jr., sculptor of the hyperreal, dies at 89

Peregrine Pollen, who livened up auctions, dies at 89

Some paleontologists seek halt to Myanmar amber fossil research

V&A acquires unique piece of buried treasure - a late Medieval cluster brooch discovered by a metal detectorist in a for

National Portrait Gallery unveils new portrait of Andy Murray by Maggi Hambling

These custom designs are anything but customary

Activist museum director named New York Cultural Affairs commissioner

Galerie Thaddaeus Ropac opens an exhibition of new sculptures and drawings by Antony Gormley

Exhibition of new work by John Keane opens at Flowers Gallery

Galerie Nathalie Obadia opens exhibition of portraits from the 17th to the 21st century

Broadway, symbol of New York resilience, shuts down amid virus threat

University Auctions announces highlights included in its next online auction

Contemporary Jewish Museum Executive Director Lori Starr announces she will step down

Art Paris 2020 announces new dates

Şenes Erzik donates his personal collection to the FIFA World Football Museum

Bonhams achieves exceptional results for the Estate of Diahann Carroll

Benefits of SEO in Your HR Team

How can Digital Marketing Agencies help Businesses?

New Zealand Anxiously Awaits New Vaping Regulations




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful