Andy Gill, radical guitarist with Gang of Four, dies at 64
The First Art Newspaper on the Net    Established in 1996 Sunday, November 17, 2024


Andy Gill, radical guitarist with Gang of Four, dies at 64
Performing with the Gang of Four at the Metro in Chicago on 11 February 2011. Photo: Robman94.

by Jon Pareles



NEW YORK (NYT NEWS SERVICE ).- Andy Gill, whose slashing, dissonant guitar playing in Gang of Four inspired waves of post-punk to come, died Saturday in London. He was 64.

The band announced his death on its website. A band spokesman said the cause was pneumonia.

Gang of Four’s music was stark and bristling, yet danceable. Reimagining punk, funk and reggae with analytical rigor, the band set telegraphic lyrics and shards of guitar noise against austerely propulsive beats and syncopated silences. Its brusque, angular style would directly or indirectly influence post-punk and indie-rock bands like Red Hot Chili Peppers (who chose Gill to produce their debut album), the Jesus Lizard, Nirvana, Rage Against the Machine, Franz Ferdinand and Protomartyr. Michael Hutchence of INXS once said that Gang of Four’s music “took no prisoners,” adding, “It was art meets the devil via James Brown.”

Andrew James Dalrymple Gill was born on Jan. 1, 1956, in Manchester, England. He was an art student at Leeds University when he started Gang of Four with lead singer and main lyricist John King, bassist Dave Allen and drummer Hugo Burnham. (It was named, mockingly, after the Communist Party leaders who ruled China during its Cultural Revolution years.) He and King, friends from high school, had used travel grants to visit New York City’s burgeoning punk scene in 1976.

From the beginning, Gang of Four was determined to avoid all clichés, musical and verbal. “You could tell by listening to Gang of Four music that punk had happened. But it definitely wasn’t punk music,” Gill told online music magazine Perfect Sound Forever in a 2000 interview.

“Every part of it had to be radical. It was building musical tension in a precise way,” he told The New York Times in 2005. “It would be the juxtaposition of tight, fixed patterns that were very physically energizing and relentless, which would largely be supplied by the bass and drums, and the guitar, which would sometimes completely go along with that and sometimes not. If you took one of these elements out and made it ordinary, the whole thing would lose its authenticity.”

The band matched its caustic music to lyrics that confronted sociopolitical power structures as much as personal impulses. Its debut single, “Damaged Goods,” released in 1978, was an anti-romantic song about sex and consumerism; its debut album, “Entertainment!,” released the next year, included “At Home He’s a Tourist,” an anatomy of alienation, and “Not Great Men,” a ground-level theory of history. Onstage, King would often add to the band’s percussive attack by slamming pieces of scrap metal.

Gang of Four made an immediate impact in British and American punk circles. Its original lineup lasted for one more album, “Solid Gold,” and Gill and King went on to work with other musicians while Gang of Four’s music began adapting some pop elements. Its 1982 album, “Songs of the Free,” included “I Love a Man in a Uniform,” its closest approach to a pop hit, with backup choruses sung by the band’s bassist at the time, Sara Lee. In Britain, the song was banned from BBC playlists as the Falkland Islands war began.

Gill and King led Gang of Four on the 1983 album “Hard” before going their separate ways. Gill, who had shared production credits for Gang of Four, produced other acts, including Red Hot Chili Peppers in 1984, and released a solo EP, “Dispossession,” in 1987.

He and King regrouped to lead Gang of Four for two 1990s albums, “Mall” and “Shrinkwrapped,” before another hiatus, during which Gill returned to producing, including a 1997 EP by the Jesus Lizard, the Stranglers’ album “Written in Red” (1997), Michael Hutchence’s posthumously released 1999 solo album and the Futureheads’ debut album, released in 2004.

Gill, who lived in London, married Catherine Mayer, a journalist who leads the Women’s Equality Party in Britain, in 1999. She survives him, as does his brother, Martin Gill.

In 2004, Gang of Four’s original lineup regrouped, touring (including a performance at the 2005 Coachella festival) and releasing new recordings — on better equipment — of songs from its first albums. The full reunion didn’t last, but Gill and King made one more album together as Gang of Four, “Content,” in 2011 before King chose to give up touring. Gill continued to lead Gang of Four, with John Sterry on lead vocals.

The group released two albums, “What Happens Next” in 2015 and “Happy Now” in 2019, still making political statements, and toured until late 2019. The band wrote that Gill had been listening to mixes of an unfinished album while hospitalized.

Gill’s “final tour in November,” the band wrote in its statement, “was the only way he was ever really going to bow out: with a Stratocaster around his neck, screaming with feedback and deafening the front row.”

© 2020 The New York Times Company










Today's News

February 3, 2020

Claremont Rug Company Names 50 Best "High-End" Antique Oriental Rugs Sold in 2019

Exhibition of new sculptural works by Robert Irwin on view at Pace Gallery

Albertina Museum opens an exhibition of works by Wilhelm Leibl

TEFAF Maastricht announces art patronage is the focus of the 2020 Art Market Report

New discoveries in Iraq to be presented alongside British Museum objects for the first time in new exhibition

Andy Gill, radical guitarist with Gang of Four, dies at 64

Roland Gebhardt debuts new Minimalist work at David Richard Gallery, New York

Pace announces representation of Torkwase Dyson

Fight for survival: Photographer Claudia Andujar defends Brazil's Yanomami

Cloning musical heritage in the key of 3D

Peter Serkin, 72, dies; Pianist with pedigree who forged a new path

Hauser & Wirth opens a focused presentation of over 60 landscape photographs by Don McCullin

Convent on a hill to become a luxurious getaway for history buffs

Modernist jewelry, American paintings, and fine silver: Michaan's February Gallery Auction

Daniel Zimmermann's first retrospective opens at Kunsthaus Pasquart

WIELS opens an exhibition of works by Thao Nguyen Phan

Haus der Kunst presents two new art works in experimental format

Kristen Lorello opens a solo exhibition of new works on paper by Takuji Hamanaka

Monique Van Vooren, actress with a diverse résumé, dies at 92

MAGASIN des Horizons opens solo exhibitions of works by Minia Biabiany and Álvaro Barrios

Showbiz apes find peace through painting in Florida retirement

Victoria Miro exhibits Doppelgänger, a video installation by Stan Douglas

Carpenters Workshop Gallery opens an exhibition of works by Martin Laforêt

Conservation students assist museum with research on North Bersted Man for major exhibition

Steidl publishes Anastasia Samoylova's 'FloodZone'

Say Yes: 8 Things to Consider when Hiring a Wedding Photographer




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful