Climate change threatens Afghanistan's crumbling heritage
The First Art Newspaper on the Net    Established in 1996 Saturday, December 21, 2024


Climate change threatens Afghanistan's crumbling heritage
This photograph taken on November 17, 2019 shows Hazara children in front of caves where they live with their family in Bamiyan. After bearing the brunt of jihadist dynamite and looting by thieves, the archaeological treasures of Afghanistan’s Bamiyan province are facing a new and possibly more daunting threat: climate change. Mohammad ALI SHAIDA / AFP.

by Pierre Celerier



BAMIYAN (AFP).- After bearing the brunt of jihadist dynamite and looting by thieves, the archaeological treasures of Afghanistan’s Bamiyan province are facing a new and possibly more daunting threat: climate change.

Nestled in the heart of the Hindu Kush mountains, the Bamiyan valley's picturesque cliffs -- where centuries-old Buddha statues were destroyed by the Taliban in 2001 -- still contain a network of caves housing temples, monasteries, and Buddhist paintings.

The valley is also home to the silk-road era Shahr-e Gholghola fortress and the Shar-e Zohak citadel to the east.

Experts say that a pattern of dry spells followed by heavy rain, and larger than usual spring snowmelts is putting this historic art and architecture at risk of destruction.

Afghan officials warned in a 2016 United Nations report that the structures "may collapse and suffer from severe erosion"due to conditions directly linked to climate change.

"The erosion processes are much faster, the rains more devastating and the wind erosion stronger, which has an extremely harsh impact on the sites," Philippe Marquis, the director of the French Archaeological Delegation in Afghanistan, told AFP.

Marquis -- who has explored and worked in the region for decades -- explains that Afghanistan "is very fragile geologically, especially as vegetation cover has greatly diminished" due to deforestation.

French imaging company Iconem concurred, saying Shar-e Zohak is "very fragile" due to erosion that has increased considerably over the last 30 years.

For Baqe Ghulami, 21, who hails from Saikhand district in northern Bamiyan, climate change has long been a reality residents have had to confront.

"The weather is changing, now summers are warmer and winters colder," he says, while overlooking the empty spaces where the two towering Buddha statues once stood.

Many of the artefacts pre-date the arrival of Islam to the region but despite the fact they come from another religion, the residents who spoke with AFP proudly defended the area's history as their own.

'Erosion is increasing'
From the empty caves, visitors can see the Cultural Center, which began construction in 2015 but has yet to be completed.

It aims to educate visitors about the urgent need to preserve the area's heritage.

"There is no benefit if people just see (the sites) without information," says Ali Reza Mushfiq, 26, director of the Department of Archeology at Bamiyan University, complaining that a dearth of funding has left many in the dark -- including his own students who lack access to books.

The archaeologist readily admits that "erosion is increasing", but believes the real danger comes from "human influence at the site", including looters, who are rampant in Afghanistan.

The Shar-e Gholghola Fortress and other key sites are now guarded to protect against such issues.

The removal of landmines from the area has seen thousands visit in recent years, but the influx of recent visitors has done little to change the reality on the ground.

"We must start training... (the) local people to teach them how not to destroy the site," says Mushfiq, adding that some residents continue to store feed and house livestock in the historic sites.

A stone's throw from the cave of the great Buddha, Ammanullah, 37, says he and his family have moved into one of the caves, building a home inside made of odds and ends with plastic sheets for windows.

He is not alone, many other poor families have sought shelter next to ancient artefacts and structures.

"There are 18 families here… we didn’t have other options," says Ammanullah.

"We would go if we were given a house."

For Marquis, however, the greatest threat does not come from local residents encroaching on the site or from theft.

"Even if it is dramatic, it is much less damaging than the destruction caused by erosion," he said.

Mitigating the impacts of erosion and the effects of climate change would cost billions of dollars in Afghanistan, but the war-torn country has little ability to shoulder such a burden.

The Global Adaptation Initiative, run by the University of Notre Dame in the US, currently ranks Afghanistan 173 out of the 181 countries it scored in terms of a nation's vulnerability to climate change and its ability to adapt.


© Agence France-Presse










Today's News

January 10, 2020

Viking runestone linked to fears of climate change: study

French architects want Notre-Dame roof rebuilt in wood

Pace Gallery announces representation of Beatriz Milhazes

A Polish museum turns to the right, and artists turn away

Buck Henry, who helped create 'Get Smart' and adapt 'The Graduate,' dies at 89

The Met acquires works by Pakistani artist Lala Rukh

Climate change threatens Afghanistan's crumbling heritage

The most technologically advanced motor car to come out of Britain pre-WW2 for sale

Nationalmuseum Sweden acquires 'Adam in Paradise' by Kristian Zahrtmann

The Metropolitan Museum kicks off 150th anniversary by inviting all to share "Met Stories"

Long-time Minneapolis Institute of Art Curator Patrick Noon retires

Sotheby's unveils 'Mario Buatta: Prince of Interiors'

RISD Museum receives gift of artworks from Avo Samuelian and Manuel Gonzalez

Estella Chung appointed Chief Curator of The Wisconsin Historical Society

Friedman Benda presents its sixth annual guest-curated exhibition entitled Comfort, curated by Omar Sosa

Heritage Auctions' Comics Department sets new record: $79 million in 2019

kaufmann repetto opens 'Muses', Billy Sullivan's fifth solo exhibition with the gallery

Philbrook welcomes Sara O'Keeffe, Curator of Modern and Contemporary Art

Phillips' 2019 Watch Auctions total $111 Million

These composers are maestros of menace

Adela Holzer, whose fall from grace was theatrical, is dead

Exhibition features paintings from different series created over a 15-year period by Mike Kelley

Onward/ Forward 2020: Kim Foster Gallery opens 2020 with a group exhibition

Top Benefits Photo Retouching Services For Photographers

The best activity in Dubai, Yacht cruising, and Dhow cruise dinner experience

Watch Your Favorite Movie and Spend Time with Pleasure




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful