Exhibition unveils some of the highlights of a major joint acquisition
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Exhibition unveils some of the highlights of a major joint acquisition
George Washington Wilson (b. 1823), Forth Bridge, 1888.



EDINBURGH.- An exceptional collection of historic photographs that captures a century of life in Scotland will be showcased in a special exhibition at the National Galleries of Scotland (NGS) in collaboration with the National Library of Scotland this autumn, with a plan to tour the collection to three venues around Scotland in 2020/21.

Acquired jointly with assistance from the National Lottery Heritage Fund, Scottish Government and Art Fund, Scotland’s Photograph Album: The MacKinnon Collection celebrates Scottish life and identity from the 1840s through to the 1940s. The collection, which was acquired by photography enthusiast Murray MacKinnon, began when he ran a successful chain of film-processing stores in the 1980s, starting from his pharmacy in Dyce, near Aberdeen.

Showcasing a century of dramatic transformation and innovation, the exhibition features more than 100 selected images from MacKinnon’s collection which brilliantly transports the audience back to a period of changing rural communities, growing cities and enduring historic sites.

The chronicle of Scotland’s culture during the mid-19th to early 20th centuries is inseparable from its leading role in the early history of photography itself. Many of the first practitioners and visionaries who pushed the medium forward were based in Scotland or were inspired by Scottish subjects. The exhibition includes photographs by William Henry Fox Talbot, David Octavius Hill and Robert Adamson, Julia Margaret Cameron, Thomas Annan, Roger Fenton, George Washington Wilson, and others who created stunning images of Scotland’s people and places and established precedents for photographers worldwide.

National Galleries of Scotland, Director General Sir John Leighton, said: “Scotland’s Photograph Album: The MacKinnon Collection allows audiences the chance to be transported back to a century of change and growth. It is not only a fascinating look at historical Scottish life that sits just on the edge of living memory, but also an important showcase of the innovative progression of photography in Scotland.”

While photography is known for its reproducibility, many of the artworks contained within the collection are unique, including daguerreotype portraits and hand-made albums. Highlights of the exhibition include:

• Original photographs from the pioneering days of photography featuring work from David Octavius Hill (1802-1870) and Robert Adamson (1821-1848), James Ross (d.1878) and John Thomson (d.1881), Cosmo Innes (1798-1874) and Horatio Ross (1801-1886)

• Work from Thomas Annan (1829-1887) and his son, James Craig Annan (1864-1946) including examples of their photographs of Glasgow

• Images from George Washington Wilson (1823-1893) and James Valentine (1815-1880), who travelled across Scotland photographing its people and places

• An exquisite view of Loch Katrine by William Henry Fox Talbot (1800-1877), who travelled to Scotland in the autumn of 1844. Talbot was the inventor of the calotype, a negative-positive paper process that was patented around the world, except, importantly, in Scotland, allowing for free use and experimentation

• Portraits of Scottish regiments from the Crimean War by Roger Fenton (b. 1819-1869)

• A series of albums and prints depicting life in the main Scottish towns and cities from the late 1800s and early 1900s

• Studies of farming and fishing communities in remote villages and hamlets

• Scenes of shipbuilding, railways, herring fishing, weaving, whisky distilling, dockyards, slate quarries and other working environments










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