NEW YORK, NY.- Claire Oliver Gallery presents Super/Natural, an exhibition by Philadelphia-based artist Judith Schaechter, on view March 20 - May 23, 2026. Anchoring the exhibition is the monumental work of the same name, Super/Natural. Nearly two years in the making, the eight-foot-tall stained glass dome is designed for a single viewer to sit inside and experience the transcendental work in a 360 degree immersion. The work depicts a three-tiered cosmos that explores biophilia, the innate human tendency to seek connection with the natural world. The exhibition also debuts three new lightboxes, expanding Schaechter’s distinctive stained glass practice. “The vernacular of stained glass is one of worship and mythology,” states Schaechter. “Super/Natural turns this a bit on its head, creating a secular sanctuary for contemplating beauty, nature and our relationship to it.” Schaechter produced Super/Natural as the artist-in-resid ... More
NEW YORK, NY.- Now on view, the Jewish Museum presents the first U.S. museum exhibition to explore Paul Klee’s powerful creative output from the final unsettled decade of his life. Paul Klee: Other Possible Worlds traces the Swiss-German artist’s departure from the Bauhaus and his experience throughout the political upheaval of the 1930s prior to his death in 1940, providing a new basis for understanding his socio-political perspective and commitment to artistic freedom. The exhibition features some 100 paintings and drawings, among them select works from Klee’s earlier practice, including his rarely exhibited and iconic Angelus ... More
Ha Chong-Hyun Conjunction 24-82, 2024. Oil on hemp cloth, 162 x 130 cm. 64 x 51 in.
PARIS.- Almine Rech Paris, Matignon opened a group show highlighting major figures of the Dansaekhwa movement. Featuring works by Ha Chong-Hyun, Lee Ufan, Park Seo-Bo, Yun Hyong-keun and Chung Sang-Hwa, it will be on view from March 21 to May 23, 2026. The exhibition is organized in celebration of the 140th anniversary of diplomatic relations and friendship between France and Korea (1886–2026). The prominence of the Dansaekhwa movement is partly due to its particular place in the history of South Korean art. In the second half of the 1950s, a handful of innovative artists decided to seek inspiration in Western avant-garde movements. Their break with academic painting was one of the founding acts of contemporary art on the Korean ... More
Installation view.
LONDON.- Vast travertine ‘boulder benches’ created by Sculptor David Worthington in collaboration with John Robertson Architects (JRA), and Bill Amberg Studio and have been revealed at 20 Gresham Street in the City of London’s Guildhall complex. Renowned Sculptor David Worthington was commissioned to create four ‘sculptural benches’ for visitors. Worthington collaborated closely with JRA to design a series of travertine benches measuring up to five metres in length and weighing up to 2.5 tons. During the two-year long project, Worthington spent time in Pietrasanta near Carrara – working with Marble Projects (founded by artist Kevin Francis Gray) – and sourced Tuscan travertine from S.I.T.I. Quarry in southern Tuscany to harmonise with 20 Gresham Street’s interior architect ... More
New Museum. Courtesy New Museum. Photo: Jason Keen.
NEW YORK, NY.- Officials gathered today on the Bowery to celebrate the opening of the New Museum’s widely anticipated 60,000 sq ft expansion, designed by Pritzker Prize-winning architecture firm OMA / Shohei Shigematsu and Rem Koolhaas in collaboration with Executive Architect Cooper Robertson. Seamlessly integrated with the Museum’s existing SANAA-designed flagship building, OMA’s dramatic new expansion introduces the next chapter in the institution’s nearly fifty-year history of experimentation, innovation, and incubation of new art and new ideas. Made possible by a $130 million capital campaign, the New Museum’s new building supports the expansion of the institution’s ambitious exhibition program, collaborations with peer arts institutions around the world, extensive education offerings both within the Museum’s walls and in the surrounding community, and industry-leading interdisciplinary initiatives including NEW INC, the first museum-born art, ... More
Leading the auction was Bouquet de fleurs (Bouquet of Peace) (1958), an editioned lithograph after Pablo Picasso, which realized $10,000.
DALLAS, TX.- Heritage Auctions’ March 18 Prints & Multiples Showcase Auction – a format designed to offer collectors access to works at more approachable price points than the company’s marquee Signature auctions – achieved a 100% sell-through rate and realized $231,775 across 89 lots. The sale drew participation from 422 bidders and demonstrated particular strength among blue-chip names. Of the 20 highest-selling lots, works by Pablo Picasso, Marc Chagall and Jacob Lawrence accounted for a significant portion of top results, underscoring continued collector confidence in established figures in the Prints & Multiples market. Leading the auction was Bouquet de fleurs (Bouquet of Peace) (1958), an editioned lithograph after Pablo Picasso, which realized $10,000. Another Picasso lithograph, Le Clown (1968), followed at $9,687. Jacob Lawrence’s Play (1999), a vibrant screenprint published in collaboration ... More
Arleene Correa Valencia, Es Más Facil Salir De Madrugada: Sin Despedida Duele Menos. / It’s Easer To Leave Before The Sun Rise: It Hurts Less If We Don’t Say Goodbye., 2025, Acrylic, textiles and thread on amate paper, 48 x 60 in.
NEW YORK, NY.- Fridman Gallery is presenting Arleene Correa Valencia’s first solo exhibition in New York City, CÓDICE •• SOBREVIVIENDO A LA PERSECUCIÓN / CODEX •• SURVIVING THE PERSECUTION, in collaboration with Catharine Clark Gallery. In CÓDICE •• SOBREVIVIENDO A LA PERSECUCIÓN / CODEX •• SURVIVING THE PERSECUTION, Bay Area-based artist Arleene Correa Valencia continues and expands her exploration of family history and Mexican migrant narratives through multimedia paintings and textiles. Made in close collaboration with family and community members, the series presents a timely protest at a moment when immigration is at the forefront of American politics, reminding us how art and joy can form meaningful modes of resistance. Today, we are beyond rhetoric. From ICE carrying ... More
Maysha Mohamedi, Maysha the Fool, 2025. Oil on canvas, 33" × 28" (83.8 cm × 71.1 cm).
NEW YORK, NY.- Pace presents an exhibition of new paintings by Maysha Mohamedi at its 540 West 25th Street gallery in New York. On view from March 10 to April 25, this presentation comprises 16 canvases she created in 2025, after a year-long break from painting and during a period of new artistic, physical, and spiritual pursuits. The show is accompanied by a new facsimile edition of her studio notebook from Pace Publishing.
Mohamedi—whose work can be found in the collections of the Metropolitan Museum of Art in New York, the Los Angeles County Museum of Art, the Institute of Contemporary Art, Miami, and the Zhi Art Museum in Chengdu, China—is a self-taught artist. Raised in San Luis Obispo, California, she trained as a neuroscientist before pursuing a career as a painter. Now based in Los Angeles, she is known for her abstract paintings populated with idiosyncratic forms that unfold, unspool, and reveal themselves over time to explore ... More
Richard Johansson, Bror Hjorth Digs Jazz, 2025. Linseed oil-burnt cast iron, 63 x 13 x13 cm. 1 + 1 AP.
STOCKHOLM.- Galleri Magnus Karlsson opened Richard Johansson’s tenth solo exhibiton at the gallery. The exhibition In the Shadows of Myself presents a series of eighteen sculptures in linseed oil-burnt cast iron. Throughout his artistic career, Richard Johansson has been passionate about unpretentious and straightforward visual storytelling. He has lovingly drawn inspiration from the direct appeal and unadorned language of folk art. Echoes of this tradition can often be seen in his own art, which encompasses a variety of techniques and materials. Over the years, he has moved freely between sculpture, painting and drawing, always with a deep-rooted sense of craftsmanship and materiality. The exhibition’s new iron sculptures can be seen as a summary of Johansson’s personal artistic universe. Here, he has moved towards a more primitive and simplified expression. The works still have a playful and narrative touch, but the colour has been reduced ... More
Luz Carabaño, pasaje, 2025. Oil on linen, stretched over shaped panel, 3 1/8 x 3 1/8 in., 7.94 x 7.94 cm.
SAN FRANCISCO, CA.- Casemore Gallery is presenting pasajes, a solo presentation of paintings, photographs, and drawings by Luz Carabaño, a Los Angeles–based Venezuelan artist. The exhibition interweaves several elements of Luz’s practice, revealing the various stages that coalesce into her signature small-scale oil paintings with porcelain-like finishes. Distinct shapes and muted colors dance off the curves of each irregularly shaped canvas while light and shadow twist along found grids that Luz captures on color film and digital snaps of her everyday comings and goings. Her drawings are like scattered leaves falling down the wall’s surface, revealing the artist’s unfiltered thought process in fleeting personal moments. Displaying all three mediums together for the first time in this inaugural solo exhibition with Casemore Gallery, Luz Carabaño offers the viewer a unique, intimate experience of her practice. Luz’s paintings often begin with a shuffling of her deck of printed photo ... More
Aliza Nisenbaum. Huipil, 2026. Oil on linen. 24 x 24 inches (61 x 61 cm).
CHICAGO, IL.- Regen Projects and Anton Kern Gallery bring a joint presentation of works by Aliza Nisenbaum at EXPO CHICAGO 2026. Exemplifying the artist’s singular approach to portraiture and community engagement, the paintings on view presage Nisenbaum’s large-scale mural, to be unveiled at the Obama Presidential Center’s opening in June of 2026. Born in Mexico City and based in New York, Nisenbaum develops her ebullient paintings through a form of participatory observation that involves forging relationships with her subjects, often from diasporic and immigrant communities, and their environments. Originally commissioned for her solo exhibition at the Queens Museum, the monumental diptych El Taller (The Workshop) (2023) demonstrates this element of her practice, depicting a bilingual painting workshop Nisenbaum taught to volunteers from the Queens Museum’s La Jornada food pantry. Nisenbaum’s sweeping mural created for the Obama Center, entitled Reading Circles/ Weaving Dre ... More
Lucy + Jorge Orta, Gaia with Pleades, 2025. Tapestry woven with wool, recycled PETT, Elirex silver thread, 66 7/8 x 66 7/8 in. 170 x 170 cm. Edition of 4 plus 1 artist's proof.
NEW YORK, NY.- Jane Lombard Gallery is presenting from root to rain, marking the third solo exhibition by the artist duo Lucy + Jorge Orta. From the Amazon rainforest to the desert of Saudi Arabia, this exhibition spans painting, embroidery, tapestry, and film to examine environments shaped by ecological instability. Utilizing scientific research practices, the artists draw upon regions where natural resources are increasingly depleted, translating research and data into poetic visual forms. At the center of the exhibition are three woven tapestries, from a series of nine, recently exhibited at the British Textile Biennial. The tapestry Gaia with Pleades positions the earth goddess Gaia as both guide and witness of past and future events. The tapestries function as maps, drawing on celestial navigation and ancient cosmologies to understand humanity’s place within the natural world. The images reflect the cyclical nature of changing environments from ... More
SAN FRANCISCO, CA.- Paul Thiebaud Gallery announced the opening of Cornerstones – Robert Arneson and the Brick. Featuring more than 25 never before or rarely seen ceramic and bronze sculptures, drawings, and prints, this exhibition is the first to focus on Arneson’s use of the brick as an integral form in the development and trajectory of his career. Employed as canvas, vessel, homage, surrealist expression, monument, conceptual object, and a medium for portraiture, Robert Arneson explored the possibilities of what a brick is and could be in greater dimension and depth than any other artist before him. The exhibition will be on view through May 9, 2026. In the first half of the 1960s, Robert Arneson began investigating the history of ceramics and how the medium influenced the development of western culture. He first hit on the toilet as one of the greatest uses that clay had been used for and filtered that form through the lens of Pop ... More
Quote Creative experience foreshadows a new Heaven and a new Earth. Nikolai Berdyaev
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Metamorphosis: Alita Li's sculptural universe of tension and equilibrium at Hackney Gallery LONDON.- Alita Li’s Metamorphosis at Hackney Gallery unfolds as a field of sculptural installations animated by tension, suspension, and fragile equilibrium. Across the gallery, organic materials encounter industrial fragments and elements of the built environment, manifesting as arrangements that appear simultaneously precarious and strangely harmonious. These gathered works often resemble ritual objects, symbolic landscapes, or even bodily systems that occupy a threshold between states: growth and decay, stability and rupture, compression and release. One could argue that the exhibition begins with Zhen, a work resembling an inverted tree branch visible from the street even before entering the gallery. Its form recalls not only a root formation but also something anatomical, evoking a network of veins that imply the circulation of vital force within a living ... More
Kunsthaus Graz opens two new exhibitions GRAZ.- Two radical exhibitions on flowers and their connectedness to humans invite visitors to the Kunsthaus Graz. On the day of the start of astronomic spring the shows deal with the connection between nature and culture and are claim for more courage, humility and time. As the start of the Museum collaboration BLOOM that involves more than ten exhibitions, the Kunsthaus Graz is dedicated to our entangled relationships with flowers. As a gift and a gesture of love the shows extend an invitation to engage with a culture of fundamental collaboration. Chocolate, blood, latex, meat, and flowers: on the upper floor, the exhibition Hybrid Pleasures, which appeals to all the senses, is dedicated to the pioneering British artist Helen Chadwick (1953–1996). In a contemporary interpretation, Vienna-based sculptor and winner of the Austrian Outstanding Artist Award Liesl ... More
Arnaud Rivieren transforms industrial steel into organic "still life" at LKFF Art Projects BEERSEL.- In our current climate of planetary uncertainty, the sublime has a shaky reputation. Once associated with overwhelming beauty—vast skies, towering cliffs, thunderous waterfalls—it is increasingly replaced by images of disruption and threat (wildfires, floodings, hurricanes…), where awe can feel uncomfortably close to dread. It is within this shifting landscape that Rivieren’s work finds its particular relevance: a sculpture of attention, where wonder is rediscovered not in spectacle, but in intimacy. Rivieren’s practice is rooted in a striking paradox: the artist transforms discarded industrial metals —tubular steel, iron beams, barrels—into sculptural bodies of organic intensity, shaped by the vocabulary of fruit, seed pods, stones, cones, and trees. Built through rigorous steel crafting techniques and industrial finishing processes, these sculptures contradict the rigid ... More
Malta Biennale 2026 opens with global vision at Sacra Infermeria VALLETTA.- The second edition of the Malta Biennale was officially inaugurated on March 10, during a lavish evening of spectacle at the Sacra Infermeria, Mediterranean Conference Centre, in Valletta. Inspired by the Malta Biennale theme, Clean / Clear / Cut, the inauguration unfolded through a contemporary oratorio that brought sound, bodies, costume, light, and architecture into a shared act of attention. The oratorio was punctuated by speeches delivered by Malta Biennale 2026 Artistic Director Rosa Martínez, Malta Biennale 2026 President and Chairman of Heritage Malta, Mario Cutajar, Minister for Culture, Lands and Local Government, Owen Bonnici and HE Myriam Spiteri Debono, President of Malta. The Malta Biennale 2026 opened to the public on Saturday, March 14 and runs till May 29. Under the helm of internationally acclaimed Artistic Director Rosa Martínez, ... More
Alexander Berggruen announces its representation of Kevin McNamee-Tweed NEW YORK, NY.- Alexander Berggruen announced its representation of Kevin McNamee-Tweed. The gallery's first solo show with the artist is on view at the gallery through April 1, 2026. Kevin McNamee-Tweed (b. 1984, Stanford, CA) explores the construction of meaning and the ways stories are formed, transmitted, and transformed through ceramics and works on paper. The artist’s pictorial ceramics—often described as “ceramic paintings”— invite close viewing, fostering intimacy through handcrafted detail and narrative density, often infused with pathos, humor, and a persistent curiosity about the world. To assemble his playful, rigorous, and deeply considered visual language, he draws from a wide range of sources. Repeated motifs are mined from art history as well as the textures and symbols of everyday life. Material inquiry and sustained experimentation ... More
"She Has Been Watching Over Me for 50 Years": Sanyu, “Beijing Circus”
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On a day like today, German-born American painter Hans Hofmann was born
March 21, 1880. Hans Hofmann (March 21, 1880 - February 17, 1966) was a German-born American painter, renowned as both an artist and teacher. His career spanned two generations and two continents, and is considered to have both preceded and influenced Abstract Expressionism. Born and educated near Munich, he was active in the early twentieth-century European avant-garde and brought a deep understanding and synthesis of Symbolism, Neo-impressionism, Fauvism, and Cubism when he emigrated to the United States in 1932. In this image: Hans Hofmann, Combinable Wall I and II, 1961; oil on canvas; 84 1/4 x 112 1/2 in.; BAMPFA Collection, gift of Hans Hofmann.
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