LE PUY-SAINTE-RÉPARADE.- Château La Coste, in partnership with Luise Faurschou, announced an exhibition with Ai Weiwei to celebrate the artist’s new permanent work on the vineyard.

Over the past two years, Ai Weiwei has been developing a new permanent project for Château La Coste, entitled Ruyi Path after the ceremonial scepter that symbolizes power and good fortune in Chinese history. The organic form of the scepter has provided the plan for a new pathway that weaves between the trees of the forest at Château La Coste and connects two ancient routes on the property. Using cobbles salvaged from the recently renovated ports of Marseille, Ruyi Path has given a new life to these stones that so many have passed over on arrival in Europe. Defying categorization, this structure is both sculpture and architecture; traditional and modern.

To mark the completion of this project, Ai Weiwei is mounting an exhibition at Château La Coste that provides a broader sense of the artist’s work and contextualize the Ruyi Path within his practice. The works exhibited are made using traditional kite-making techniques and employ a wide range of references to Chinese mythology and Ai Weiwei’s own life experiences. Created just before the summer of 2015, when Ai Weiwei’s passport was returned following his detention and subsequent four years of travel restrictions, the works draw from this turbulent period.

In the midst of Provence, between the historical city of Aix-En-Provence and the Luberon National Park, Château La Coste offers a unique experience at the heart of its 500 acre, biodynamic vineyard where Wine, Art & Architecture live in harmony. Artists and architects were invited to visit the Domain and discover the beauty of Provence. In turn, they were encouraged to choose a place in the landscape that spoke directly to them and were given the freedom to create a work that would live there.

In harmony with this artistic environment, Château La Coste recently opened Villa La Coste, a hotel with a gastronomic restaurant overseen by Gérald Passedat.