New Australian art unveiled at Sydney's premier cultural institutions
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New Australian art unveiled at Sydney's premier cultural institutions
Rose Nolan, Big Words – To keep going, breathing helps (circle work), 2016–17, installation view, The National 2017: New Australian Art, Museum of Contemporary Art Australia, Sydney, synthetic polymer paint, hessian, velcro, steel, supported by the Victorian Government through Creative Victoria, image courtesy the artist and Anna Schwartz Gallery © the artist, photograph: Ken Leanfore.



SYDNEY.- The National 2017: New Australian Art was today unveiled at three of Sydney’s premier cultural institutions, representing the first exhibition in a six-year partnership between the Art Gallery of New Wales (AGNSW), Carriageworks and Museum of Contemporary Art Australia (MCA) that will continue biennially until 2021, presenting the latest ideas and forms in contemporary Australian art. Connecting three of Sydney’s key cultural precincts – The Domain, Redfern and Circular Quay, The National: New Australian Art is the only large-scale, multi-venue exhibition in the country focused solely on contemporary Australian art.

Presented concurrently at the three institutions, The National 2017 features work by emerging, mid-career and established Australian artists, showcasing new and commissioned work and encompassing a diverse range of mediums including painting, video, sculpture, installation, drawing and performance. The exhibition offers a holistic view of Australian art at a point in time, and fosters dialogue between generations of artists. The work of Aboriginal and Torres Strait Islander artists features prominently across all exhibition venues, including those practising on country and those based in urban areas.

The National 2017 is curated by Anneke Jaspers and Wayne Tunnicliffe (AGNSW); Lisa Havilah and Nina Miall (Carriageworks); and Blair French (MCA). While curators focused on the delivery of the exhibition within their institutions, they worked together developing ideas and research, producing a single exhibition that unfolds across the three sites with key points of connection and dialogue.

At the Art Gallery of NSW, exhibiting artists explore the forces of social change. Their works open up new conversations with history and politics, looking at feminism, colonialism and our relations with the natural environment. From the vivid colours of Emily Floyd’s monumental feminist sculpture in the Gallery’s entrance court, to the scarred beauty of the landscape in Taloi Havini’s mesmerising video and Helen Johnson’s paintings that unsettle myths related to Australia’s colonial history, the works gathered at AGNSW for The National 2017 look to the past in an endeavour to make sense of the present.

At Carriageworks, artists explore the hybrid Australian identity offering different perspectives on how identification is shaped by questions of experience, knowledge, history and power. Works present a strong performative element, including senior Kimberley regions’ lawman Alan Griffiths’ performance of the Bali Bali Balga with 15 indigenous dancers; an ambitious new commission by Justene Williams’ featuring a sculptural installation and live performance synthesising dance, costume, live music, electronic sound and vocals; and a major site-specific sculptural installation by Ramesh Mario Nithiyendran.

At the MCA, artists are drawn from every Australian state and territory, with their works considering recurrent subject matters, materials or the processes of art making. Encounter Khadim Ali’s 15-metre mural evoking migrant experiences of exclusion, isolation and waiting; the beautiful repetition of materials and forms in Rose Nolan’s monumental banner; and 32 metal-cast objects accompanied with a homemade furnace by Matthew Bradley. There is no one connecting theme at the MCA, although common elements – art that considers the actions of power, conflict that shapes the present, and an individual’s relationship to society – connect the works on display.

During the opening week of The National 2017, be captivated by a three-day program of talks, performances and events across all three venues. Take an in-depth look at contemporary Australian art: meet and hear from the exhibition’s artists and curators; encounter live performances, electronic sound and vocals at Carriageworks; enter Jess Johnson and Simon Ward’s homage to post-apocalyptic films and DIY culture at MCA’s ARTBAR, and enjoy a special presentation by Yolngu artists Gunybi Ganambarr and Yinimala Gumana at AGNSW. The National 2017 public programs continue throughout the coming months with artist talks, performances and workshops on offer alongside family and children’s activities and a wide variety of access programs.










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March 31, 2017

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