In Rennes, Archaeologists discover a new vision of the history of death
The First Art Newspaper on the Net    Established in 1996 Monday, September 22, 2025


In Rennes, Archaeologists discover a new vision of the history of death
Study of an exceptionally well-preserved body discovered in a lead casket uncovered at the Jacobin convent in Rennes (Ille-et-Vilaine), 2015. The study takes place at the Forensic Institute of the CHU of Rangueil in Toulouse where it is first undressed garment per garment to respect the integrity of the costume.



PARIS.- From 2011 to 2013, an Inrap team, under curation by the State (Drac Bretagne), conducted an integral preventive excavation of the Jacobin convent, the site of the future Rennes Métropole conference center. Constructed in 1369, this Dominican convent became one of the principal burial sites for the parliamentary aristocracy of Rennes. Approximately 900 burials were unearthed by the archaeologists, including that of Louise de Quengo, a 17th century Lady found mummified in her lead coffin.

Today, Rozenn Colleter, an Inrap researcher affiliated with the Molecular Anthropology and Computer Generated Imagery laboratory (CNRS/Université Toulouse III – Paul Sabatier), and her colleagues, are revisiting the exhaustive study of 606 of these graves and refute the formerly accepted hypothesis that funeral practices were secularized from the Middle Ages to the Modern period. They present their findings in an article in PLOS ONE.

Lead coffins and hearts
During the excavation, the Inrap archaeologists unearthed five lead coffins and five lead urns. The latter contained hearts. Their inscriptions were compared with archives and permitted the identification of seven individuals, all nobles. Four of the lead hearts bear inscriptions dating from 1584 to 1655, showing that this practice continued for nearly 70 years. Among the five hearts contained in the urns, four are very well preserved and bear evidence of embalmment. One of the lead coffins was that of Louise de Quengo, a benefactor of the convent who was more than 65 years old when she died on March 10, 1656. Her very simple religious attire attests to a desire to be associated with a church dedicated to the poor. The heart of Toussaint de Perrien, her husband, was set on top of her coffin. He had died seven years before her and was buried 200 km from Rennes in a convent that he had founded. The study of the body of Louise de Quengo shows that only her heart was removed.

Study of a deceased population from the 14th to the 18th century
Archaeologists distinguish two burial periods at the Jacobins convent. The individuals buried from the 14th to 15th century show no evidence of postmortem interventions.

From the 16th to 18th century, approximately 1250 subjects were interred, 483 of whom were studied in depth. According to the archives of the time, which mention the burial of 113 subjects, nobles composed 74% of this population, clergy members 8%, and 4% were of the Third Estate, the rest being undetermined. Among the 483 remains studied, only 18 subjects (twelve complete skeletons, one cadaver and five hearts) and 18 scattered bones bear evidence of post-mortem interventions (craniotomy, opening of the thorax and/or the abdomen and/removal of the heart).

Secularized death in the Modern era?
The evolution of funeral practices from the Middle Ages to the Modern era is considered as a process of secularization. Certain interment procedures that were initially religious and reserved for kings during the Medieval period, would have been gradually extended to many nobles with the intention, very contemporary, of preserving the body and presenting a peaceful image of the deceased to the family.

At the Jacobins convent, however, at which many nobles were buried, only 2.7% of the sample bears evidence of post-mortem intervention. Furthermore, these interventions, craniotomy and heart removal, are acts that mutilate the bodies. The influence of religious dogma is very visible. In the case of Louise de Quengo and her husband, the burials were inversed and complementary – the heart of one with the body of the other and vice versa – and thus prove the attachment between the spouses. The two religious centers of which they were benefactors are also honored. The multiplication of burial sites increased the number of masses and prayers honoring the dead. In addition, removing just the heart represented a middle ground between numerous funeral services and the integrity of the body advocated in the papal bull issued by Boniface VIII in 1299.

We also know that lead coffins, which had been known since the end of Roman times, were intentionally ostentatious and preserved bodies that had not been treated, which was a sign of saintliness. The intention was clearly to preserve the body, but not to display it. This practice was also valorized by Council of Trent, which equated the Resurrection of the Flesh with the resurrection of flesh.

A multidisciplinary approach, with medical examiners, radiologists and anthropologists contributing to the work of archaeologists, permitted an exhaustive study of this convent in Brittany and a new vision of the history of death.










Today's News

January 16, 2017

In Rennes, Archaeologists discover a new vision of the history of death

Regen Projects opens its first exhibition with Theaster Gates

Steven Kasher Gallery opens first major retrospective of Ming Smith's work

Exhibition offers a new and unusual approach to color in the work of abstract painter Josef Albers

TEFAF announces beneficiaries of Museum Restoration Fund

Sperone Westwater opens exhibition of new work by Emil Lukas

Piene, Richter, Vasarely starting at 1 Euro at Ketterer Kunst internet auction

Heather James Fine Art celebrates 20 years; Gallery recognized for showcasing museum-grade art

Art Brussels 2017: Participating galleries and artistic project announced

Betty Cuningham Gallery opens exhibition featuring recent paintings by Chuck Webster.

Six leading galleries in Amsterdam organize an art project titled Where do we go from here?

Exhibition of five works on paper by Julia Fish on view at David Nolan Gallery

A parade of treasures are set to dazzle at the New York Ceramics and Glass Fair

Solo exhibition of works by video artist Burt Barr on view at Sikkema Jenkins & Co.

Bernhard Buhmann's third solo exhibition with Carbon 12 opens in Dubai

Artemis Gallery revisits ancient cultures with auction of classical antiquities, Asian, and Pre-Columbian art

Rarely-exhibited works from the 1960s and 1970s by Brian O'Doherty on view in New York

The Henry Luce Foundation awards $282,000 to the Harn Museum

Jason Engelund's first solo presentation with Kopeikin Gallery opens in Los Angeles

Metalpoint paintings by Susan Schwalb on view at the Elma and Milton A. Gilbert Pavilion Gallery

Two person exhibition featuring Ye Funa and Liang Ban on view at Klein Sun Gallery

Driscoll Babcock Galleries opens exhibition of works by Warren MacKenzie

The Eleanor D. Wilson Museum exhibits views of Tinker Mountain by Ron Boehmer

I.D., Please!: Walter Maciel opens group exhibition




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 




Founder:
Ignacio Villarreal
(1941 - 2019)


Editor: Ofelia Zurbia Betancourt

Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org facundocabral-elfinal.org
Founder's Site. Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful