TEL AVIV.- Since 1999 the annual
Felicja Blumental International Music Festival has played an important role in making our musical scene ever interesting and alive. Although Tel Aviv has always been well known for its classical music activities, it never before had a classical music festival that combines, in one intense and exciting week, chamber, orchestral and vocal music, as well as films, plays and folk music.
Many of today’s Israeli stars made their debut with this Festival, which features the young and unknown as well as established artists, ensembles and orchestras. Starting with intimate concert performances of piano recitals (Louis Lortie, Freddie Kempf, Shay Wozner, Konstantin Lifschitz, Roman Rabinovich, Antony Barishevsky), vocal recitals (Philippe Jaroussky, Karita Mattila, Sarah Walker, Edith Mathis, Michael Chance, Stephanie d’Oustrac), and chamber music groups (such as St. Petersburg Quartet, Saint Lawrence Quartet, Israeli Chamber Project, Multipiano Quartet), the Felicja Blumental International Music Festival has also included Baroque Music Ensembles (L`Arpeggiata – Christina Pluhar, Early Music Opera Company, Dunedin Ensemble, The Red Priest, I Musici de Montreal, Les Violon du Roi, Concerto de Cavalieri) and also vocal ensembles (Anima consort, Voces Musicales, Armonico consort, Nordic Voices among others) that together have offered the public a very rich program throughout the years.
The festival also had wide experience with folk music in the past – having invited Milva, Jacques and Paula Morelnbaum, Yasmin Levi, Fado ensemble from Portugal and an unforgettable production of Israeli folk songs with Dan Ettinger, David D`Or and Rafi Kadishson. In an effort to expand its programs, the festival established as of 2016, the Bikur Moledet day which explore the compositions of Israeli composers abroad.
Organizers invite you to become a Sponsor or Friend of the Felicja Blumental International Music Festival, and thereby to enjoy special ticket prices for all the events and participate with them in the presentation of this exciting musical venture.
Felicja Blumental was born in Warsaw, Poland on 28th December, 1908 where she studied at the National Conservatory, reading composition with Karol Szymanowski, piano with Joseph Goldberg, Zbigniew Drzewiecki and Josef Turczynsky. After taking refuge in France and Luxembourg early in World War II, she received a visa to perform in Brazil in 1942. A successful debut in Rio de Janeiro led Ms. Blumental to extensive tours in Latin America performing over 100 concerts.In the early 1950s she returned to Europe where she made her Wigmore Hall debut and made an outstanding success in Zurich where she was congratulated by Yehudi Menuhin. Ms Blumental also appeared as soloist with the Philharmonia, the RPO, the LPO, LSO and Scottish National Orchestra.From the 1960s Blumental made a speciality of music outside the regular repertory, particularly from the late 18th and early 19th centuries, recording Penderecki’s Partita for Harpsichord and Orchestra for EMI as well as recordings for the Decca and Angel labels. She recorded works for piano and orchestra by Clementi, Field, Kozeluch, Czerny, Hummel, Ries and Paderewski, among others.
Appearances in South and North America brought her further acclaim. The LA Times hailed Blumental as “an impeccable technician…[who] left no doubt that 18th-century music is her comfortable speciality” and Billboard defined Blumental as “one of the world’s greatest…played with brilliant technique.”Her performance in New York with the Mount Vernon Symphony was described by music critic, John D Chequer, as “pianistic virtuosity of such brilliance as is heard too seldom,” and said that he was struck immediately by “that depth of emotional tautness only previously felt during a performance by Vladimir Horowitz. She has the same capacity to project the widest range of dynamics and to lift an audience from complacent listening to breathless anticipation and vicarious participation.”
Ms Blumental was highly thought of by significant 20th century composers who wrote pieces especially for her. Brazil’s leading composer, Heitor Villa-Lobos, dedicated his Fifth Piano Concerto to Ms. Blumental, which she performed under the composer’s baton with the leading orchestras of Europe and recorded for EMI in Paris with the Orchestre National.When Krzysztof Penderecki was commissioned to create a new work to mark the 25th anniversary of the Eastman School of Music, he wrote the Partita for Harpsichord and Orchestra, which he dedicated to Ms. Blumental. The work was played worldwide by Ms. Blumental some 50 times with the composer conducting.In 1978 Witold Lutoslawski orchestrated his Variations on a Theme of Paganini for Felicja Blumental, which she premiered with the Florida Philharmonic Orchestra conducted by Brian Priestmann.Felicja Blumental died in Tel Aviv on 28 December 1991. In 1999, the Tel Aviv Museum of Art, Israel’s most dynamic cultural center, named its prestigious International Music Festival after her.
