NEW YORK, N.Y.- Josep and Pere Santilari's work demonstrates a contemporary sensibility, while their roots and paradigms lie in the classical subjects of art history - the townscape, the painter and his model, and the still-life, all drawn with technical precision. The Santilari brothers share a studio, each producing approximately three paintings and four drawings each per year. This is the first time their work will be exhibited in the United States.

Twin brothers Pere and Josep Santilari were born in Badalona in 1959 and graduated in 1981 with a degree in fine arts from the University of Barcelona. Building on the Spanish still-life tradition of the Bodegón as well as the work of Baroque painters such as Francisco de Zurbarán and Juan Sánchez Cotán, the Santilari brothers depict humble, quotidian objects and infuse them with an almost religious reverence, while at the same time referencing contemporary life. Tin foil, plastic shrink wrap and cell phones are rendered as meticulously as bread or skin. These elements, taken together, depict the artists' world: a secular, democratic, and capitalistic Spain that has endured great change over many centuries while maintaining its distinct identity.

As natives of Catalonia, the Santilaris also carry an awareness of that region's distinct cultural and artistic heritage, which includes a strong tradition of Realism. In the nineteenth century, Realism was introduced to Spain through the work of the Catalan painter Ramón Martí Alsina, who studied the work of Courbet in Paris in 1848, and returned to disseminate his reinvigorated style. This tradition remained strong in the region, and can be seen more recently in the work of contemporary Catalan realists such as Roca di Costa, Carlos Morago, and Jeorge Gallego.