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Thursday, October 29, 2026 |
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| Maya Freelon debuts immersive career retrospective at Gregg Museum of Art & Design |
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Maya Freelon, Bright Me, 2002. Acrylic on Paper archival print, 35"x45".
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RALEIGH, NC.- On Thursday, October 29, 2026, the Gregg Museum of Art & Design at North Carolina State University opens 2026 Artist-in-Residence Maya Freelons immersive exhibition Grounded. Freelon invites visitors on a journey through the Gregg Museuma space shaped by the architectural influence of her father Phil Freelon, NC State College of Design alumnus, designer of the Gregg Museums contemporary building, and principal architect for the National Museum of African American History and Cultureand across two decades of her artistic practice.
On view through May 29, 2027, Grounded debuts Origination, a new site-specific installation, in dialogue with more than 20 works including photography, paintings, and vibrant, larger-than-life layered tissue paper sculptures spanning two decades of Freelons career. Through thematic sections that look both backward and forward, Grounded traces Freelons origins as a curious nine-year-old wanderer in her grandmothers basement, where she first discovered water-stained tissue paper, to her present revelations as an award-winning visual artist and educator.
Looking through the lens of the Gregg Museums space revealed recurring themes of transformation, loss, and healing across my artistic practice. The juxtaposition of these new immersive environments alongside artwork by my father, architect Phil Freelon, and great-grandfather, a pioneer African American Impressionist painter during the Harlem Renaissance, bring new meaning to this retrospective collection of my career, said Freelon, who was raised in Durham, NC and previously taught at the College of Design. Serving as the Gregg Museums Artist-in-Residence has made this experience especially meaningful, creating opportunities to engage with students, faculty, and community members through shared creative exploration.
The season represents a new chapter for the Gregg Museums relaunched Artist-in-Residence programone that places artists at the center of research, storytelling, teaching, and community engagement. Grounded joins three other exhibitions, collectively called Grounded at the Gregg, also offers oral histories, scientific inquiry, and artworks from the Gregg Museums permanent collection, connecting themes of land and ancestry through historical and community perspectives and inviting audiences to explore what it means to be grounded with the past, present and future. By weaving together art with scholarship across disciplines, the Grounded at the Gregg season demonstrates how a university museum can uniquely foster these conversations.
At NC State, we have the ability to bring together artists, scholars, and students in ways that spark new possibilities for understanding ourselves and the world around us, said Director Sara Segerlin, who joined the Gregg Museum in 2024 from Crystal Bridges Museum of American Art and The Momentary. By connecting community histories, contemporary artistic practice, and interdisciplinary inquiry, this season honors the stories that brought us here while creating space for new discoveries. We hope visitors leave with a deeper understanding of the people and places that shape our world.
In addition to Freelons Grounded, season highlights include Crafting Sanctuaries: Black Spaces of the Great Depression South organized by Art Bridges Foundation and curated by Tamir Williams, PhD, featuring rarely seen photographs of the private homes and communal spaces of Black Southerners in the 1930s and 40s; Community Stories: Sustaining North Carolina Black Heritage explores dignity, belonging, and imagination within North Carolinas Black communities in collaboration with NC State Associate Professor Ajamu Dillahunt-Holloway, local partners, NC State students, and the North Carolina African American Heritage Commission; and Grounded companion exhibition You Are Here: Geolocating the Self through the Familiar in the Midst of the Unfamiliar by ariana Farquharson, Freelons former teaching assistant and College of Design faculty member at NC State, on view at NC States African American Cultural Center.
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Today's News
October 29, 2026
The Rockwell Museum announces completion of "Infinity Park," a public mural by Devan Shimoyama
Christie's New York presents It Girl: Thiebaud Portrait from the Collection of Blair Sabol
Galerie Lelong New York presents Mildred Thompson masterworks in 'Cosmos Calling'
Olney Gleason opens Bosco Sodi solo show featuring oxidized copper works
Ibrahim Mahama transforms Ghana's industrial past into a vision of the future at Fondation Cartier
S.M.A.K. presents seven decades of work by Ana Lupas, one of the leading artists from Eastern Europe
Paula Cooper Gallery explores domesticity, memory, and 1970s New York art scene
Danziger Gallery announces representation of artist and photographer Oliver Wasow
Bertoia, Knoll and a golden Dandelion: A modern design story comes to Heritage Auctions
Historic 1548 self-portrait at an easel headlining National Gallery survey in 2027
Brooklyn Museum extends acclaimed exhibition Iris van Herpen: Sculpting the Senses
The Whitney Museum appoints Nolan Jimbo as Arnhold Associate Curator
MOCA Toronto names Claire Shea Curator of Greater Toronto Art 2027
Amy Torbert to join Newfields as Curator of American Art
Abigail Lazkoz explores Kafkaesque hybridity and expanded drawing in Bilbao
Carpenters Paris unveils Rick Owens Furniture exhibition
RM Sotheby's announces exceptional early consignments for it's Abu Dhabi auction
Fondazione MAST presents David Claerbout's first major Italian retrospective
Bangkok Art Biennale opens fifth edition, 'Angels & Mara,' across 11 citywide venues
Unseen contact sheets reveal Robert Adams's creative process at Fraenkel Gallery
Maya Freelon debuts immersive career retrospective at Gregg Museum of Art & Design
Museum Villa Stuck presents a monumental immersive exhibition by Gonzalo Borondo
Berggruen Gallery presents two-part Stephen Hannock exhibition of luminous landscapes
Alicja Kwade brings new sculptures, mirrors, and distorted clocks to Pace Tokyo
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