NEW YORK, NY.- In only 23 years Teo Hern醤dez, one of the central figures of Paris’s queer avant-garde film scene of the 1970s and ’80s, produced a monumental body of work that reveals how myth and zealous desire are inextricably knit to our everyday lives. Across more than 150 Super 8mm films, encompassing portraiture, urban landscapes, and diaristic cinema, he ceaselessly forged radical alternatives to linear time and perspectival vision, entrancing audiences with a visceral style that affects both body and spirit. Hern醤dez conceived of the moving image as a pulsating expression of life itself.
Hern醤dez used to say that two opposing bloodlines ran through his veins. Born in Ciudad Hidalgo, Mexico, in 1939, he left the country in 1965. After 10 years of extensive travels through Central and North America, Europe, Morocco and India, he settled permanently in Paris in 1975. His first feature films pioneered a staunchly local, Super 8mm avant-garde approach focused on the affectionate exploration of objects and queer bodies as a locus for transcendence. His sprawling œuvre, including thousands of written pages and photographs, was cut short by his death from AIDS-related complications in 1992.
This series, the first monographic presentation of Hern醤dez’s work in the United States, comprises 19 films that trace some of the through-lines of his filmography—from early features inspired by folkloric or mythological iconographies, to the ecstatic variations on autobiography, portraiture, city rambling, and dance he made throughout the 1980s. The series includes the two films he made as part of M閠roBarb鑣Rochechou Art, an informal collective he integrated with Ga雔 Badaud, Jakobois, and Michel Nedjar, along with a selection of films by Jakobois and Michel Nedjar. Taken together, these selections provide a glimpse into the creative community that accompanied Hern醤dez until the end of his life.
The films of Teo Hern醤dez are preserved by the film collection of the Mus閑 national d’art moderne – Centre Pompidou.
Organized by Carlos Salda馻 and Francisco Algar韓 Navarro, guest curators, and Francisco Valente, Curatorial Associate, Department of Film, MoMA. Special thanks to Philippe-Alain Michaud, Enrico Camporesi, Alexis Constantin, Jonathan Pouthier, C閏ile Zoonens in the Film Collection Department of Mus閑 national d’art moderne – Centre Pompidou; Michel Nedjar; Mauricio Hern醤dez; and Miguel Armas at Light Cone.
