LÜBECK.- Delayed, fragmented, and shaped by space and distance, an echo describes the phenomenon in which a sound does not fade away but returns as reverberation—a sound without a fixed origin, transformed through repetition. The exhibition ECHO is devoted to the afterlife of history(ies) in the present. In her artistic research, Michaela Melián traces the legacy of Julia Mann (née da Silva Bruhns), the Brazilian matriarch of the Mann family. At the Pavilion of the Overbeck-Gesellschaft and at Kulturkirche St. Petri in Lübeck, she unfolds a multilayered field of resonance composed of textiles, sculptures, projections, and sound.

Through serial arrangements and sampling, visual and sonic patterns emerge that overlap, condense, and at the same time elude. Historical material remains fragmentary: ruptures, gaps, and absences are not resolved but instead deliberately rendered audible and visible. History appears here not as a clearly reconstructable past, but as a constellation of traces that acquires meaning in the present—polyphonic, perspectival, open.

At the center of the exhibition is the figure of Julia Mann, whose life has long been reduced to her reputation as the mother of writers Heinrich and Thomas Mann. Her own biography—shaped by colonial power relations in Brazil, involuntary migration to Lübeck, and bourgeois discipline—has largely been marginalized and exoticized. Melián engages with these suppressed aspects of German cultural history and opens up space for a feminist and postcolonial reexamination.

Across a series of precise gestures, Michaela Melián condenses historical motifs, materialities, and ways of life without explicating them through narrative. The personal consistently emerges as political. History remains unfinished—an echo that reverberates in the present.

Curated by Paula Kommoss and Thorsten Schneider.