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Monday, February 2, 2026 |
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| A 25-year retrospective of Jessica Backhaus opens at FFF Fotografie Forum Frankfurt |
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Jessica Backhaus: Plate 31, 2025 from the series » Papyrus« © Jessica Backhaus, 2026, courtesy of Robert Morat Galerie.
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FRANKFURT.- Form, colour, and light shape the visual cosmos of internationally acclaimed German photographer Jessica Backhaus. Rooted in documentary photography, her work expands this tradition through a lyrical and highly personal visual language. Small details draw her attention, opening pathways to the enigmatic and to new ways of seeing. Through intuitive, experimental processes, she explores emotional themes such as vitality, absence, and memory. Her images reveal a refined sensitivity to materiality, texture, and the subtlest inflections of colour that unfold in the fertile space between photography, painting, and object-based art.
This exhibition brings together works and books from the past twenty-five yearsfrom early documentary works to her gradual shift toward abstraction and her new series "Papyrus," presented here for the first timeoffering a wide-ranging insight into her artistic oeuvre.
"Jessica Backhaus. Shadows might Dance" is curated by Andrea Horvay and Celina Lunsford in close cooperation with the artist.
Jessica Backhaus, born in 1970 in Cuxhaven, comes from an artistic family. At the age of sixteen she moved to Paris, where she later studied photography and visual communication. In 1995 her passion for photography led her to New York, where she worked as an assistant to various photographers, pursuing her own projects, and lived until 2009. Today, Jessica Backhaus is regarded as one of the most distinctive voices in contemporary photography in Germany. Her work has been shown in numerous solo and group exhibitions, including at the National Portrait Gallery in London and the Martin-Gropius-Bau in Berlin. Her photographs are held in a wide range of national and international museums and private collections, including the Deutsche Börse Photography Foundation.
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Today's News
February 2, 2026
Jun Martínez debuts first solo exhibition in Mexico at adhesivo contemporary
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British Library acquires archive of Ronald Blythe, writer and essayist
The Louvre announces temporary exhibitions for the first half of 2026
A fresh look at Saxony's emerging voices: Art Fund exhibition opens in Berlin
All Blues: Sam Nhlengethwa's jazz-infused return to New York at Goodman Gallery
A 25-year retrospective of Jessica Backhaus opens at FFF Fotografie Forum Frankfurt
In Her Place celebrates the women defining Nashville's visual arts
Shaping the lens: Santu Mofokeng and David Goldblatt unite at Zander Galerie
Yasumasa Morimura and Charles Atlas explore identity at Luhring Augustine
Giant exhibition opens in Edinburgh
Needle, thread, and resistance: Britta Marakatt-Labba's Sámi narratives arrive at Kunsthalle Mainz
Palm Springs Art Museum presents a new exhibition exploring architecture and fashion
Winston Roeth returns to Ingleby Gallery for 2026 season opener
Schomburg Center, leading authors, scholars, and artists release special book list to mark centennial
Every stroke a loud space: Ronny Delrue's decades of drawing take center stage at IKOB
Anne Hardy transforms VISUAL Carlow into a weather-responsive earthscape
Annette Hur debuts new autobiographical abstractions at Timothy Hawkinson Gallery
Chronicles from the Storm: On moral exhaustion, endurance, and the fragility of hope
Elena Asins returns to Málaga with Antigone, a stark contemporary reading of classical tragedy
New solo exhibition by Á. Birna Björnsdóttir opens at BERG Contemporary
MCA Australia's artistic program revealed
MASBEDO transforms Bologna's Oratorio into a sanctuary of sound and memory
Julia Phillips reimagines the body at the Barbican
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