EUPEN.- The IKOB Museum Eupen is dedicating a major exhibition to the Belgian artist Ronny Delrue, which places his decades- long, consistently focused work at the center and primarily presents Delrue as a draftsman. His daily drawings are much more than an artistic routine—they are a constant expression of personal reflection, inner necessity, and critical engagement with himself and society. Delrue’s artistic practice is marked by impressive discipline: following the principle “Nulla dies sine linea” (not a day without a line), a new work is created almost daily, whose emotional and intellectual content goes far beyond the medium of drawing. For him, drawing is not only a means of artistic expression but also a political space in which personal thinking, feeling, and forgetting are made permanently visible.

At the core of his artistic attention are the visible fragments of human existence: faces, shadow figures, and motifs of disappearance and memory, which—like a kind of anti-portraits—raise fundamental questions about being human and question societal identity patterns. Delrue’s obsessive line work, reduction to elemental forms, and consistent play between chance and control become a visual chronicle of a searching, political stance.

For the IKOB Museum, Delrue’s drawing work is an invitation to critical self-encounter and simultaneously politically relevant: his continuous practice is a testament to the vulnerability and openness of the human—an ongoing appeal to understand artistic processes as social reflection.

The exhibition at the IKOB Museum presents Ronny Delrue’s drawings on loosely arranged tables meandering through the space, allowing the works to unfold in an informal manner within the exhibition space. This special form of staging brings the presentation closer to the artist’s production perspective and lets visitors participate in Delrue’s process instead of merely walking past finished results.

Seeing in this exhibition is understood as an intimate act of attention: guests are invited to engage individually or in small groups with the drawings, to immerse themselves in the subtle layers, nuances, and traces of thinking and searching. The spatial arrangement of the tables supports a contemplative and personal experience that corresponds to Delrue’s artistic practice—a continuous process of discovery and creation reflecting the fragile openness of his drawings.

By consciously referring to the production side in its staging, the IKOB creates a new approach to art: visitors encounter the drawings in a mode of careful approximation, not in the quick passing by of exhibits. The exhibition invites visitors to experience seeing as a moment of pause and personal reflection—in keeping with Delrue’s artistic attitude.

With this exhibition, the IKOB Museum honors Ronny Delrue as a draftsman whose works open not only a deep view into the essence of the artist but also into the questions of our time.