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Friday, December 12, 2025 |
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| Nordnorsk Kunstmuseum celebrates Adelsteen Normann with major exhibition |
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Adelsteen Normann: Impressionist of the North offers new perspectives on Normanns oeuvre, placing him in a broader art historical context.
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BODØ.- Nordnorsk Kunstmuseum opened the doors to a grand exhibition that breathes new life into one of Northern Norways most significant artists! Adelsteen Normann (18481918) was a pioneer of Norwegian landscape painting and a vital bridge between the dramatic nature of Northern Norway and the European art audience.
To highlight Adelsteen Normanns artistic work, the exhibition Adelsteen Normann: Impressionist of the North has been organised as part of the ongoing collaboration between the Nordic Institute of Art (NIA) and Nordnorsk Kunstmuseum (Northern Norway Art Museum), taking place at the museum in Bodø.
Eilert Adelsteen Normann (18481918) was born on Vågøya in Bodin (today part of Bodø municipality). After initial studies in Copenhagen, he pursued an artistic career, moving to Düsseldorf in 1870 to study at the Academy of Art. Normann became known for his coastal landscapes of Northern and Western Norway, though he also painted urban scenes. By 1887, he had settled in Berlin and gained international recognition. As one of the first professional painters from Northern Norway, Normann played a key role in bringing his home regions landscapes to a European audience.
Recent scholarship, including that of Anne Aaserud (19422017), places Normanns work within emerging early modernist movements such as Realism, Impressionism, and Post-Impressionism. Normann was aligned with progressive artists of his time and played a pivotal role in Edvard Munchs career, ensuring his controversial 1892 exhibition in Berlin, which led to Munchs international breakthrough and eventually the establishment of the Berlin Secession.
Adelsteen Normann: Impressionist of the North offers new perspectives on Normanns oeuvre, placing him in a broader art historical context. In conjunction with the exhibition, a seminar featuring relevant and international viewpoints on Adelsteen Normann's work will take place.
The exhibition, curated by NIAs Dr. Knut Ljøgodt, features 70 of Normanns paintings as well as a series of his drawings. A selection of works by his contemporaries is also included, helping to contextualise his oeuvre.
The core part of the exhibition has bee drawn from Nordnorsk Kunstmuseum's major collection of Normanns work. The artist is further represented in several other museums and collections in Norway and internationally, including Adelsteen Normann Stiftelsen (the Adelsteen Normann Foundation), Bodø; and SpareBank1 Nord-Norges kunststiftelse, Tromsø; as well as the National Museum, Oslo, and KODE, Bergen.
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