NEW YORK, NY.- Ken Ohara: CONTACTS foregrounds the artist’s radical photographic experiment that redefined authorship, collaboration, and contemporary portraiture in 1970s America. The exhibition features twenty-two photographic contact sheets and four related archival documents from Ohara’s groundbreaking participatory project CONTACTS (1974–76). By relinquishing authorship and inviting strangers across the United States to use his camera to document their own lives, Ohara forged a radically democratic portrait of American life during a period of cultural and political upheaval.

In CONTACTS, Ohara preloaded his camera with film, mailed it to a stranger, and invited the recipient to photograph themselves, their family and friends before returning the camera to the artist along with the name and address of the next person to send it to. Over two years, Ohara’s camera traveled to 100 participants in 36 different states. By surrendering control and shifting his role from sole image-maker to facilitator and co-creator, Ohara transformed photography into a collaborative act of social exchange.

The exhibition presents the resulting contact sheets recently acquired by the Whitney in chronological order, preserving the order in which they were created. Spanning the country, the images offer glimpses into the mundane intimacies of American life: candid family gatherings, quiet domestic interiors, scenes of labor and leisure, and fragments of urban and rural environments. Together, they form a vast, unfiltered portrait of the country defined not by singular narratives but by the throughlines and repetitions of daily existence.

“Ohara’s project is extraordinary in both its conceptual daring and its humility,” said Eli Harrison, Curatorial Fellow at the Whitney and organizer of the exhibition. “By giving his camera to strangers and inviting them to document their own lives, he created a collective, decentralized portrait of America narrated through snapshots and samples of everyday life.”

While rooted in analog photography practices of the 1970s, CONTACTS introduces a form of image-sharing that shapes social media and participatory archives today. Its resonance lies not only in its historical moment, but also in its continuing relevance to conversations about co-authorship, collective engagement, and the social life of images.

Ken Ohara: CONTACTS is organized by Eli Harrison, Curatorial Fellow, Whitney Museum of American Art.