TOKYO.- Pace is presenting an exhibition of work by Joel Shapiro at its Tokyo gallery from January 17 to February 22, 2025. The first presentation dedicated to Shapiro’s work to be organized in Tokyo in more than 30 years, this show spans both floors of the gallery, featuring freestanding and wall-mounted sculptures created by the artist over the last five decades, from 1975 and the present.


Uncover the creative genius of Joel Shapiro through these detailed books.


This survey showcases the sculptor’s longstanding investigations of color, form, gravity, and movement, as well as his enduring interest in engaging and energizing space and architecture.

One of America's most renowned artists and a major figure in the history of sculpture in the 20th century, Shapiro has pushed the boundaries of sculptural form over the past six decades with a body of work distinguished by its dynamism, complexity, and formal elegance. Since the early 1970s, Shapiro has sought to transcend the constraints of Minimalism to introduce a more referential, intimate, and psychologically profound mode of art. Though he is best known for helping to reshape the language of contemporary sculpture with cast bronze forms that blur the line between abstraction and figuration, he has employed various methods and materials throughout his practice and continues to explore sculpture’s ability to alter one’s sense of space and scale with works that attest to human resilience in the face of catastrophe and collapse. Pace has represented the artist since 1992.

Monumental public projects have also been a major part of Shapiro’s practice. Among his over 30 major commissions are large-scale works for the United States Holocaust Memorial Museum, Washington, D.C. and the US consulate in Guangzhou, China. His work can also be found outside the US embassy in Ottawa, Canada; the Denver Art Museum, Colorado; and the Kennedy Center in Washington, D.C. His work can be found in many public collections around the world, including those of the Art Institute of Chicago, Illinois; the National Gallery of Art Sculpture Garden, Washington, D.C.; the Los Angeles County Museum of Art, California; the Whitney Museum of American Art, New York; the Museum of Modern Art, New York; Storm King Art Center, New Windsor, New York; the Ho-Am Art Museum, Seoul; the Kunsthaus Zürich, Switzerland; the Centre Pompidou, Paris; and Tate, London.

“Shapiro’s sculptures generate emotion-inducing images like those we encounter through novels, a parallel form of figuration,” the art historian Richard Shiff wrote on the occasion of Shapiro’s 2007–08 solo exhibition with PaceWildenstein in New York. “Fictions or figured things expand people’s consciousness, the range of their feelings, and their awareness of their feelings.”

In his presentation at Pace Tokyo, Shapiro exhibits a selection of small bronzes produced between 2012 and 2024 on the gallery’s first floor. Offering a window into the highly intuitive and haptic mode of assemblage that constitutes the core of Shapiro’s practice, these intimately scaled works are imbued with a sense of vitality, tenderness, and freighted joy. Retaining the qualities and characteristics from the wood patterns and forms from which they are cast, these works make the artist’s process visible and ever-present.

Upstairs, the exhibition has been roughly organized chronologically into three sections. The first features three early sculptures from the 1970s—when the artist was experimenting with scale and memory using simplified geometric shapes and everyday forms—and a freestanding bronze from 1989. The next section of the show showcases figurative wall-mounted and freestanding sculptures that are classically and quintessentially Shapiro, including bronze and painted wood compositions that speak to the artist’s evolving investigations of materials and processes in those years. Among the sculptures in this part of the exhibition is a freestanding, blue-painted bronze from 2019.

The exhibition concludes with new painted wood wall reliefs and a new horizontally oriented painted wood sculpture. Shedding light on Shapiro’s use of color to energize and animate his works, these sculptures create an elegant, seemingly choreographed sense of motion in the gallery space.


Artdaily participates in the Amazon Associates Program, an affiliate advertising program designed to provide a means for us to earn commissions by linking to Amazon.com and affiliated sites. When you purchase through our links, we may earn a small commission at no additional cost to you. These commissions help us continue curating and sharing the art world’s latest news, stories, and resources with our readers.