MONTREAL.- The PHI Foundation for Contemporary Art will present Oma-je, the largest North American exhibition to date by acclaimed French artist Laure Prouvost, opening to the public on November 1, 2024.

This touring show has evolved from its 2023 iteration at Remai Modern in Saskatoon and will unfold as a journey across seven of the PHI Foundation’s galleries in Montréal. This immersive presentation celebrates Prouvost’s relationship to family, friends, and their loved ones, as well as inspirational thinkers, activists, chosen kin, and artistic predecessors. Oma-je honours both intellectual inheritance and embodied ways of knowing, shifting attention from grandfather to grandmother and forefather to foremother. Love, touch, and teaching are irreversibly entangled and celebrated.

LAURE PROUVOST’S INSPIRATIONS

The exhibition celebrates, references, or features exceptional figures such as Louise Bourgeois, Hélène Cixous, Marie Curie, Mia Haazen, Omas Gegen Rechts, Joan Jonas, Hilma af Klint, Gulli Kinnby, Eleni Kritou, Denise Lefebvre, Audre Lorde, Ada Lovelace, Liz Magor, Ann Newdigate, Rosetta Nuotatore, Emmeline Pankhurst, Niki de Saint Phalle, Éliane Radigue, Odette Prouvost Leclercq, Felicita de la Rosa, Elisabeth Schimana, Carolee Schneemann, Nancy Spero, Barbara Steveni, Eugenie Tautoonie Kabluitok, and Agnès Varda, amongst more than 100 others.

THE EXHIBITION

Prouvost is known for her playful use of language, translation and transliteration, experimental narrated video, and immersive, surprising installations that transport visitors into unfamiliar worlds created largely from everyday objects. The exhibition will feature iconic pieces by Prouvost such as Wantee (2013), Grandma’s Dream (2013), This Means (2019), Four For See Beauties (2022), and Every Sunday, Grand Ma (2022).

Oma-je also includes an enveloping new work titled Here Her Heart Hovers (2023), which has been co-commissioned by Remai Modern, Kunsthalle Wien, and Wiener Festwochen. This installation focuses on the figure of the grandmother as both ancestor and trailblazer, transforming the gallery into a theatre of objects relating to memory, imagination, and inheritance. Visitors are invited to travel through time and lose themselves in the dark, complex play between past and present, individual and society, and between modern and ancient concepts, relationships, materials, and techniques.

There are three recent films embedded in Here Her Heart Hovers. In You, My, Omma, Mama (2023), nine women call out into the French coastal landscape for their grandmothers. Together, the circle of friends ventures into a cave where they reflect on potent memories of their oma, nonna, granny, bobo, babushka, halmeoni, and yaya, with personal and evocative objects in hand. A child performs a shadow play for Great Grandma, the magic oma in Shadow Does (2023).

The story told offers exciting, heartwarming, and alarming details about the contemporary world. A Walking Story (2023) brings the nine women from You, My, Omma, Mama, back together around a campfire where their pithy reflections, like incantations, evoke memories of extraordinary foremothers who were drivers of social progress, equality, artistic innovation, and scientific discovery. They call upon us to keep our hearts and minds open so that we can continue to give and receive from a flow of shared knowledge and experience.

Laure Prouvost was born in Lille, France, in 1978 and is currently based in Brussels, Belgium. She received her BFA from Central Saint Martins, University of the Arts London in 2002 and studied towards her MFA at Goldsmiths’ College, London. She also took part in the LUX Associate Artists Programme. Prouvost won the Max Mara Art Prize for Women in 2011 and was the recipient of the Turner Prize in 2013.