San Carlo Cremona opens "Monica Bonvicini: And Rose"
The First Art Newspaper on the Net    Established in 1996 Friday, December 13, 2024


San Carlo Cremona opens "Monica Bonvicini: And Rose"
The installation is critically inserted in the current debate about the role of art in public spaces and the participatory nature of artistic experience.



CREMONA.- Monica Bonvicini’s site-specific installation in a deconsecrated church adds another step to the artist’s practice centered on the interaction between artwork, viewer and architecture. With imposing sculptures from the series “Chainswings” dominating the nave, Bonvicini continues her incisive exploration of the dynamics of power inherent in architectural spaces, bringing her investigation to new levels of complexity and resonance.


These performative sculptures, which oscillate between play and submission, are made with galvanized steel chains and embody a provocative synthesis of industrial aesthetics and sub-cultural allusions, challenging the expectations associated with both contemporary art ad sacred spaces.


The installation is critically inserted in the current debate about the role of art in public spaces and the participatory nature of artistic experience. By inviting visitors to physical interaction, Bonvicini subverts the traditional dynamic of passive contemplation, transforming the audience into an active co-creator of the work.


The choice of a deconsecrated church as an exhibition space amplifies the importance of the work, creating a tense dialogue between sacred and profane, institutional and subversive. This gesture not only highlights Bonvicini’s ability to respond eloquently to architectural spaces, but also raises crucial questions about the re-appropriation of public spaces and the fluidity of the boundaries between art, architecture and social criticism. 


“And Rose” immerses itself in the central points of Bonvicini’s practice: feminism, sexuality, power and institutional criticism. However, in this context, these themes acquire new nuances, inviting a reflection on the persistence of power structures even in apparently desacralized spaces. 


Monica Bonvicini is one of the most important artists of her generation; she lives and works in Berlin. Bonvicini studied art at the Universität des Künste in Berlin and at the California Institute of the Arts in Los Angeles. She has been teaching Performing Arts and Sculpture from 2003 to 2017 at the Academy of Fine Arts in Vienna. Since 2017 she holds a position for sculpture at the Universität der Künste in Berlin. Her works have been presented in several major biennials, including Venice; and in many important museums internationally, including the MAXXI in Rome, the Nationalgalerie in Berlin, Castello di Rivoli in Turin, the Nation Gallery of Denmark in Copenaghen, the Art Institute of Chicago, MoMA PS1 in New York, the Kunstmuseum Basel, Palais de Tokyo in Paris and others.










Today's News

October 5, 2024

Exhibition explores the interrelation of gender, labor, and modern life in Mary Cassatt's artistic career

Rocky Morton explores the depths of human experience

Varvara Roza Galleries & The Blender Gallery unveil Manolis Anastasakos's solo exhibition

Photography project marks National Inclusion Week and celebrates the contributions made by migrants to life in the UK

San Carlo Cremona opens "Monica Bonvicini: And Rose"

MARCO's newest exhibition explores Latin American conditions through contemporary photography

The Prado exhibits a lost self-portrait by Rosario Weiss alongside portraits of the finest Spanish artists of her time

Viral Hallucinations: Orejarena & Stein's solo show debuts at Deichtorhallen

Beyond Borders: A new exhibition explores the GDR's artistic connections

Galerie Eva Presenhuber now representing Chemu Ng'ok

François Ghebaly New York presents a two-person exhibition of works by Sascha Braunig & Greg Parma Smith

Two haute couture showpieces designed by Paul Poiret and Yves Saint Laurent to be offered at Christie's

Smithsonian and NASA partner to open exhibition exploring ever-changing Earth from space and on the ground

parrasch heijnen announces the Hammer Museum has acquired Mi Cultura (1977) by Linda Vallejo

José García Torres announced as new Director of Morillo Shk. - Fine Arts Logistics

New tapestry recounts the prophesy, history and mythology of an uprising

Ana Iti wins Walters Prize 2024

An Eye Towards the Real: Photographs from the Collection of Ambassador Trevor Traina totals $3,252,564

Shimabuku's first institutional show in Spain on display at Centro Botín

Joris Van de Moortel pushes the boundaries of his spectrum with a new solo exhibition

Maureen Paley opens the third solo exhibition of works by Seb Patane at the gallery

National Historical Museum marks 130th anniversary of Tsar Boris III's birth with commemorative exhibition

The Versatility of Glass Packaging: Exploring Candle Jars and Honey Jars Wholesale

Brighten Up Your Space with the Ideal Pink Area Rug

Shine Bright in Safety: The Ultimate Guide to Ladies Hi-Vis Workwear




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful