Ancient tablets foretold doom awaiting Babylonian kings
The First Art Newspaper on the Net    Established in 1996 Sunday, December 22, 2024


Ancient tablets foretold doom awaiting Babylonian kings
An image from Cuneiform Digital Library Initiative shows a tablet dating to the Old Babylonian period, circa 1900-1600 B.C.E., one of four newly translated tablets currently held by the British Museum. (Cuneiform Digital Library Initiative via The New York Times)

by Franz Lidz



NEW YORK, NY.- It was good to be the king in ancient Babylonia, unless, of course, an eclipse occurred during his reign. Such an event foretold revolt, rebellion, defeat in war, loss of territory, plague, drought, crop failure, locust attacks or even the king’s death. Should the last omen be foretold, the king would go into hiding and a substitute — say, a prisoner or a simpleton — would be installed until the danger had passed. To appease the gods, someone would have to die, so upon the return of the true king, the substitute would be executed.

The people of Mesopotamia in the second millennium B.C. attached a prophetic significance to celestial events. Eclipses were generally understood to be angry messages from the gods. “The reading of omens was how the Babylonians made sense of the world,” said Andrew George, an Assyriologist and emeritus professor at the University of London whose translation of the epic of Gilgamesh is one of the most widely read.

George led a study published this month in the Journal of Cuneiform Studies that deciphered a set of four tablets covered in cuneiform script and have been held by the British Museum since the late 1800s. The clay slabs most likely came from Sippar, a prosperous city on the banks of the Euphrates, in what is now Iraq. They are dated to about 1894 B.C. to 1595 B.C.

The artifacts, a compendium of Babylonian astrologers’ observations of lunar eclipses, reveal a series of ominous predictions about the deaths of kings and the destruction of civilizations. “The purpose of the omen texts was to figure out what the gods wanted to communicate, good or bad, so as to take action to avoid any trouble ahead,” George said.

The idea was that earth and sky were mirror images, so happenings in the heavens had counterparts on land. Which is why an eclipse of the sun or moon signaled that a great terrestrial figure would, in some way, be eclipsed: For instance, a king would die. “It is possible that this theory arose from the coincidence of an eclipse and a king’s death — that is, actual experience early in Mesopotamian history,” George said. “But it is also possible that the theory was developed entirely by analogy. We cannot know.”

The Babylonians saw portents everywhere, which accounts for numerous references in the tablets to the flight and behavior of birds, the patterns made by dropping oil into water, smoke rising from incense burners and encounters with snakes, pigs, cats and scorpions. There are 61 predictions on the newly translated tablets that vary from warnings about natural disasters (“An inundation will come and reduce the amount of barley at the threshing floors”) to unnatural chaos (“Lions will go on a rampage and cut off exit from a city”). The most poignant predictions describe desperation in time of famine: “People will trade their infant children for silver.”

Performing the appropriate ritual, the Babylonians believed, could stop, or at least mitigate, a dire omen and alter the future. If an omen was especially threatening, a priest would conduct an oracular inquiry by ritually sacrificing a sheep and reading its entrails. The main internal organs examined were the liver, the lungs and the colonic spiral. “Basically, the diviner was looking for anything unusual,” George said, including “deformations, absence of features, doubling of features, splits and grooves in surfaces.”

Typically, features that appeared on the right side were considered to be positive and on the left, to be negative, though what constituted right and left differed in each region of Babylonia. The priest would then tally the results, which, if ambiguous, might necessitate another sacrifice.

Arguably, all divination at the state level in Babylonia became a tool to regulate the king’s behavior and a way those close to the ruler exercised political power over him. “One suspects that some kings were more superstitious, and thus more susceptible to manipulation by diviners than others,” George said. “Since lunar eclipses were, by their nature, ill portents for the king, the omens attached to them spoke to his deepest anxieties about what catastrophes might happen to him and his people.”

The substitute-king ritual is associated with the Neo-Assyrian period, which lasted from about 900 B.C. to 612 B.C., though it may have been practiced later as well. “Omen specialists in Babylon likely performed the rite for Alexander the Great when he fell severely ill in the city, and subsequently died,” said Troels Pank Arboll, an Assyriologist at the University of Copenhagen.

He praised the new research, in which he was not involved, for its precision and rigor. “It provides the first full treatment of these complicated texts,” Arboll said.

Most of the more than 100,000 Mesopotamian tablets in the British Museum’s collection remain undeciphered, if not uncataloged. More omens may surely wait in the archives.

“There are too many tablets and not enough Assyriologists,” George said, adding: “Only a tiny fraction of the tablets are on display. One hundred or so public galleries stuffed with cuneiform tablets would excite very few visitors.”

This article originally appeared in The New York Times.










Today's News

August 28, 2024

Parrish Art Museum announces remarkable new additions to its collections

Crescent City Auction Gallery announces Sep 13-14th Important Estates Auction

Major works by Jacopo Bassano 16th-century master of the Venetian Renaissance at Sinebrychoff Art Museum

SJ Auctioneers announces online-only Super Luxury Jewelry, Silverware, Toys & Décor auction

National Gallery of Art receives gift of "The Nazi Drawings" by Mauricio Lasansky

Ancient tablets foretold doom awaiting Babylonian kings

2 men charged with damaging ancient rock formation at Lake Mead

Another new leader for Indianapolis museum roiled by racism outcry

Babe Ruth's 'Called Shot' jersey from 1932 World Series sells at Heritage Auctions for $24.12 million

The Met to present the first major exhibition dedicated to influential modernist architect Paul Rudolph

'A box of surprises': a Rotterdam apartment that's only 74 square feet

Brooklyn Museum announces more than 200 artists selected for The Brooklyn Artists Exhibition

3 Los Angeles museums team up to acquire art

De Pont will present the first solo exhibition of the iconic Colombian artist Beatriz González in the Netherlands

Jaclyn Conley: Castles In the Air opening September 5th at Maruani Mercier in Brussels

Zentrum Paul Klee to open first exhibition in Switzerland to provide an extensive insight into the modern art of Brazil

Rudy Franchi, who put movies at the center of a Technicolor life, dies at 85

Toned Morgan dollars and high-grade type coins assume starring roles at Heritage's Long Beach US Coins Auction

Dismantling the ship that drilled for the ocean's deepest secrets

The stuff they strut on the jellicle catwalk

CUE Art will open a solo exhibition by artist Tsohil Bhatia

Sebastian Gladstone announces Tristan Unrau: "Re-Enactment"

ICA/Boston presents the first U.S. museum survey of Charles Atlas

Exhibition of rare Shaker drawings to open at the American Folk Art Museum

How to Obtain a D7 Visa in Portugal in 2024: A Comprehensive Guide

The Hidden Symbolism of Numbers in Famous Artworks

Exploring New Horizons: Best E-Bikes for Touring and Adventure Seekers

All about online poker: where and how to learn to play?

Winning Strategies for Online Slots in the Philippines: Tips to Boost Your Chances

Long-term Disability Benefits Ontario: Essential Information and Steps

Designer Yingqian Zhu's Innovations are Transforming Media Literacy




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful