Pace will present its first exhibition of works by Jiro Takamatsu
The First Art Newspaper on the Net    Established in 1996 Sunday, November 24, 2024


Pace will present its first exhibition of works by Jiro Takamatsu
Jiro Takamatsu, Shadow, 1989/1997. © The Estate of Jiro Takamatsu, courtesy Yumiko Chiba Associates, Tokyo, Pace Gallery, New York and Stephen Friedman Gallery, London. Photo: Richard Gary.



NEW YORK, NY.- Pace will present its first exhibition of Jiro Takamatsu—a profoundly influential artist, theorist, and teacher who emerged in postwar Japan in the early 1960s—since its representation of the artist’s estate this year.

From September 20 to November 2, the presentation at the gallery’s 540 West 25th Street flagship in New York will focus on Takamatsu’s Shadow and Perspective concepts—throughout his entire oeuvre, Takamatsu used the term “concept” to denote certain ideas or phenomena. Bringing together a selection of his paintings, drawings, and sculptural objects dating from 1966 to 1997, this exhibition will showcase his inventive, deeply philosophical practice and his important role in the development of Conceptual Art.

A prolific artist who produced thousands of works over the course of his 40-year career, Takamatsu worked across painting, sculpture, drawing, photography, and performance, exploring questions about perception, space, existence, and absence. Early in his practice, during the 1960s, he staged performative interventions in public spaces around Tokyo as part of the artist collective Hi Red Center, liberating art from its traditional context and shaking the foundations of the Japanese art world at the time. Presenting politically minded actions in public spaces throughout postwar Tokyo, Hi Red Center sought to dissolve boundaries between art and life—producing what the group called a “descent into the everyday”—through experimental and unorthodox approaches to making. It was also during this decade, in 1968, that Takamatsu represented Japan at the 34th Venice Biennale, cementing his status as a key figure within the international avant-garde.

Viewing the act of creating as an intensely intellectual endeavor, Takamatsu adopted a somewhat reclusive, solitary lifestyle as part of his practice. Grounded by his thoughts about and observations of the world around him, the artist’s highly conceptual works often examine ideas about reality and the self, matter and space, and presence and absence. Producing diverse bodies of work simultaneously, he examined these concepts through various mediums and forms. In one of Takamatsu’s best-known bodies of work—his iconic Shadow paintings, which he created from 1964 up until his death in 1998—he explored questions of perception and dimension as they relate to our experience of matter. In these illusionistic paintings depicting shadows of figures and objects, he presents a visual summation of the complex relationships between that which is at once existent and nonexistent, tangible and intangible, in both physical and metaphysical terms.

A selection of the artist’s Shadow paintings and drawings will figure in Pace’s upcoming presentation in New York, alongside works from his lesser-known Perspective series. Takamatsu began creating his Perspective paintings, drawings, and sculptures in the mid-1960s in tandem with his Shadow works, and the relationship between these two concepts hinges on the illusionistic potential of space, when perspective is bent by human intervention. While many of his two-dimensional, mathematically minded Perspective works depict silhouetted figures occupying geometric structures within different planes, some of these compositions are devoid of figures, focusing instead on the ways that combinations of shapes can imply interiority, exteriority, and depth. Several material objects from the Perspective series on view in the gallery’s show will shed light on the ways in which Takamatsu extended these inquiries into three dimensions, imbuing his painted abstractions with a physicality that makes them all the more surreal.










Today's News

July 29, 2024

Exhibition presents works from the Lucy Lacoste Collection

"Sinners, Lovers and Fools: Three Hundred Years of Flemish Masterworks" on view in Montreal

Pace will present its first exhibition of works by Jiro Takamatsu

In a world of fast fashion, they take pride in taking their time

Jerry Miller, Moby Grape guitarist, dies at 81

Norton Simon Museum announces "Plugged In: Art and Electric Light"

Smithsonian scientists conduct new analyses on ancient 'time capsule' rocks, at least 2.5 billion years old

The Estate of Paul Wonner joins Paul Thiebaud Gallery

NGV announces new exhibition 'Cats & Dogs' at NGV Australia, opening 1 November

Salzburger Kunstverein opens two new exhibitions

For Billy Joel fans, a New York night to remember

Toumani Diabaté, Malian master of the kora, is dead at 58

Exhibition focuses on diversity in art from the 16th to the 18th century

Collection de l'Art Brut exhibits works by Pascal Vonlanthen and Clemens Wild

Leslie Uggams won't get left behind

Smithsonian American Women's History Museum receives $4 million in donations to continue museum's development

'Deadpool & Wolverine' review: Nothing ever ends

"Designing Motherhood" to explore human reproduction through a design lens

3 members of The Nelons gospel group are killed in a plane crash

Bob Booker, whose JFK parody was a runaway hit, dies at 92

'The Decameron' review: Laughs in a time of pestilence

Suicideboys don't care for the music biz. They got its attention anyway.

You see rubble and garbage. She sees New York's next great park.

Edna O'Brien, writer who gave voice to women's passions, dies at 93

How Car Accident Compensation Can Affect Your CTP Insurance Claim

A Must-Watch Drama Web Series: 'Gyaarah Gyaarah' Only on ZEE5

Finding a Reputable and Responsible Goldendoodle Breeder in Carolina":




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful