'Fluxus and Beyond: Ursula Burghardt, Benjamin Patterson' to open at Museum Ludwig this October
The First Art Newspaper on the Net    Established in 1996 Sunday, November 17, 2024


'Fluxus and Beyond: Ursula Burghardt, Benjamin Patterson' to open at Museum Ludwig this October
Benjamin Patterson, Old Latin Proverb (Altes lateinisches Sprichwort), 1986. Antikes industrielles Chautauqua-Schreibpult (ca. 1915) mit Kinder-Alphabet und Holzbuchstaben, 79 x 67 x 13 cm. Museum Ludwig, Köln. Photo: Rheinisches Bildarchiv, Köln/Sabrina Walz © The Estate of Benjamin Patterson.



COLOGNE.- Fluxus and Beyond: Ursula Burghardt, Benjamin Patterson at the Museum Ludwig takes a fresh look at a 1960s art movement that continues to exert its influence. The exhibition focuses on Ursula Burghardt (1928–2008) and Benjamin Patterson (1934–2016), two artists who despite their involvement in the Fluxus network remained on its periphery. As a result, their work is little known today.

In the 1960s, Cologne was one of the Rhineland’s vibrant artistic centers and a meeting place for international artists. The Studio of Electronic Music of the West German Radio (WDR) was an important magnet, and the Fluxus movement took up elements of new music. Starting with musical concepts particularly influenced by John Cage, Fluxus artists developed actions and performances that merged art and life and combined diverse media. Numerous events that brought together music, literature, art, and architecture were held in the Cologne studio of German artist Mary Bauermeister. This is where Burghardt and Patterson met in 1960.

The first part of the exhibition focuses on the early days of Fluxus in Cologne, Wiesbaden, and Wuppertal with a view of concurrent events in Paris and New York. It also examines the social and historical context of Cologne during the postwar period. With its ruined lots, reconstructed buildings, and prestigious new structures, the city was marked by both repair and suppression. Nazi ideology did not suddenly vanish from postwar West German society. In 1959, hundreds of antisemitic attacks occurred throughout Germany, including one on the newly reconstructed synagogue on Roonstrasse in Cologne.

In the second and third parts of the exhibition, individual sections are devoted to the work of Burghardt and Patterson. Here, the interruptions in their artistic careers and the marginalization and social challenges they each faced are also examined.

Benjamin Patterson, a trained musician from Pittsburgh, moved to Cologne in 1960, where he produced a considerable number of compositions. Together with George Maciunas, he organized the Fluxus Internationale Festspiele Neuester Musik festival in Wiesbaden in 1962. This event is regarded as the birth of Fluxus. The “deep-rooted alienation” Patterson experienced in the white-dominated art world caused him to interrupt his career for twenty-two years and take a salaried job in the United States. He did not return to art-making until 1988. The exhibition focuses on this later creative period.

Ursula Burghardt, who was born in Halle an der Saale, fled to Buenos Aires in 1936 with her parents to escape the persecution of Jewish people in Nazi Germany. When she met Patterson in 1960, she had been living in Cologne for about three years. She was greatly affected by the experience of living as a Jew in West Germany, which at the time rampantly denied its involvement in the Holocaust. Between 1960 and 1965, family circumstances compelled Burghardt to forgo a studio for an extended period and take a break from art-making to care for her two daughters.

Patterson maintained close ties with Fluxus during his long hiatus, and his pieces continued to be performed, frequently with his participation. Although now recognized as one of the cofounders of Fluxus, his work has long been ignored. Burghardt, on the other hand, was in close contact with Fluxus artists but never became a member of its inner circle. In 1965, following her hiatus, Burghardt turned away from abstract sculpture and began recreating everyday items using metal and fabric. By substituting their usual materials, she achieved an alienation that resulted in defamiliarized objects. Burghardt’s work and its subversive and performative significance have not been adequately appreciated until now.

Fluxus and Beyond: Ursula Burghardt, Benjamin Patterson will be accompanied by a comprehensive program of concerts, readings, and workshops.

A catalogue edited by Barbara Engelbach and containing contributions by Yilmaz Dziewior, Barbara Engelbach, julia elizabeth neal, and Kathrin Rottmann will be published (ca. 280 pages with numerous illustrations, German/English; Verlag der Buchhandlung Walther und Franz König, Cologne, ISBN 978-3-7533-0690-2).

Curator: Barbara Engelbach

Curatorial advisors: Annemone Christians-Bernsee (NS-Dokumentationszentrum Köln, Cologne) and julia elizabeth neal (History of Art Department, University of Michigan).










Today's News

July 19, 2024

The art forger had fooled thousands. Then he met Doug.

T. Rex dethroned? A Stegosaurus fossil sells for a record $44.6 million.

Rare books, maps and atlases from the recently closed Birmingham-Southern College to be offered at auction

Upstate Art Weekend offers a year's worth of art in four days

Kennedy Center honorees include Francis Ford Coppola and the Apollo Theater

100 works trace photography's evolution in Cuba from the 1960s through the 2010s

'Fluxus and Beyond: Ursula Burghardt, Benjamin Patterson' to open at Museum Ludwig this October

MIT List Visual Arts Center opens 'List Projects 30: Jeremy Couillard'

Ansel Adams retrospective to premiere at the Cincinnati Art Museum

Asya Geisberg Gallery opens a group exhibition of works by 14 artists

Haines Gallery opens a group exhibition that brings together eight artists who use highly inventive materials

Picturing the Border exhibition opens at the Cleveland Museum of Art

The six wives of Henry VIII reunite with their iconic portraits at the National Portrait Gallery

'UnPrisoned' depicts the burden of incarceration with a light touch

Evan Wright, award-winning reporter and author of 'Generation Kill,' dies at 59

The poets have taken Governors Island. (Don't worry, they gave it back.)

With a killer onstage and a body part in a bag, the show went on

In 'Life and Trust,' the details are in the devil

Bob Newhart, soft-spoken everyman who became a comedy star, dies at 94

It's a pretty marvelous team-up

The 'Converse conductor' fighting elitism in classical music

BAMPFA commissions new body of work from Young Joon Kwak

'You think, so you can dance?' Science is on it.

10 Museums and Galleries to Visit in Romania

The 7 Most Expensive Paintings Ever Sold

Types of Investments : How To Use Your Money to Make Money

Advantages of storing documents in a digital wallet while traveling

Ewallet Online Casino Free Credit

Exploring Top Real Money Casinos - Our Ultimate Guide

Live Casino Security: Ensuring Fair and Safe Gaming

How to Download Call Center Quality Assurance Framework Template

What are the best places to find free online courses? You Should Know This

The Art of Timeless Decor: Art&See's Masterful Creations

Mauricio de Riglos In The USA: Revolutionizing Tattoo Art On The Biz Side




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful