mumok and ImPulsTanz present: nowhere / now here. A Performance Festival
The First Art Newspaper on the Net    Established in 1996 Friday, November 8, 2024


mumok and ImPulsTanz present: nowhere / now here. A Performance Festival
Nikima Jagudajev, Basically at Enter Art Fair with: Matilda Cobanli, Lara Damaso, Nikima Jagudajev and Ezra Fieremans © Julie Nymann.



VIENNA.- In the summer of 2024 mumok in cooperation with ImPulsTanz will present a jointly curated performance festival on level +4 of the museum. Contemporary choreographers such as Trajal Harrell and others not only occupy the gallery level with live performances but also, in collaboration with curators Marianne Dobner and Christine Standfest, select historic film works from the mumok collections that have galvanized and shaped them in their artistic practice—including current references. This creates a meshwork of historical and contemporary positions—a relational fabric of inspiration. The festival thus also negotiates the question of how to archive ephemeral art forms that not only address but outright embody presence, the present, and change.

The performance festival culminates in Nikima Jagudajev’s performative exhibition Basically.

Nikima Jagudajev. Basically

Basically is an ongoing live project whose exhibition format is a hybrid production space, residency space, schoolyard; a context to practice and perform within. Jagudajev's process based collaborative practice looks at social forms; social relations as spatial relations and how we assemble in fulfilling and considerate ways. They call this practice re-schooling, coming together and sharing devotions. A reconstruction of what so many of us—some more than others—were deprived of as children: the laughter that fills the halls between classes, locker decorations and secrets underneath the bleachers. Re-schooling requires the input of many artistic practitioners, sharing with one another their most impassioned selves, sewing relational threads, building strong bonds with themselves and others.

Harnessing the choreography of play as a framework, performers (Conduit) and visitors (Arrivor) are incorporated into an open-ended game. World building is aided by a group of artists who shape the playground with elements such as live music, food, a deck of collectable cards called POWDER, Arcane Clothing, "crits"—art class critique turned oracle—nonlinear dance choreographies that fold in on themselves and unscheduled time that leaves room for contingency. These elements work as informal invitations to engage in different ways, shifting attention and offering agency and ontological transformation. This mythopoeic world is both serious and playful, enchanted with meaning and full of mods. One’s experience is determined by the games’ formal properties as well as the interaction of various interpreting subjectivities. Performers and visitors share this slippery universe, making and remaking the environment; a sociality of difference.

Jagudajev’s work has taken form in venues including a solo exhibition at Bergen Kunsthall (Norway), WIELS (Brussels), Shedhalle (Zürich), Kurimanzutto (Mexico City), Centre d’Art Contemporain Genève, The Whitney Museum of American Art, MoMA PS1 and the Rockbund Art Museum (Shanghai) as well as in the context of Material Art Fair’s Immaterial (Mexico City), 89+ at LUMA/Westbau (Zürich), kunstenfestivaldesarts (Brussels) and as part of the Marrakech Biennale (Morocco). They were a 2016 DanceWeb recipient and returned to teach at ImPulsTanz in 2017. Future shows include an exhibition at Accelerator (Stockholm), Istanbul Biennial 2024 and Dhaka Art Summit (Bangladesh) as well as performances at KAAP’s Dansand! Festival (Ostend) and Enter Art Fair (Copenhagen).

Published work by Jagudajev includes “The Backstreet Boys” as part of Bergen Kunsthall’s Speculative Histories text commission platform (2021) and co-published by Karmaklubb*, “Relations of Unpredictable Encounters” in the Movement Research Performance Journal (2017) and “the landscape thinks itself in me” in Asad Raza’s Root Sequence. Mother Tongue (Walther König, 2018).

Curated by Marianne Dobner










Today's News

July 16, 2024

Two masters are better than one?

John Singer Sargent work among new acquisitions at the Raclin Murphy Museum of Art

Nye & Company announces two-day Chic and Antique auction, July 31st -Aug. 1st

Captain America Comics #1 could pack a mighty punch at Hake's July 30-31 pop culture memorabilia auction

At this photography festival, the camera points below the surface

'Electric Dreams: Art and Technology Before the Internet' at Tate Modern this November

Keeping the lights on at the Met Museum is an art in itself

Art Institute of Chicago presents Foreign Exchange: Photography between Chicago, Japan, and Germany, 1920-1960

The Portland Art Museum announces 'Paul McCartney Photographs 1963-64: Eyes of the Storm'

Early humans left Africa much earlier than previously thought

Heritage Auctions' All-Star Weekend, the July 12-13 Summer Sports Card Catalog, slugs $8.7 million

The photographs that made Trump the incarnation of defiance

Telfair Museums appoints David Brenneman as new Executive Director and CEO

Ellie Buttrose announced as curator of 2026 Adelaide Biennial

'Acting is a trick': Anthony Hopkins on 'Those About to Die'

Exiled in London, but still focused on his Russian audience

Joe Namy, 'Radio Underground' at Waterloo Underground station

mumok and ImPulsTanz present: nowhere / now here. A Performance Festival

Kyung-Me's drawing 'The Prostration (2022)' acquired by the Whitney Museum of American Art

The book bag that binds Japanese society

How do you tell immigrant stories? Dinaw Mengestu has an answer.

Tech Student Hetal Vyas Breathes Life into Your Digital Illustrations

Unleash your Creativity: Billy Blue College of Design Bright Awards Competition




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful