Nyunmiti Burton's monumental painting Kungkarangkalpa commemorated in a new collectable stamp set released by Australia
The First Art Newspaper on the Net    Established in 1996 Monday, December 23, 2024


Nyunmiti Burton's monumental painting Kungkarangkalpa commemorated in a new collectable stamp set released by Australia
Nyunmiti Burton, Kungkarangkalpa - Seven Sisters, 2020, Adelaide, synthetic polymer paint on linen, 290.0 x 290.0 cm; Gift of Anna Baillie-Karas, Mary Choate, Amanda Harkness, Jacqui McGill, Peter and Pamela McKee, Zena Winser through the Art Gallery of South Australia Foundation 20th Anniversary Collectors Club 2020, Art Gallery of South Australia, Adelaide, © Nyunmiti Burton/APY Art Centre Collective, photo: Grant Hancock.



ADELAIDE.- A highlight of the Art Gallery of South Australia’s collection, Nyunmiti Burton’s monumental painting Kungkarangkalpa - Seven Sisters, 2020, has been commemorated in a new collectable stamp set released by Australia Post. The work was acquired for the AGSA Foundation 20th Anniversary Collectors Club in 2020, and appeared in AGSA’s 2021 Tarnanthi Festival, acclaimed as the nation’s leading First Nations art festival.

Nyunmiti Burton commented, ‘The spirit of our ancestors watches over us as we celebrate our culture and would be proud of my achievement.’

AGSA Director Rhana Devenport ONZM says, ‘This is a wonderful achievement for Nyunmiti Burton, her work featured on the stamp can now be enjoyed by thousands across the country. It reinforces the impactful work that AGSA undertakes through Tarnanthi – a national showcase for the artistic excellence, creative diversity, innovation and cultural depth of contemporary Aboriginal and Torres Strait Islander art.’

The stamp set, titled Sky Country: The Seven Sisters, features works by three women artists: Burton, Angilyiya Mitchell and May Chapman. The dramatic narrative of Kungkarangkalpa, or the story of the Seven Sisters, is an important and powerful ancestral story which can be tracked across the continent from the north of Western Australia all the way to the east coast. It tells of seven sisters who were chased across sky and earth by the lascivious man Wati Nyiru, and teaches the importance of female leadership and women supporting other women. The story is also recognisable in the West as the story of the Pleiades, Atlas’s daughters who fled to the heavens to escape Orion.

The stamp set depicts the Seven Sisters story from the perspectives of women from three lands: Martu Country in the Great Sandy Desert (Chapman), Ngaanyatjarra Lands in the Great Victoria Desert (Mitchell) and the Aṉangu Pitjantjatjara Yankunytjatjara (APY) Lands in the north-west of South Australia (Burton).

Burton’s work tells how the oldest sister protected the others, making sure no-one was left behind. Through her painting, the celestial adventure of the sisters escaping Wati Nyiru is made visible – dynamic tracts of red, yellow, orange and lilac paint skip across the surface, imitating the movement of the sisters across the night sky and onto Country.

‘This was the oldest sister’s story and it is the story of all Aboriginal women leaders in Australia today. The women stayed together and the oldest sister ran with the young women escaping the dangers – she showed them how to escape by running into the night sky,’ said Burton.

Tarnanthi’s Artistic Director, Barkandji curator Nici Cumpston OAM, says, ‘Nyunmiti Burton is an important leader in her Aṉangu community, and her large-scale canvases depict her Country and Tjukurpa in bold swathes of colour. What an incredible gift to the public for her artwork and stories to be shared across the country and the world through this stamp.’

Burton is also featured in Kungka Kunpu (Strong Women) as part of AGSA’s acclaimed Tarnanthi on Tour program. Cumpston says, ‘This regional touring exhibition reflects the adaptive genius, energy and dynamism of Aṉangu culture and recognises the APY art movement as a vital source of contemporary art production in Australia today.’ The exhibition, presented by the Art Gallery of South Australia with Principal Partner BHP and support from the Australian Government through its Visions of Australia program, is currently on at Bunjil Place Gallery, Narre Warren in Melbourne until 21 July.

Nyunmiti Burton was born in Mparntwe (Alice Springs) in 1960 and grew up in Pukatja (Ernabella). In the 1970s she was introduced to batik by Aṉangu women at Ernabella Arts who had honed their batik skills in Asia. In 1980, she married and moved to Amata, where she began her career as an educator. Today she lives and works in Adelaide at the APY Art Centre Collective, and her primary platform for teaching is through her painting. She holds leadership roles as a director of the APY Art Centre Collective, the APY Council and the Ngaanyatjarra Pitjantjatjara Yankunytjatjara Women’s Council.

Nyunmiti Burton’s Kungkarangkalpa - Seven Sisters, 2020, can be viewed at the Art Gallery of South Australia in Gallery 7 as part of Country, our mother a display of paintings by artists from the Anangu Pitjantjatjara Yankunytjatjara (APY) Lands.










Today's News

July 8, 2024

Städel Museum presents some 80 paintings and sculptures by 26 women artists

The Museum of Fine Arts, Houston opens 'Meiji Modern: Fifty Years of New Japan'

Christie's unveils Alberto Giacometti's Buste sur la selle de l'atelier

Tate Britain will stage Art Now: Steph Huang

Exhibition offers new take on Dalí 100 years after the founding of Surrealism

Royal Academy of Arts opens 'In the Eye of the Storm: Modernism in Ukraine, 1900-1930s'

Jon Landau, producer of 'Titanic' and 'Avatar,' dies at 63

Pace announces European exhibition program autumn/winter 2024

V&A opens major exhibition exploring the career of leading British fashion model, Naomi Campbell

First large-scale exhibition of Mary Cassatt's work in the U.S. in 25 years on view in Philadelphia

KÖNIG GALERIE opens an exhibition of new works by Guy Yanai

First major survey exhibition of the Aotearoa-born, Melbourne-based artist Brent Harris opens at AGSA

'Yoshida: Three Generations of Japanese Printmaking' on view at Dulwich Picture Gallery

Marian Goodman Gallery Los Angeles to open Jongsuk Yoon's first solo exhibition in the U.S.

The Legendary Trunks: A European Private Collection Sale totals $2.5M

Marta Herford Museum of Art and Design opens 'Between Pixel and Pigment: Hybrid Painting in Post-digital Times'

"A Legacy of Giving" exhibition highlights the power of philanthropy

Nyunmiti Burton's monumental painting Kungkarangkalpa commemorated in a new collectable stamp set released by Australia

Romance bookstores are booming, dishing 'all the hot stuff you can imagine'

Actor Joe Pantoliano brings his on-screen history to Heritage Auctions

2025 Season: Exhibitions and cinema at Jeu de Paume

Christie's and the Paul G. Allen Estate present Gen One: Innovations from the Paul G. Allen Collection

'Kill' review: The title says it all. Over and over again.




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful