Museum workers walk out, describing exhibit as aligned with Zionism
The First Art Newspaper on the Net    Established in 1996 Sunday, December 22, 2024


Museum workers walk out, describing exhibit as aligned with Zionism
The Wing Luke Museum in Seattle, on May 29, 2008, which has been closed by employee protests. The Wing Luke Museum remained closed on Monday, May, 27, 2024, nearly a week after employees walked off the job to protest an exhibition that includes language they believe frames “Palestinian liberation and anti-Zionism as antisemitism.” (Stuart Isett/The New York Times)

by Zachary Small



NEW YORK, NY.- The Wing Luke Museum in Seattle remained closed Monday afternoon, nearly a week after employees walked off the job to protest an exhibition that includes language they believe frames “Palestinian liberation and anti-Zionism as antisemitism.”

Almost half the museum staff participated in the walkout, which began Wednesday, the scheduled opening day of “Confronting Hate Together,” an exhibition looking at how communities oppose forms of bigotry, including racism and antisemitism. The 24 employees who staged the walkout said in letters that museum leaders had failed to address their concerns, but the museum said in an online statement that it would remain closed to “listen and earnestly engage in dialog with our staff.”

Lisa Kranseler, director of the Washington State Jewish Historical Society, which collaborated on the exhibition, said the museum was now considering taking down the show because of the controversy. (The museum did not immediately respond to a request for comment.)

“It is very sad,” Kranseler said in a phone interview. “We worked with them for almost a year and a half on the exhibition.”

The sudden closure of the museum was the latest example of how cultural institutions have struggled to navigate the politics of the Israel-Hamas war. Disagreements on how to address the suffering of Palestinian and Israeli civilians have led to executives’ leaving their organizations; artists have also faced censorship and have embedded hidden political messages in their work.

Employees at the Wing Luke Museum — an organization focused on the histories and cultures of Asian Americans, Native Hawaiians and Pacific Islanders — said their main concern was an exhibition text that had been developed alongside the Washington State Jewish Historical Society. It stated that “today antisemitism is often disguised as anti-Zionism, with Jews everywhere expected to defend the actions of Israel’s right-wing government.” The panel then described several local examples of antisemitism, including when the Herzl-Ner Tamid Synagogue on Mercer Island was spray-painted with the words “stop the killing” in November.

In a May 19 letter, the protesting staff said the “Confronting Hate Together” exhibition damaged community trust and aligned the museum with Zionism. The employees asked that museum leaders “acknowledge the limited perspectives presented in this exhibition. Missing perspectives include those of Palestinians, Arabs, and Muslim communities who are also experiencing an increased amount of violence, scapegoating, and demonization.”

Zionism has traditionally referred to a belief in Jewish self-determination through the state of Israel. But more recently, the term has been used to critique Israel’s expansion into Palestinian territories.

The museum has not directly responded to the letters. In a statement on social media, the museum said that when it does reopen it will “offer free admission for the community to experience this powerful exhibition.”

“We look forward to continuing to serve our mission to advance racial and social equity together with our staff,” the statement continued, “and welcome them to join us as the dialogue around this important exhibit continues.”

Over the weekend, employees continued to put pressure on the museum, starting an online fundraiser to aid the striking staff and providing a new statement on their protest.

“Museums are not neutral,” the employees said. “The role of a museum is to educate, to provide an artful and peaceful space for reflection, and to foster learning and provide a model for confronting bias, prejudice, or colonialist history.”

Kranseler said the protest had introduced contemporary politics into an exhibition that was fundamentally about stopping division and hatred.

“The original exhibition was always supposed to be a starting point,” she said.

This article originally appeared in The New York Times.










Today's News

May 29, 2024

Collidoscope: de la Torre Brothers Retro-Perspective now on view at The Corning Museum of Glass

Who plotted to sell Graceland? An identity thief raises his hand.

TimeLine's June 4-8 Ancient Art, Antiquities, Natural History & Coins Auction unveils spellbinding relics

Museum workers walk out, describing exhibit as aligned with Zionism

Pace presents an exhibition of new work by Tara Donovan

Were Gallic horses sacrificed in Villedieu-sur- Indre?

Unseen photos from the set of Goldfinger come to auction at Ewbank's

'Old' Amsterdam looks back at New Amsterdam through Indigenous eyes

Tate Britain Commission unveiled: Alvaro Barrington's GRACE

RFK Jr. denounces the removal of Confederate statues

Cork Street Galleries unveils John Akomfrah's new work as the Cork Street Galleries Banners Commission 2024

MOMENTUM names head curator and releases thematic framework for 13th edition

Arts and spycraft: The new discovery that illustrates the fortune and tragedy of an Elizabethan life

Edinburgh Art Festival reveals full programme for summer 2024

'Bluets' Review: This Maggie Nelson adaptation is all about the vibes

'Romeo and Juliet' review: Plenty of style, but little love

Jiro Takamatsu joins Pace Gallery

Lisson Gallery now representing Oliver Lee Jackson

Angel Otero's opens first Los Angeles exhibition with Hauser & Wirth

Vintage Auctions + Appraisals announces highlights included in Vintage Watches, Part 2 sale

CLAMP to open "Mark Morrisroe: Pre-Nympho Pia and Other Friends"

Exhibition at Peter Blum Gallery brings together a group of seven contemporary artists

Exhibition of seventeen new paintings by Amy Bennett on view at Miles McEnery Gallery

Legendary Trunks : A European Private Collection

Grabie CEO Evan Li Discusses How Art Therapy Can Support Mental Health and Healing

The Ultimate Guide and Review of Tubidy MP3 Downloads

Tips and Strategies Negotiating When Buying a New Car 2024




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful