Center for Maine Contemporary Art opens 'Donald Moffett: Nature Cult, Seeded'
The First Art Newspaper on the Net    Established in 1996 Friday, November 22, 2024


Center for Maine Contemporary Art opens 'Donald Moffett: Nature Cult, Seeded'
Donald Moffett, Lot 110123 (nature cult, houses), 2023, Wood, acrylic, steel, 56 1⁄4 x 43 1⁄2 x 36 inches.



ROCKLAND, ME.- The Center for Maine Contemporary Art in Rockland, Maine, is presenting the exhibition Donald Moffett: Nature Cult, Seede from May 25 to September 8, 2024. The show, curated by former CMCA director and chief curator Suzette McAvoy, is the artist’s first exhibition in Maine, where he is a seasonal resident of North Haven Island.

Donald Moffett (b. 1955, San Antonio, TX) emerged as both an artist and activist in the late 1980s, participating in ACT UP (AIDS Coalition to Unleash Power), as a founding member of the collective Gran Fury, and as a founding partner of BUREAU, a trans-disciplinary studio. Taking abstraction and the monochrome as evolving unfinished languages, Moffett challenges the traditional flat frame of painting through non-traditional techniques and employs new forms that serve as carriers of both personal and political meaning. Currently, Moffett is pursuing NATURE CULT, a deep study and expanding practice of how art and the environmental crisis might collide. “The intensity of a cult is called for as we turn our attention to nature and its preservation,” says the artist.

Nature Cult, Seeded is the latest iteration in the ongoing series. The exhibition is centered on the large-scale sculptural installation, Lot 030323/24 (the golden bough), an assemblage of dead tree limbs painted gold and bolted together to form an undead yet ethereal totem to life. In a recent interview with fellow North Haven resident architect Toshiko Mori in Domus magazine, Moffett speaks of his interest in “the tree, the fundamental unit of a forest and the web of ecology that builds out from the tree. When you mess with the tree, a system can fall apart.”

Other works in the exhibition are new wall-mounted and freestanding sculptures
incorporating the form of weathered birdhouses punctured and perforated and painted in intense hues. Also included is a selection of the artist’s emblematic shaped and carved panel paintings finished in luminous epoxy resin or given a lush pelt of extruded paint, referencing various organic and bodily forms. Throughout the exhibition, the haunting sound of the now-extinct male Kaua‘i ‘ō‘ō bird can be heard calling for a mate that will never come. At once ominous and seductive, Donald Moffett: Nature Cult, Seeded is a clarion call to the precariousness of our planet in crisis. “I don’t think there are issues more important than nature and its health,” says the artist.

Donald Moffett’s diverse and formally innovative practice includes painting, sculpture, installation, photography, drawing, prints, and video. His work is included in over thirty public collections, including the J. Paul Getty Museum, Los Angeles, CA; the Blanton Museum of Art, Austin, TX; the Hammer Museum, Los Angeles, CA; The Menil Collection, Houston, TX; The Metropolitan Museum of Art, New York, NY; the Museum of Fine Arts, Boston, MA; the Museum of Modern Art, New York, NY; the Whitney Museum of American Art, New York, NY and the Brooklyn Museum, Brooklyn, NY, among others. Moffett has had solo exhibitions across the United States and internationally, including a major survey exhibition at the Contemporary Arts Museum Houston, Houston, TX, which traveled to the Tang Museum at Skidmore College, Saratoga Springs, NY, and The Andy Warhol Museum, Pittsburgh, PA.

His work has been included in important group shows such as Greater New York at MoMA PS1, New York, NY; America is Hard to See at the Whitney Museum of American Art, New York, NY; and ICA Collection: Expanding the Field of Painting at the Institute of Contemporary Art Boston, Boston, MA. In 2022, his work was featured in the exhibition DONALD MOFFETT + NATURE CULT + THE McNAY at the McNay Art Museum, San Antonio, TX. Moffett is a member of the Board of Governors of the Skowhegan School of Painting and Sculpture, Skowhegan, ME, and New York, NY, and the National Leadership Council of the Blanton Museum of Art at the University of Texas, Austin, TX. He is represented by Marianne Boesky Gallery, New York, NY, and Aspen, CO, and Anthony Meier, Mill Valley, CA. Moffett divides his time between Maine, Texas, and New York City.










Today's News

May 26, 2024

A furious, forgotten slave narrative resurfaces after nearly 170 years

Major exhibition of the work of Beatriz Milhazes opens at Tate St Ives

Christie's announces highlights included in its Magnificent Jewels sale

Thaddaeus Ropac opens the first exhibition at the gallery dedicated to Alex Katz's printmaking practice

One of the fnest private libraries in America, assembled by William A. Strutz, to be offered at Heritage

The architect who made Singapore's public housing the envy of the world

At MoMA, LaToya Ruby Frazier asks what our monuments should be

Tennessee Attorney General to review company's bid to sell Graceland

Center for Maine Contemporary Art opens 'Donald Moffett: Nature Cult, Seeded'

'Skyway 2024: A Contemporary Collaboration' unites five Bay Area museums in an innovative art exhibition

SJ Auctioneers announces Father's Day online-only auction, June 16th

Houston Center for Contemporary Craft opens the first institutional solo exhibition of work by Georgina Treviño

Varvara Roza Galleries and The Blender Gallery present "Philip Tsiaras: Topologies 1990-2023"

Bounty crop of Tiffany blooms at Fontaine's Spring $2.2M auction

Morton Fine Arts presents a global group exhibition of fiber art

Virginia Museum of History & Culture honors legacy of Rosenwald School Program in new exhibition

Fondazione Berengo presents Welcome! A Palazzo for Immigrants by Osman Yousefzada

Exhibition at Turner Contemporary unites paintings and works on paper by Ed Clark

Lentos Kunstmuseum offers impressive insights into six decades of work of Margit Palme

Kunst Museum Winterthur opens an exhibition of works by Silvia Bächli

Alicia Keys, Usher and Patti Smith honor the legacy of Gordon Parks

Making art, processing grief

Palazzo Bonaparte presents a new project conceived by Mario Testino

How to Find the Best Deals on Los Angeles Yacht Rentals?

Ensuring Structural Integrity: The Importance of Roof Inspection in Tulsa

Effective Water Mitigation in Vancouver, WA

Enhance Your Home's Energy Efficiency and Aesthetic Appeal with Waco Window Replacement

Yasam Ayavefe: Transforming Lives Through Generous Donations

Benamkan Diri Anda dalam Pengalaman Bermain Game Online 1Win

eChecks and International Transactions: Expanding Your Business Globally




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful