SculptureCenter opens an exhibition of works by Tolia Astakhishvili
The First Art Newspaper on the Net    Established in 1996 Friday, November 22, 2024


SculptureCenter opens an exhibition of works by Tolia Astakhishvili
Tolia Astakhishvili, neighbours places, 2023. Archival ink on paper. 8.3 x 11.6 inches (21 x 29.5 cm). Courtesy the artist and LC Queisser, Tbilisi.



LONG ISLAND CITY, NY.- For more than two decades, Tolia Astakhishvili has worked across sculpture, drawing, painting, sound, and video. At scales that both augment and seemingly disappear into gallery spaces, Tolia’s environments posit architecture as an unfixed and transforming entity shaped by those who live through it. At the same time, her sculpture attends to disavowed space and the overlapping markers of use, authorship, and social position that produce different settings of decay.

Writer Kirsty Bell has described Tolia’s installations as a form of “simultaneity – whereby a space exists as a plan, a model, a projected vision, a memory and a real place.” [1] Tolia’s work unsettles a building’s ability to designate and distribute its own space, instead overriding it with new structures, layers of used things, and other detritus. To this performed architecture Tolia introduces a vocabulary of figures extending from her ongoing drawing practice, borrowed artworks, and audio compositions.

At SculptureCenter, Tolia Astakhishvili: between father and mother considers sculpture as a form of sorting, and, by extension, choosing and dividing. In service of this idea, Tolia recasts SculptureCenter’s ground floor gallery spaces as a channeling machine, rigging up two large debris chutes, a major new commission made possible by Valeria Napoleone XX SculptureCenter (VNXXSC), that suggest the mechanism of judgment realized through Tolia’s monumental, assemblage-laden installations. Throughout the exhibition, Tolia integrates works from different disciplines by collaborators Ketuta Alexi-Meskhishvili, Kirsty Bell, Katinka Bock, Dylan Peirce, and James Richards. Read as singular artworks, these contributions stand in contrast to the piles of secondhand items, industrial parts, refuse, and construction materials that Tolia meanwhile transforms into representations of found situations: partial recreations of spatial, psychological, and object conditions that might exist both here and elsewhere.

Self-effacing yet monumental and accumulative, between father and mother performs a problem of discernment familiar to art and life: how to compare unlike things, and how to reconcile incomparable experiences as they play out in the present and return from the past.

Tolia Astakhishvili: between father and mother is the artist’s first exhibition in the United States. The exhibition includes a new work co-commissioned by SculptureCenter, New York and Hartwig Art Foundation, Amsterdam, to be acquired by the Collection Hartwig Art Foundation. Promised gift to the Rijksdienst voor het Cultureel Erfgoed / Rijkscollectie Netherlands.

[1] From Kirsty Bell’s “I. Plans and Drawings” published in the exhibition guide for Tolia Astakhishvili: The First Finger, Bonner Kunstverein, Mar 25–Jul 30, 2023.










Today's News

May 12, 2024

Christie's website is brought down by hackers days before $840 million auctions

Steve McQueen won't be boxed in

At the Met, Sleeping Beauty wakes up in the chemistry lab

Exhibition at Art Institute of Chicago features works by four Chicago artists

Reflex Gallery opens Peggy Kuiper's first solo exhibition in Amsterdam

Exhibition at Praz-Delavallade Los Angeles revolves around the many layers of the ego

Old Master and European paintings from a private collection selling without reserve

Jane Fonda presents 'Art for a Safe and Healthy California'

Almine Rech now represents Gwen O'Neil

Iconic lowriders take center stage in Petersen Automotive Museum's newest exhibit

GRIMM New York opens 'Francesca Mollett: Corso'

Ian Gelder, 'Game of Thrones' actor, dies at 74

Book bans are surging in Florida. So Lauren Groff opened a bookstore.

Penrith Regional Gallery presents 'Diana Baker Smith: This Place Where They Dwell'

'Sally & Tom' frees Sally Hemings from being a mere footnote

David Shapiro, who gained fame in poetry and protest, dies at 77

Bill Holman, whose arrangements shaped West Coast jazz, dies at 96

SculptureCenter opens an exhibition of works by Tolia Astakhishvili

The Frederick R. Weisman Museum of Art presents On Location in Malibu 2024 and Rediscovering Constance von Briesen

A boat designed to be a breath of fresh air

Exhibition of new work by Lisa Oppenheim opens at Tanya Bonakdar Gallery

In 'The Big Cigar,' a Black Panther stars in a fake movie

Are floating cities the solution to rising seas?

A party for the haters

The Evolution of Style: Embracing the Sun with Prescription Sunglasses

Places for Art Lovers to Visit in Toronto




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful