A niche Indian actress is thrust into Hollywood's spotlight
The First Art Newspaper on the Net    Established in 1996 Friday, November 22, 2024


A niche Indian actress is thrust into Hollywood's spotlight
Sobhita Dhulipala, a star of the new film “Monkey Man,” in Los Angeles on April 3, 2024. Dhulipala has taken on risky roles in her acting career, outside of India’s blockbuster hits. Now, she plays a key role in the mainstream film in the Hollywood spotlight. (Gabriella Angotti-Jones/The New York Times)

by Anna Kodé and Alisha Haridasani Gupta



NEW YORK, NY.- Sobhita Dhulipala considers herself an outsider — wherever she is.

She grew up in the southern Indian state of Andhra Pradesh, making her an outsider in the country’s financial and fashion capital, Mumbai. Her native tongue is Telugu, making her an outsider in predominantly Hindi-speaking Bollywood.

And now, with the release Friday of the high-octane, Jordan Peele-produced “Monkey Man,” in which she stars alongside Dev Patel, she is again an outsider, thrust into Hollywood’s limelight. In fact, the premiere of the film at South by Southwest in Austin, Texas, last month was the first time Dhulipala, 31, had ever set foot in the United States.

“In India, I’m South Indian,” Dhulipala, who lives in Mumbai, said in a video interview from her hotel room in Los Angeles. “When I come to America, I’m Indian.”

“It’s amazing that I get to come to this country with a film,” she added. “It’s like I come with an offering.”

That real-life feeling of being an outsider is the undercurrent for many of her onscreen roles. In the Amazon Prime series “Made in Heaven,” Dhulipala’s character is a low-income nobody who schemes her way into upper-class circles. In “Monkey Man,” she plays Sita, a call girl whose business is the pleasure of powerful but despicable men.

To her, being able to make a career out of playing characters on the margins who defy easy categorization is a point of pride. “Those are really beautifully complex humans,” she said. “To be considered someone who can be trusted with characters like that is really an honor.”

Acting was never Dhulipala’s career plan. Her family was full of academics, including her mother, who was a teacher, so she figured she would do something similar. “I didn’t grow up thinking that I would be an artist or some such; it was such an irresponsible thought,” she said. “Being creative was, like, an indulgent hobby.”

She was studying for a master’s degree in corporate law in Mumbai when she first dipped her toe in entertainment by taking on a hodgepodge of modeling gigs and TV commercials. In 2013, she entered and won the Miss Earth India pageant. As she started landing more jobs, she dropped out of her master’s program and, in 2016, starred in her first Bollywood film, the psychological thriller “Raman Raghav 2.0.” She then starred in several Tollywood films (Telugu films made in southern India) before being cast in “Made in Heaven,” which was released in 2019.

But it was before she was seeing any success in India, even before the release of her first film there, that she auditioned for the role of Sita in “Monkey Man,” she said. It took the team several years to get back to her — she had assumed they had moved on and found someone else — and when the call finally came, in 2019, Patel told her that he had decided that she would be perfect for the role from the moment he saw her audition.

Dhulipala said she had been drawn to “Made in Heaven” in part because the show addressed issues — including gay rights, colorism and the caste system — that weren’t typically touched on in mainstream Bollywood hits.

“If something inspires me or there’s some value I can bring to the story, I want to belong with it,” she said.

“Monkey Man” has just the sort of array of lightning rods that attracts Dhulipala: an enclave of combative transgender women, an antiestablishment sex worker and an antipolice plot. Working with Patel on his directorial debut could have been a risky move for a Hollywood unknown, but Dhulipala said the dynamic had felt especially collaborative. “It’s a different kind of relationship altogether,” she said. “There’s trust, fear, vulnerability, and you move as one pack, one team.”

“There’s a certain purity and passion there — working with a first-time filmmaker,” she added. “So I came on board; I jumped on board.”

Granted, in this film, she barely has a few dozen lines of dialogue, and her character would not pass even a generous version of the Bechdel test. (There’s something poetic, she claimed, in portraying “the moments between the words.”)

Her willingness to buck trends spills over into her style choices, too. Early in her career, she recalled being styled by a bunch of people “who probably did not get my vibe so much,” she said. “Because I didn’t really have that much of a voice, I’d just give in.”

But now, she often follows her instincts, leaning into Indian designers and traditional styles. At the “Monkey Man” premiere last month, she wore a stereoscopic dress designed by Amit Aggarwal, and last year she walked the runway at India Couture Week in a bejeweled silver lehenga.

“I figured that I don’t have to rely on one person’s vision for me or a stylist’s psyche of what I should look like,” she said. “I can just try things I’m gravitating toward.” A lot of times, her interest in an outfit or look is laced with nostalgia. “I love a sari because maybe that’s my memory of my mother, my teachers in school. There’s a certain grace and dignity, but also sex appeal.”

DietSabya, an influential fashion and celebrity-focused Instagram account that has more than 400,000 followers, named Dhulipala as one of its top picks for best dressed of 2023. Her style is a hit with fans, too. A bodycon dress by Sabyasachi that she wore in the second season of “Made in Heaven” prompted the show’s audience to label it India’s equivalent of “the revenge dress.”

Similarly, in what she said feels like another small act of rebellion, Dhulipala has been embracing her natural curly hair: “In India, you’re just constantly wanting to look more homogenous. So everyone’s constantly trying to blow-dry, straighten. I’ve been through that journey as well.” Now, she added: “I’m just like, I like my hair, the texture. Hair is history, right? It’s part of your identity.”

In keeping with her unconventional choices, Dhulipala has her eye on either sci-fi or more action movies. But in the next film, she wants to do more of the action herself, she said. And perhaps a little more talking, too.

This article originally appeared in The New York Times.










Today's News

April 7, 2024

When the Rubin Museum was divine

A 'Taxi Driver' remix recasts the climax

Kasmin opens an exhibition in homage to the acclaimed French sculptors Claude and François-Xavier Lalanne

Longtime journalist Bob Schieffer bares his soul in a new art exhibition

Documentary filmmaker explores Japan's rigorous education rituals

The unstoppables: Sharing the secrets of a lifelong career

Women who made art in Japanese internment camps are getting their due

Phaidon to release The Andy Warhol Catalogue Raisonné, Volume 6

On April 21, a secret vault opens at Turner Auctions + Appraisals

Judd Foundation announces 'Robert Irwin' at 101 Spring Street

Fondazione ICA Milano presents 'Ritratto di città 20/20.000Hz' at Centre Pompidou-Metz

The Contemporary Jewish Museum announces artist list and modified exhibition plans for the California Jewish Open

Major Hiroshi Shimizu film retrospective in NYC in May 2024

Making films about outsiders, increasingly in the mainstream

A niche Indian actress is thrust into Hollywood's spotlight

'Zone of Interest' Oscars speech is defended by Jewish film artists

Petersen Automotive Museum's newest exhibit showcases unique concept cars and artwork

Lynne Reid Banks, author of 'The Indian in the Cupboard,' dies at 94

A Willy Wonka event ended in disaster. From its ashes rose a budding star.

Howard Atlee, showman who promoted dramas and dogs, dies at 97

The Allure of Chance: How Casino Games Captivate Korean Audiences

Elevate Your Business with Strausberg Group's Expertise

Natural Ways for Burning Fats and Creating a Toned Physique

"Shuyi Qi's 'Embrace': A Compelling Environmental Message Shines at the 2024 ART CAPITAL International Salon in Paris"

Fidelis Joseph: Art Through the Waves of Change




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful