Caryatids: Multimedia exhibition of Nataša Prosenc Stearns opens March 21 at Mauro Café on Melrose

The First Art Newspaper on the Net    Established in 1996 Tuesday, July 2, 2024


Caryatids: Multimedia exhibition of Nataša Prosenc Stearns opens March 21 at Mauro Café on Melrose
Nataša Prosenc Stearns, Caryatids - A Continuous Conversation, 2023, Gislée print on pearl paper, 19” X 32” (framed 27" X 40"). Image courtesy: SEEfest, Nataša Prosenc Stearns.



LOS ANGELES, CA.- Slovenian-born visual artist and filmmaker, Nataša Prosenc Stearns, will present her latest works, Caryatids, a collection of large prints featuring architectural columns which take the form of the standing female figures. The exhibition, now running through June 16, at Mauro Café, 8112 Melrose Avenue, is organized in collaboration with SEEfest, the South East European Film and Cultural Festival.

Taking the motifs from ancient Greece, and Acropolis of Athens, Caryatids represent the power and endurance of women. This project brings the idea of caryatids into our time with silhouettes of women layered with elements of contemporary Los Angeles architecture.

"I am excited to share these images with L.A. audiences," says Nataša Prosenc Stearns. "Once immobile female pillars now beam with turbulence, wind in their hair and clothes. Confirming their significance in today’s changing gender landscape, they resist the confinement of the orthogonal masculine shapes of the architectural grids. They no longer carry buildings and decorate facades; they connect the sky and the earth, confirming their role in a cosmological integrity."

Says Evelyne Joan, proprietor of Mauro Café, “It is very meaningful to me to be able to showcase this collection of Prosenc Stearn’s photographs that explore the role of women as pillars of community. As a woman and owner of an iconic food and hospitality establishment in Los Angeles, I have always been an avid supporter of local artists. It is a privilege to celebrate Prosenc Stearn’s artistic achievements especially in concurrence with International Women’s Month.”

As noted by the academic Stefan Mattessich, "Prosenc Stearns, like Yeats, approaches the problems of modern subjectivity by situating it (and us) in the deeper historical contexts of an ambivalent “civilising process.” Where Yeats, in “The Second Coming,” dates this process from the birth of Jesus in Bethlehem (where that “rocking cradle” would be located), Prosenc Stearns takes us back to classical Greece, to the myths and principles that still today underlie what it is to be a person who is autonomous, self-governing, and “free” in the (categorical) imperatives of an exigent and intimate self-discipline—one beginning in an infancy as much our own as it is that of the modernity we live, and live less as a secularizing break than in continuity with our pre-modern past."

Caryatids digital video iterations have been released as mineable NFTs on the digital platform Sedition (the oldest digital platform, featuring works by Jenni Holzer, Yoko Ono, Bill Viola, Shepard Fairey, Rioyi Ikeda, Christian Boltanski and Wim Wenders).

Nataša Prosenc Stearns

Nataša earned her BA at the Academy of Fine Arts and Design in Ljubljana. She moved to Los Angeles on a Fulbright Grant for her MFA at California Institute of the Arts. Her body of work ranges from single-channel videos, video installations, short and feature films to prints. She explores innovative strategies in storytelling and visual expression and is known for creative use of non-gallery spaces and large multi-channel installations. As an exiled female artist, her areas of artistic exploration include alienation and identity in a technology- and profit-driven environments. By layering moving images, she has developed a singular visual language that integrates seemingly unrelated spaces and figures. It also allows her to explore another of her favorite topics - the interconnectedness and unity of all things.

Nataša's work has been shown internationally, including at the Venice Biennale and at numerous galleries and museums such as the Douloun Museum of Art in Shanghai, the ARCO Fair in Madrid, the Tel Aviv Museum of Art, the Circulo de Bellas Artes, Madrid, and the Museum of Modern Art in Ljubljana, Slovenia. Her videos and films have been screened at festivals such as SXSW, Films de femmes Paris, AVIFF Cannes, the Brooklyn Film Festival, and the Chicago Independent Film Festival. She is a recipient of The Soros Grant, The Durfee Grant, The European Capital of Culture Grant and The Prešeren Fund Award - the Slovenian award for outstanding achievement in art. Her videos are also featured in the contemporary opera CodeL. natasastearns.com.










Today's News

April 5, 2024

Marlborough Gallery to wind down operations beginning June 2024

A rising star of Italian violin making is a 32-year-old from South Korea

Eli Noyes, animator who turned clay and sand into art, dies at 81

Big diamonds and bigger names make a splash in Heritage's Spring Fine Jewelry Auction

Patrick Nagel's 1981 portrait of Playboy playmate Terri Welles hits the block for the first time at Heritage on April 23

Massive lunar meteorite will touch down in Heritage's Nature & Science Auction days after total eclipse

She's shaking up classical music while confronting illness

Christopher Durang, playwright who mixed high art and low humor, dies at 75

From one leaning tower to another, tips to stop the tilt

For Len Cariou, dying onstage each night has been 'Invigorating'

When Latin America became the seat of modernity

Kristen Wiig and Maya Rudolph just want you to like them

How beagles and a fever dream made Rebel Wilson a star

Alice Randall made country history. Black women are helping tell hers.

#MeToo stalled in France. This actress might be changing things.

Julia Stiles wanted to be just like Kat Stratford, too

Dallas Art Fair and Dallas Museum of Art announce eighth annual acquisition program selections

Orlando Museum of Art receives transformational gift

Caryatids: Multimedia exhibition of Nataša Prosenc Stearns opens March 21 at Mauro Café on Melrose

National Gallery of Art appoints Lena Stringari as chief of conservation

Christopher Durang, the surrealist of snark

Amazing, Proven Tips to Buy Dresses Online

Crafting Visual Poetry: The Journey of Emily Yuwei Chen from Jewelry to Paintings

The Truth About Solar Power in Cold Climates




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful