SAN FRANCISCO, CA.- The California artist Tim Hawkinson is renowned for transforming everyday materials into objects that are as uncanny as they are poetic. Through virtuoso craftsmanship and the use of peculiar materials and drastic shifts in scale, he unsettles our expectations and startles us into perceiving the world anew.

This exhibition of 30 tiny paintings — yes, paintings — made between 2021 and 2023 is utterly unlike — yet completely consistent with — the expansive body of work Hawkinson has created over the last 35 years.

On wooden panels about the size of a paperback novel, Hawkinson recounts fleeting moments from his family’s life. They’re hyperreal images based on iPhone photos he, his wife (the artist Patty Wickman), or their daughter have taken. A few are posed; most are candid.

Alexandre Kyungu Mwilambwe
Mlango (The Door)

Alexandre Kyungu Mwilambwe lives and works in Kinshasa, Democratic Republic of the Congo. He appropriates found objects — rubber tire inner tubes, doors, antiquated maps — and the vocabulary of traditional body modification (Nzoloko, or scarification, a pre-colonial tradition that continues in contemporary Congolese society) to explore identity, the legitimacy of political boundaries, and the possibility of mobility in a post-colonial world.

Combining Nzoloko marks with the language of cartography, Kyungu Mwilambwe’s practice ranges freely between painting, drawing, sculpture and installation. The found materials he works upon — old doors, used vehicle tires, or obsolete maps — serve as both physical and conceptual substructures for his artworks. The objects themselves are metaphors for the ability to pass from one place to another, to transport the self or belongings, and to find your place in the world. He incises, abrades, and gouges into these historical objects in what he refers to as "cartographic essays," that aim to represent a new, more open, global world order.

Alexandre Kyungu Mwilambwe (b. 1993, Democratic Republic of the Congo) studied art at the Kinshasa Academy of Fine Arts. He is co-founder of the Vision Total group and recipient of international fellowships including the WIELS residency in Brussels, Belggium. His work has been presented at the Capesaro Museum in Venice in conjunction with biennale d'archictecture di Venezia, in Paris in collaboration with AKKA Project, and at the Dakar Biennale. This is his first solo exhibition in the United States.

He depicts his aged father trimming his toenails, his wife reading in bed, his daughter asleep in the back seat of the car after a college tour, and several unflattering selfies in a bathroom mirror. We watch as his father moves toward death and his daughter becomes an adult. There’s a can’t-look-away-ness to many of these pictures, a relentless, cringey intimacy that’s both frightening and tender. Hawkinson is famous for work that refers to, is cast from, or is composed of bits — like nail clippings or hair — of his own body. In this work, he adds the bodies of his father and daughter — extensions of himself into the future and back into the past.

He reveals his joy in the domestic, his bewilderment at empty-nesting, and the shock of watching himself age. In his most personal work yet, Hawkinson describes ordinary moments in one family’s life, and so doing, expresses our common humanity.

Tim Hawkinson was born in San Francisco in 1960 and received his BFA from San Jose State University before moving to the Los Angeles area (MFA 1989, University of California, Los Angeles), where he is currently based. Hawkinson's work has been exhibited internationally with solo museum shows at the Museum of Contemporary Art, Sydney; J. Paul Getty Museum, Los Angeles; Whitney Museum of American Art, New York; Los Angeles County Museum of Art; and the Hirshhorn Museum and Sculpture Garden, Washington D.C., among others. His work is in numerous collections including the Smithsonian American Art Museum, Washington, D.C.; Whitney Museum of American Art; San Jose Museum of Art, California; J. Paul Getty Museum; Museum of Contemporary Art, Los Angeles; and the Los Angeles County Museum of Art.