SAN FRANCISCO, CA.- Haines announced their representation of celebrated sculptor Deborah Butterfield. To honor this new collaboration, the gallery will present Butterfield's work in a solo exhibition opening this fall.
Since the 1970s, Deborah Butterfield has been known for her equine sculptures crafted from cast bronze, as well as from found and salvaged materials such as scrap metal, mud, and clay. Butterfields bronze horses begin as maquettes created from branches, twigs, and driftwood. Once she combines these materials into her sculptural interpretations of horses, each individual component is cast in bronze and exactingly reassembled according to her original design. Resembling horses in standing and reclined poses, these evocative works reflect the artists uncanny ability to imbue her carefully assembled forms with a specificity usually reserved for living beings.
I am thrilled to represent the remarkable work of Deborah Butterfield. Her sculpture demonstrates an unparalleled understanding of her chosen subject matterthe horseand its longstanding relationship with humankind, while her collected materials respond to place and the natural environment, says Cheryl Haines, founder and principal of Haines Gallery.
As critic John Yau has written about Butterfields singular gift: Whether the sculpture is made out of found steel, fused aluminum, wooden branches, or cast bronze, a work by Butterfield strikes us, both in look and gesture, as being absolutely true to our idea of a horse. We are dazzled by her mastery
to create sculpture that both transcends and resembles her subject matter.
Born in San Diego in 1949, Deborah Butterfield first began to explore the form and presence of horses at UC Davis. Initially intending to focus on veterinary medicine, she would later join Davis visual arts program, studying with Bill Arneson, Manuel Neri, William T. Wiley, and Roy De Forest. She received her BA in 1971 and MFA in 1973.
Butterfields sculptures have been shown in solo and group exhibitions across the United States and internationally. Her work is currently the subject of the career-spanning retrospective P.S These are not horses, on view at the Jan Shrem and Maria Manetti Shrem Museum of Art at UC Davis. The exhibition brings together key works ranging from the artists most recent wildfire sculptures to rarely exhibited pieces including ceramics made 50 years ago as a student at UC Davis. Deborah Butterfield: P.S These are not horses is on view until June 24, 2024.
Butterfield was awarded the Lifetime Achievement Award from the International Sculpture Center in 2022, as well as the Governors Art Award conferred by the Montana Arts Council (2010); American Academy of Achievement Award (1993); John Simon Guggenheim Memorial Foundation Fellowship (1980); National Endowment for the Arts Fellowships (1977, 1980); and the Purchase Award for Sculpture and Student Jury Award for Sculpture, Skowhegan School of Painting and Sculpture (1972). She is the recipient of honorary doctorates from Kansas City Institute, MO; Whitman College, Walla Walla, WA; Montana State University, Bozeman, MT; and Rocky Mountain College, Billings, MT.
Her work has been collected by numerous museums including the Art Institute of Chicago, IL; Baltimore Museum of Art, MD; Berkeley Museum of Art, CA; Brooklyn Museum, NY; Cantor Arts Center at Stanford University, CA; Chrysler Museum, Norfolk, VA; Cincinnati Art Museum, OH; de Young Museum, San Francisco, CA; Denver Art Museum, CO; Frederik Meijer Gardens & Sculpture Park, Grand Rapids, MI; Hirshhorn Museum and Sculpture Garden, Washington, D.C; Memorial Art Gallery, University of Rochester, NY; Metropolitan Museum of Art, New York, NY; Museum of Contemporary Art, Los Angeles, CA; National Museum of Women in the Arts, Washington, D.C; Nelson-Atkins Museum of Art, Kansas City, MO; Oakland Museum of California, CA; San Francisco Museum of Modern Art, CA; San Jose Museum of Art, CA; Seattle Art Museum, WA; Smithsonian American Art Museum, Washington, D.C; Toledo Museum of Art, OH; Virginia Museum of Fine Arts, Richmond, VA; Walker Art Center, Minneapolis, CA; Whitney Museum of American Art, New York, NY; and Yale University Art Gallery, New Haven, CT. Public commissions include Gold Butte for Ohio University in Athens, OH; Paint and Henry for Copley Square, Boston, MA; Lyon and Princess Pine for Portland International Airport, OR; and Bonfire and Meridian for Kansas City Zoo, KS.
The artist currently divides her time between Holualoa, HI and a ranch in Bozeman, MT, where she raises, trains, and rides horses.