A Roman head is unearthed, but mysteries remain
The First Art Newspaper on the Net    Established in 1996 Friday, November 22, 2024


A Roman head is unearthed, but mysteries remain
In an undated photo provided by Burghley House, the ancient Roman marble head, discovered during construction work, that has found a more congenial home at Burghley House, where it will be on display starting on Saturday, March 16, 2024. (Burghley House via The New York Times

by Victor Mather



NEW YORK, NY.- When you dig in a country with as much history as Britain, sometimes you find something remarkable.

It might be a gold necklace. It might be the bones of a king.

Or, in a more recent case, it might be the marble head of a woman from the Roman era that disappeared at some point in the past 250 years.

Sometimes, such a find comes with a mystery: How the heck did the woman make her way from Burghley House, a stately home near Peterborough, England, to a shallow grave 300 yards away?

“Burghley has thrown up all sorts of discoveries over the years,” said Jon Culverhouse, the house’s curator. “In cupboards, under stairs.”

A crew was building an auxiliary parking lot for the house last spring when the operator of an excavator, Greg Crawley, spotted the head in dirt he had lifted. It was buried only a foot or so beneath the surface.

Weeks later, the lady’s shoulders were found, although they were sculpted much later than the marble head. This kind of Frankenstein statue was common in the 18th century, as adding modern shoulders made the ancient head more desirable to a potential buyer.

The head has been dated to the first or second century, and it was very likely acquired by Brownlow Cecil, the ninth Earl of Exeter, on a trip to Italy in the 1760s. Such trips, known as the Grand Tour, were “a rite of passage for a young aristocrat,” Culverhouse said.

So, how did the statue wind up buried? It’s hard to know, in part because the head does not appear on any inventory that researchers have been able to find.

But Culverhouse can offer some “informed speculation,” he said. He thinks it was stolen, probably within 100 years of its acquisition.

The head was found close to a driveway leading to the back door, which would have been the tradesman’s entrance, a likely escape route for thieves. But Culverhouse theorizes that the thieves got less than a quarter-mile away with the head. “It’s heavy,” he said. “I could well imagine them thinking, ‘We’ll put it here and come back later.’” Why they never came back is unknown.

Researchers did not find anything about such a theft in the local newspaper archive, but “there probably wouldn’t be, because the owner would be very embarrassed,” Culverhouse said.

The head might also have wound up buried there for some other reason. Did it tumble off a truck when being shipped somewhere? Was it discarded by an art-loathing vulgarian? Answers remain elusive.

Beginning Saturday, the reassembled statue will be on display at Burghley House, where it will join many other works of art as well as an adventure playground as an attraction for visitors. The house has been formally open to the public since 1957. But as Culverhouse noted, for centuries before, “if you were well dressed and gave the housekeeper a shilling, she’d show you around.”

In the book “Pride and Prejudice,” the hero, Elizabeth Bennet, passes by Pemberley, the home of the wealthy Mr. Darcy, and is happily shown around in just such a way. Burghley House appeared in the 2005 film adaptation of the novel, although it stood in for Rosings Park, the home of Lady Catherine de Bourgh (played by Judi Dench), not Pemberley.

“The house has always revealed secrets,” Culverhouse said. “But nothing as romantic as this.”

This article originally appeared in The New York Times.










Today's News

March 16, 2024

Dozens of artists, 3 critics: Who's afraid of the Whitney Biennial 2024?

Artforum selects Tina Rivers Ryan as new top editor

A Roman head is unearthed, but mysteries remain

American Ballet Theater names dance veteran as executive director

How Mariachi, a Mexican wedding standard, is evolving for a new age

'Kay WalkingStick: Deconstructing the Tipi', important historic painting and drawing from the mid-1970s

To make 'The Notebook' a musical, she wove in memories of her parents

First solo exhibition in Belgium for Lucie Mercier with 'I'm Just a Girl'

A 20-year-old transcriber is turning sheet music into hot content

Major exhibition to explore the career of leading British fashion model, Naomi Campbell

Works by Modern British artist Keith Vaughan (1912-1977) highlight Chiswick's March 26 auction

Andrew Jones Auctions' 'Design for the Home and Garden Auction' features Fritz and Lucy Jewett collection

How a tiny arts center is helping a rural county heal after wildfires

Irish dance for all levels, all bodies, all genders

Colorful abstract paintings continues Kim DeJesus's exploration of memory

Astaguru's Collector's Choice Auction to showcase rare works of Modern Indian Art

Down the rabbit hole in search of a few frames of Irish American history

Art Fund appoints Sandy Nairne as new chair

'Discovering Degas', The Burrell Collection announces 1st international, ticketed exhibition at reimagined museum

A Broadway-bound 'Sunset Boulevard' leads Olivier Award nominations

A comic scene-stealer, six decades in the making

CHAT celebrates 5th anniversary with spring programme 2024 'Factory of Tomorrow'

Reflex Amsterdam now hosting 'The Uncanny Lens' by Roger Ballen and Joel-Peter Witkin at Castel Ivano

For some mammals, large adult daughters, not sons, are the norm

Exploring the Historic Legacy of Lentor Mansion

The Ultimate Guide to Losing Weight with Semaglutide and AOD 9604

Understanding the Legal Implications of Divorce: Asset Division and Alimony

How OCR PDF Technology Improves Art Documentation Process

Empowering Creativity: The Journey of Stasia Lev and Stasias Gallery

Assessing the Impact of Environmental Factors on Online Color Prediction Performance




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful