It's never too late to be a style influencer
The First Art Newspaper on the Net    Established in 1996 Saturday, December 28, 2024


It's never too late to be a style influencer
Lyn Slater, 70, a style influencer, in New York on Feb. 5, 2024. Slater, was deemed the Accidental Icon by a college fashion student and now has nearly one million followers on social media and is upending notions of aging. (James Estrin/The New York Times)

by Alix Strauss



NEW YORK, NY.- Lyn Slater will be the first to tell you her life has been a series of happy accidents and purposeful metamorphoses.

“Because I’m constantly reinventing myself, my life is always a surprise,” said Slater, 70, a former professor of social work at Fordham University in New York. “I’m an improvisational person. I don’t plan. I’m very in the moment. That thinking has served me well. It has created endless adventures, surprises, incredible friendships and profound learning.”

Indeed.

In 2014, she was taking a handful of creative classes at the Fashion Institute of Technology in Manhattan. Her professor in a class on how to open a vintage clothing store suggested she start a fashion blog. Slater, who is from Dobbs Ferry in suburban Westchester County and moved to New York City in the mid-1990s, thought, “Why not.” She had always had a passion and flair for style and was often mistaken for being a part of the fashion industry. She thought she would focus on the blog and that theme.

“I dressed in a way that people didn’t expect,” she said. “I was very avant-garde, dressing in a minimalistic, black and white look. I wore Japanese designers from consignment shops — like Issey Miyake and Yohji Yamamoto. I dressed in a way I felt, and to convey an identity.”

After a fellow student in her class suggested she call herself the Accidental Icon, Slater took on the title and acquired a website and blog domain using that name. She posted three times a week, usually composing pieces introspectively about clothing and designers, and the integral role those topics played in her life. Often she would wear an article of clothing and would write an essay “about the designer’s inspiration and how I felt wearing it,” she said.

The accompanying photos were taken by her longtime partner, Calvin Lom, 66, a retired cyclotron engineer. (Today the pair live in Peekskill, New York.) A five-year stint as a sought-after fashion influencer — @iconaccidental on Instagram — was her next big career step.

Then came the identity crisis and loss of self.

Her triumphs, transformations and troubles, not to mention her truths, are recounted in her book, “How to Be Old: Lessons in Living Boldly From the Accidental Icon,” out this week from Plume, a Penguin Random House imprint.

“The book is a compilation of essays starting when I turned 60 in 2013 until the present time,” Slater said. “It’s a book about reinvention and things that I’ve learned. How I became an accidental icon, and experiences that happened to me. It culminates when I have this crisis of values.”

The following interview has been edited and condensed.

Q: How did you go from being a full-time social worker to the Accidental Icon?

A: In 2014 I was doing very heavy work that focused on trauma, child and sexual abuse, and the child welfare system. I needed to do something creative, because for me, that’s lifesaving. Professors and people told me I had great style. When the blog suggestion came up, I wanted to dig into that. I was always interested in clothes and fashion. Clothes have always manifested who I want to be. I thought: “OK. I can do that. I know how to do a website. I can make this happen.”

Q: How did you know what to focus on?

A: There was a big hole for women my age, who were like me, urban, intellectual and invested in their life and career. The blog I wanted to write didn’t exist. I wanted to engage with a community of women who wanted to think and talk about fashion as a way to express identity. I never had a target market.

Q: You quickly gained a lot of attention, accruing almost 1 million followers across your social media platforms. How did that transpire?

A: My writing was my authenticity. The blog really was my impulse to be a writer. I became more visible in the world. I transitioned from the blog to working predominantly on Instagram and doing sponsored posts. I got a Valentino campaign, then an international one with Mango, a Spanish brand geared toward a younger consumer. The fact that they featured me was groundbreaking. Then I got followers from all over the world. I signed with a modeling agency and got a literary agent. I got seen by fashion editors and started doing magazine shoots and music videos, modeling, campaigns, and working with emerging designers.

Q: By 2019 you had a crisis. What happened?

A: I lost myself. I realized I was unhappy. Everything became very controlling. People tell you what they want you to post, how they want you to do your pictures, what they want you to say. That was not why I started this. I wanted to have a new adventure, meet new people, explore new fields and to express myself creatively. I lost the intimate community who were truly engaged. I was making a space where people who felt unheard and invisible were feeling, through me, seen. Younger women who were terrified of being old were saying I was helping them not be afraid of that.

Q: What did you learn throughout this experience?

A: That you need equal amounts an analog life and a digital one. In the beginning, the blog allowed an older person to break into fashion. But after a time, it put me in a box and that became oppressive. I’ve learned how living a digital life can change you. I got sucked in and I started to compromise my values. I’ve learned how easy and seductive it is to lose yourself in all of this.

Q: How did you return to your core self?

A: I went back to writing. I no longer spend great amounts of time on social media. I no longer do it for money. I now do it as I originally started out, which is through writing. I have a Substack that I engage with more than my social media. I have strong priorities, like putting my family, my home and my health before anything else. I continue to post because of the group of people that are engaged with me, and for whom my words are important to them, inspire them, comfort them, and make them feel good about themselves.

Q: How did turning 70 feel?

A: I think getting older is not reflected accurately. Aging is a journey. People were seeing an older person who was not concerned with being old. My age was irrelevant. There are many good things about aging. You have a lot of life experience. So when things happen, you don’t flip out. You know what to do. You’ve done it before. You have more confidence, you become less reliant on what anybody thinks, which is huge.

Q: What is your best advice?

A: The key to life is flinging yourself into life without a plan and being open to living that way. It’s a hopeful philosophy because it anticipates that there will always be a future, and that there will always be something exciting, different and new.

This article originally appeared in The New York Times.










Today's News

March 14, 2024

Asia Week New York celebrates a decade and a half of cultural and artistic diversity

Museum of Chinese in America names new leader

Princess Catherine apologizes, saying she edited image

Nations agree to refine pact that guides the return of Nazi-looted art

Smithsonian American Women's History Museum names new director

Final known work of Maria Cosway given to Nelson-Atkins from James and Virginia Moffett Collection

Bard Graduate Center honors Eli Wilner with the Iris Foundation Award

The Met receives gift From Pinkowitz Collection of more than 300 prints by Mexican artists and 31 Chinese woodcut prints

Audience snapshot: Four years after shutdown, a mixed recovery

'Ancient Egypt & the Napoleonic Era: Masterworks from the Dahesh Museum of Art' at Vero Beach Museum of Art

Frick to launch video series, online programs, and more

Independence Seaport Museum to unveil new entryway and introductory gallery exhibition

A 'Perfect Monolith' appears in Wales

With pride and hope, Ukraine celebrates Oscar win for Mariupol documentary

Marnia Lazreg, scholar of Algeria and the veil, dies at 83

Kahil El'Zabar, spiritual jazz's dapper bandleader, keeps pushing ahead

It's never too late to be a style influencer

$1,780 to spend the night in a 'Cocoon'? Hotels are betting on sleep tourism.

First building of axially loaded portico system by Jean Prouvé, 1939-1940, for auction

Fighting through art: A Kurdish dancer's journey to New York stages

Juli Lynne Charlot, creator of the Poodle Skirt, dies at 101

Baronian opens new exhibition entitled 'Trickle-down Economics'

James Cohan Gallery announcing the representation of Kelly Sinnapah Mary




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful