New York-based artist Matthew Ronay's 'Sac, Cyst, Satchel' now on view at Casey Kaplan
The First Art Newspaper on the Net    Established in 1996 Thursday, November 14, 2024


New York-based artist Matthew Ronay's 'Sac, Cyst, Satchel' now on view at Casey Kaplan
Matthew Ronay, Lover's Hair, 2023 (detail).



NEW YORK, NY.- The assumption of the skin is that it functions as a bag to keep the parts from oozing out. Sac, Cyst, Satchel is an exhibition of new wall-based and freestanding basswood sculptures by Matthew Ronay (b. 1976, Louisville, KY) that explore depictions of the internal. Forged through automatic drawing, high-speed rotary tools, and loose metaphor, each work divulges an abstracted inner place—bodily or otherwise. Meandering vessels, irregular lumps, and mild hues of dye beckon viewers to contemplate what lies beneath.

Interior-ness has a peculiar relationship to belief; when things are hidden beneath or inside, faith can balance the equation. Nodules and warts on the surface often serve as indicators of hidden decay. In Snag (2023), black pimples or mold spores emerge from an exterior splattered with white dye. Other surface treatments hint at the innerworkings of stems or bulges—manual and electric tools leave grooves or render the wood shaggy; it becomes pitted and dimpled like flesh or finely perforated like velvet. These haptic textures incite a response akin to our nervous system when sensing internal injury or sickness. Although we feel that the underlying systems are real, skepticism and bafflement linger.

To achieve the exhibition’s subdued color spectrum, Ronay worked with longtime collaborator and life partner, Bengü, to translate colors associated with organs, roots, and other inner components to powder-based dye. The resulting palettes blush and bleach as if changing temperature, from delicate peach to bruised slate or the brown of decay to ripe raspberry.

Despite exceeding eight feet in length, the construction of Doff (2023) is unaffected by gravity. Utilizing the wall enables expansive negative spaces, weightless pouches, and delicate threads and tubes. Conversely, freestanding sculptures find grounding through geometric forms in their lower halves. In Remediating (2023), a foundation of rectilinear blocks atop cylindrical pegs supports the layers of repetitive forms above. The artist's representations of inorganic structures, whether involving the existing gallery wall behind nets of carved neurons or inventing an architectural system within a work, suggest that a 'sub-' quality need not be human, earthbound, carbon-based, or even alive to be understood.

New York-based artist Matthew Ronay (B. 1976, Louisville, Kentucky) is best known for his chromatic, handmade wood sculptures that at different turns suggest unearthly landscapes with futuristic architectures and bodily processes like digestion and aging. A consummate woodworker, Ronay crafts his sculptures by hand carving, grinding, and sanding basswood. He then dyes it and occasionally applies flocking, before combining several elements together in a unified composition, transforming the materials into phantasmagorical worlds. Ronay studied at the Maryland Institute College of Art before earning his MFA from Yale University in 2000. In 2022, the artist presented a solo exhibition at the Nasher Sculpture Center, Dallas, in conjunction with a fully illustrated monograph. In 2016, his work was the subject of solo presentations at the Blaffer Art Museum, Houston, Texas and the Pérez Art Museum Miami, Florida. Ronay has exhibited at institutions including Kunsthalle Lingen, Germany; University of Louisville, Kentucky; Artspace, San Antonio, Texas; Serpentine Gallery, London; Sculpture Center, New York; Center for Curatorial Studies, Bard College, New York; Crystal Bridges Museum of American Art, Bentonville, Arkansas; Kentucky Museum of Art and Craft, Louisville, Kentucky; and Parasol Unit Foundation for Contemporary Art, London. Ronay participated in the 2013 Lyon Biennale, curated by Gunnar Kvaran, and the 2004 Whitney Biennial.

Casey Kiaplan
Matthew Ronay: Sac, Cyst, Satchel
March 7th - April 13th, 2024
OPENING RECEPTION: THURSDAY, MARCH 7, 6 - 8PM










Today's News

March 7, 2024

With a new Holocaust museum, the Netherlands faces its past

80-years worth of Work by Teruko Yokoi at Marlborough Gallery

Opening reception with Mel Kendrick today at David Nolan Gallery upon opening of 'Cutting Corners'

NYU's Grey Art Gallery moves into new home renamed Grey Art Museum

Fondazione Prada presents 'Miranda July: New Society' at the Osservatorio

Gagosian to present the first exhibition to focus exclusively on Jean-Michel Basquiat's time in LA

Vast panorama of more than seventy works by Teresa Lanceta now showing at Musee d'art moderne de Céret

Woodbury House presents 'The Lost Archive of Andy Warhol' by William John Kennedy

Activating contrasting visual echoes, Jones's tonal progressions create alternating moments of dissonance and harmony

Immersive works by Turner prize winning Scottish artist Martin Boyce at Fruitmarket's 50th year programme

New York-based artist Matthew Ronay's 'Sac, Cyst, Satchel' now on view at Casey Kaplan

"The language of the conscious mind is text, and the language of the unconscious mind is image"

'I live a journey of a thousand years' the Currier premieres French artist Raphaël Barontini

'Domestic Memory: Manny Farber and Patricia Patterson' opened last week at Quint Gallery in La Jolla

Title of exhibition by Merike Estna drawn from 20th-century French novelist René Daumal's 'Mount Analogue'

Recent work by French artist Stéphane Villafane, on view during the month of March

Coral Woodbury's 'Revised Edition' draws women back into the history of art

'Nicole Coson: In Passing', featuring all new works, marks first gallery solo show in the United States

Figurative painter recognized for her melancholic, big-eared, and doe-eyed figures, Jess Valice, at Almine Rech

Artspace welcomes new Chair Peter Wilson

First solo show in the U.K of acclaimed Polish photographer Kacper Kowalski soon to end

Robby Müller's 'Polaroids' having opening reception today at Galerie Marian Goodman in Paris

Jack Shainman Gallery presents 'Gordon Parks: Born Black'

Alluring and enigmatic women's lips and mouths depicted by Marilyn Minter at Lehmann Maupin

Garage Doors with Man Doors: Enhancing Functionality

Forward-Thinking in Law Enforcement Safety Equipment

Expert Legal Help for Navigating Parking Lot Accident Claims

Jiaxin Zhang: The Creative Force Behind New York Fashion Week, Shaping the Future Direction of the Fashion Industry




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful