'Oliver Ressler: Dog Days Bite Back' is Belvedere's contribution to the Klima Biennale Wien
The First Art Newspaper on the Net    Established in 1996 Monday, December 23, 2024


'Oliver Ressler: Dog Days Bite Back' is Belvedere's contribution to the Klima Biennale Wien
Oliver Ressler, Not Sinking, Swarming, 2021. Courtesy of Oliver Ressler; àngels, Barcelona; The Gallery Apart, Rome. © Bildrecht, Vienna 2024.



VIENNA.- In films, installations, artworks in the outdoor space and exhibitions, Oliver Ressler (*1970) has been addressing urgent aspects of the economy, democracy, migration, the climate crisis, forms of resistance and social alternatives for around three decades. His works, which have been shown in art institutions as well as at festivals and at events organized by social and activist movements, take their starting point in documentary formats and take a committed stand. Oliver Ressler's exhibition at Belvedere 21 focuses on filmic works on the climate crisis.

Oliver Ressler produces installations, projects in public space, and films on economics, democracy, racism, climate breakdown, forms of resistance and social alternatives. He has completed forty-two films that have been screened in thousands of events of social movements, art institutions and film festivals. Ressler had comprehensive solo exhibitions at Museum of Contemporary Art, Zagreb; Neuer Berliner Kunstverein; MNAC – National Museum of Contemporary Art, Bucharest; SALT Galata, Istanbul; Centro Andaluz de Arte Contemporaneo, Seville; Museo Espacio, Aguascalientes. He has participated in more than 400 group exhibitions, including Museo Nacional Centro de Arte Reina Sofía, Madrid; Centre Pompidou, Paris and the biennials in Taipei, Lyon, Gyumri, Venice, Athens, Quebec, Jeju, Kyiv, Gothenburg, Istanbul and at Documenta 14, Kassel, 2017. In 2002, Ressler won the first prize at the International Media Art Award of the ZKM in Karlsruhe and the Prix Thun for Art and Ethics Award in 2016.

The Belvedere is a World Heritage Site, a Baroque jewel, and the site of the Austrian State Treaty. It is both one of the oldest museums in the world and a venue for contemporary art. As one of the largest cultural institutions in the country and an Austrian landmark, we are faced with the challenge of evolving amidst the differing priorities of cultural and scientific demands, loyalty to the local community and tourism. While we follow our mission to preserve the past, we also seek to break new ground. We stand as a mediator of history and as an inconvenient interrogator of the present. We are the country's cultural hub of international standing, and exist in the transnational digital space.

Belvedere 21
Oliver Ressler: Dog Days Bite Back
March 1st, 2024 - June 2, 2024










Today's News

February 29, 2024

He rescued 1.5 million Yiddish books. Now he will have time to read some.

One way to preserve Alcatraz? Capture everything in 3-D.

Introducing Tenacious Nostalgia, the first monograph from NYC by Oakland artist Colleen Longo Collins

Frieze Los Angeles opens amid attention to Asian artists

Three new exhibitions now on view at the Walters Art Museum highlight new perspectives

Frick publishes final volume in series on history of art collecting in America

Major exhibition explores the history of Barbie and her influence on fashion and pop culture

Auburn museum partners with Walter Hood on first exhibition of paintings

Microsoft word's subtle typeface change affected millions. Did you notice?

'Desire to See: Photographs by Agnés Varda' retrospective exhibition is now on view

A quiet town has one of North America's oldest Chinese temples

Lyman Allyn and Florence Griswold Museum collaborate on Leo Jensen exhibition

'ABSTRACTION' delves into dynamic ways the comprehension of abstract art has expanded

ABAA New York International Antiquarian Book Fair returns to NY for 64th edition

'Drop Shadows' Katherine Jones RA and Temsuyanger Longkumer at Sims Reed Gallery

'Oliver Ressler: Dog Days Bite Back' is Belvedere's contribution to the Klima Biennale Wien

Series of 15 works on paper by artist Kara Walker revisit the history of the antebellum South

'Survival of the Fittest: Envisioning Wildlife and Wilderness with the Big Four' open at The James Museum

Richard Lewis, acerbic comedian and character actor, dies at 76

A K-pop star's lonely downward spiral

Maximizing Returns: The Best of MineThrive Cloud Mining

OKP LIFE Introduces the Eco-Friendly Robot Vacuum K5 PRO - Redefining Cleaning with Sustainability at Its Core

A Look at the Largest Art Crimes in History

Coriolis Mass Flow Meter China: Meeting The Growing Demand For Accurate Flow Measurement

Experience Freedom: The Upsides of DMCA Free Hosting

Is Custom Sheet Metal Fabrication Service better than Metal Stamping?

Insider Tips for a Smart Purchase of Pre-Owned Luxury Watches 2024

Being Aware of the Home Moving Mortgage Process




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful