Tel Aviv Museum of Art to open an exhibition of photographs by Uri Gershuni
The First Art Newspaper on the Net    Established in 1996 Saturday, November 2, 2024


Tel Aviv Museum of Art to open an exhibition of photographs by Uri Gershuni
The series of land and airplane photographs was taken in the Gan Rashal neighborhood, established in the 1950s on the border of Herzliya and Ra'anana. Black-and-white photograph, archival inkjet print. Courtesy of the artist and Chelouche Gallery for Contemporary Art, Tel Aviv.



TEL AVIV.- Uri Gershuni operates in the field of photography like a lightning rod of stories and the traces they leave behind. His work is a form of clinging to what will pass and fade away. The exhibition "Earth to Earth" features two series of photographs, centered on clouds, plots of land, and planes crossing the sky.

The series of land and airplane photographs was taken in the Gan Rashal neighborhood, established in the 1950s on the border of Herzliya and Ra'anana. Its name, Rashal, was formed from the Hebrew initials of Rachel, Sarah, and Leah—the biblical names of the mothers and wives of the first landowners of the Gan Rashal citrus grove, Gershuni's childhood district. His grandfather, agronomist Zvi Gershuni, built the family home on site and planted orchards and groves which became the family business. Upon his untimely death in a car crash, care of the orchards passed to his son—Uri's father, artist Moshe Gershuni—who was discharged from the army at the age of 19 and became a farmer against his will. The photographs of Gan Rashal document and record the physical territory in its current state, but the space of the image conjures up the ghosts of everything that is no longer. Gershuni's gaze turns up and down as in prayer, to the grass and parched land, and to the airplanes that take off, pass by, and return to the nearby home port. The identification of death and memory with the medium of photography echoes in one's mind while viewing the works, knowing that his father's art was tied to the soil of the orchard and its produce, and that after his death, Moshe Gershuni's ashes were scattered on this piece of land, which has not borne fruit for years.

In the series of cloud photographs, Uri Gershuni places his camera on the roof of the house in Majorca to which he moved with his family after the deaths of his parents. In this liminal space between heaven and earth, the distinction is sharpened between the childhood land or the homeland, and that which has no place, whose movement is nomadic, and its form constantly changing. The decision to place one cloud in each photographic frame alludes to the doomed-to-fail desire to hold onto what cannot be grasped, onto spatial and temporal infinity.

Both series were shot with several models of "kid" cameras—simple digital cameras belonging to the artist's son, Khalil. The decision to voluntarily renounce professional knowledge accumulated during Gershuni's processes of maturation and apprenticeship, allows him to open up to an intuitive, uncertain and uncontrollable vision.

The country's dire hour cloaks these photographic series, taken before the war, with a mythical aura. Gan Rashal, or the skies of Majorca, seem to be not only geographical regions linked to Uri Gershuni's private life—but also stories about beginning and end, earth and sky, and about the values that lend meaning to human life: belonging, death, and continuity.










Today's News

January 15, 2024

'Succession' auctions off 'Ludicrously Capacious Bag' and other, less capacious props

After fake Basquiats, Florida museum faces 'Severe Financial Crisis'

Asia Week New York in partnership with The Winter Show present 'A Collecting Dynasty: The Rockefeller Family'

This language was long believed extinct. Then one man spoke up.

A former Twitter exec builds his dream house in Wine Country

Palm Springs Art Museum opens an exhibition of works by architect Albert Frey

Chicago's latest attraction? A rat-shaped hole.

Max Hetzler opens a solo exhibition of works by Grace Weaver

Tel Aviv Museum of Art to open an exhibition of photographs by Uri Gershuni

BLUM opens an inter-generational survey of Japanese art from the 1960s to today

Xippas Paris opens 'A line is not a border'

Solo exhibition of exceptional new works by Peter Lodato opens at William Turner Gallery

Retrospective exhibition of work by Ken Grimes opens at parrasch heijnen

Elizabeth Xi Bauer presents: It's all in your vivid imagination

Richard Deacon presents sculptures and drawings from three groups of works at Thaddaeus Ropac

Beverly Johnson, 'the Model With the Big Mouth'

Leon Wildes, immigration lawyer who defended John Lennon, dies at 90

The Art Institute of Chicago announces 2024 exhibition schedule

Ronin Gallery presents 'Birds of Winter: Keinen Imao'

Peter Crombie, actor known for 'Seinfeld' appearances, dies at 71

Over 100 works by Asian American artists acquired in 2023 to support the Asian American Art Initiative

Mendes Wood DM Paris presents 'Lamp black on sack cloth (love for fucksake)' by Michael Dean




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful