OMAHA, NE.- Bemis Center for Contemporary Arts has opened two new exhibitions—Neo-Custodians: Woven Narratives of Legacy, Cultural Memory, and Belonging and Paolo Arao: Reverberations.
Neo-Custodians: Woven Narratives of Legacy, Cultural Memory, and Belonging is a group exhibition that aims to redefine the role textiles play in investigating African and diasporic cultural practices, histories, legacy, and conceptions of belonging. The exhibition brings together a diverse array of artists whose practices are deeply informed by African textiles and cultural memory.
Neo-Custodians pays homage to the impact of African textiles and fibers while also elevating the discourse around textile art, culture, and materiality. The exhibition, originally inspired by and featuring the works of influential artists such as El Anatsui (Ghana), Seydou Keita (Mali), and Yinka Shonibare (Nigeria/England), also showcases the creative expressions of a remarkable group of artists, including Malene Barnett (US), Layo Bright (Nigeria), Celeste Butler (US), Sanaa Gateja (Uganda), Enam Gbewonyo (Ghana/England), Eddy Kamuanga Ilunga (Democratic Republic of Congo), Ron Norsworthy (US), Nnenna Okore (Nigeria), Patrick Quarm (Ghana), and Latrelle Rostant (US).
The collective works featured in the exhibition invite viewers to contemplate multifaceted narratives embedded in textiles. Beyond aesthetics, the artists prompt reflection on the transformative power of fibers while speaking to textile’s historical resonance and future influence. El Anatsui’s monumental sculpture, Trova, 2016, crafted from liquor bottle caps, serves as a poignant commentary on global power dynamics. Yinka Shonibare’s exploration of Dutch wax fabric as a symbol of contemporary African identity challenges viewers to reflect on postcolonialism and globalization. Enam Gbewonyo’s work addresses the traumatic histories of marginalized black women, utilizing hosiery to foster healing and reclamation. Malene Barnett’s fragmented and woven works reflect on migration, loss, and identity, while Layo Bright’s textured sculptures bring concealed histories to light, underscoring the significance of untold stories.
“Neo-Custodians: Woven Narratives of Heritage, Cultural Memory, and Belonging, serves as an introspective exploration of the threads that weave our past, present, and future,” says Nneoma Ilogu, curator of the exhibition. “Each artist’s unique perspective offers a tapestry of narratives that resonate deeply with our shared histories. The artworks on display not only celebrate the beauty of textiles but also provoke contemplation about the essence of cultural memory and belonging.”
At the heart of Neo-Custodians lies an invitation to rediscover the profound stories woven into the fabric of our existence. As the threads of history, identity, and artistry intertwine, this exhibition propels us into a realm of introspection and dialogue. It is a celebration of the enduring power of textiles to encapsulate our heritage, provoke contemplation, and ignite conversations that resonate across cultures and generations. The exhibition invites the public to witness the emergence of a dynamic discourse that transcends time and space, redefining the boundaries of cultural expression and highlighting narratives that unite us all.
Neo-Custodians: Woven Narratives of Legacy, Cultural Memory, and Belonging is curated by Nneoma Ilogu, Bemis Center’s 2022–2023 Curator-in-Residence.
As an artist-in-residence at Bemis Center in 2020, Paolo Arao spent his time creating new textile works in response to the unique industrial architecture of Bemis Center’s studios and installation spaces. Marking a return to Bemis, Paolo Arao: Reverberations includes several works that were developed during Arao’s residency including his largest work to date Collective Comfort—an ongoing monumental quilt top that Arao has created from fabric remnants of his sewn paintings. At 11 feet tall by 42 feet wide, Collective Comfort has grown to almost twice the size since Arao’s residency and will span an entire gallery wall at Bemis Center. Additionally, four new site-specific installations will don Bemis Center’s Douglas fir columns that define Bemis’s galleries.
Regarding his practice, Arao has said, “Working with textiles feels like the appropriate material to help soften the rigid geometry and ‘straight’ system of the grid that I’ve been working with for over twenty years. Textiles can hold deeply personal narrative histories. This is evidenced by certain fabrics incorporated in my work that show physical traces of the bodies that wore them. Equally important to the materiality of textiles is my use of color. I carry color within me. My relationship with color is not passive. It is political, it is personal, it is emotional, it is felt, and it is in my very being.”
By enveloping the galleries in color, Arao’s work weaves together a lineage of abstraction that both explores the elastic concept of queerness and honors his Filipino heritage. By centering on a cross-cultural and queer perspective, the work connects and places patterns and color in textiles from the Philippines in direct conversation with hard-edge painting, Op-Art, and the Pattern and Decoration movement. Encompassing ideas related to safety and comfort, Arao’s adornment of the columns will incorporate patterns inspired by indigenous textiles from the Philippines that symbolize protection, adding two-toned chromatic vibrations that will reverberate throughout the galleries. This exhibition is curated by Rachel Adams, Chief Curator and Director of Programs at Bemis Center.
Paolo Arao
Paolo Arao received his BFA from Virginia Commonwealth University and was a participant at the Skowhegan School of Painting and Sculpture. He has shown his work in numerous group exhibitions nationally and internationally and has presented solo exhibitions at the Columbus Museum (Georgia), David B. Smith Gallery (Denver), Western Exhibitions (Chicago), and Morgan Lehman Gallery (NYC).
Residencies include MacDowell, Virginia Center for the Creative Arts, Haystack Mountain School of Crafts, Art Omi, Bemis Center for Contemporary Arts, The Museum of Arts and Design (NYC), Millay Arts, MASS MoCA, Vermont Studio Center, Lower East Side Printshop Keyholder Residency, NARS Foundation, Wassaic Project, BRIC Workspace, Fire Island Artist Residency, and the Atlantic Center for the Arts. Arao’s work has been published in New American Paintings, Maake Magazine, Artmaze, Dovetail, Harper’s Magazine, and Esopus. Paolo Arao is a 2021 NYSCA/NYFA Artist Fellow in Painting from The New York Foundation for the Arts. He lives and works in West Shokan and Brooklyn, NY.
Bemis Center for Contemporary Arts
Neo-Custodians: Woven Narratives of Legacy, Cultural Memory, and Belonging
and Paolo Arao: Reverberations
December 9th, 2023 - April 14th, 2024
Curator-led Tour
January 27, 2024, 2 p.m.
Join Rachel Adams, Chief Curator and Director of Programs, for a tour and discussion of both exhibitions on view at Bemis Center.
Artist Talk: Malene Djenaba Barnett
February 17, 2024, 2 p.m.
Multidisciplinary artist, textile designer, and community builder Malene Djenaba Barnett envisions a modern black experience rooted in the cultural traditions and practices of art in the African diaspora. This lecture will touch upon their practice and work in Neo-Custodians: Woven Narratives of Heritage, Cultural Memory, and Belonging.
Jenni Sorkin, Ph.D.: Deviant Scale: Cloth at the Body’s Margins
March 14, 2024, 7 p.m.
This talk gives an early glimpse into Jenni Sorkin’s in-process book project, Deviant Scale: Cloth at the Body’s Margins, which argues for a reevaluation of textile-based art production in the United States from 1985 to 2000, an era when identity politics collided with a new materiality in artistic production. Intense, raw, and immersive, the immediacy of cloth is its evocation of the body. Sorkin will argue that cloth became the most important and influential medium through which to deconstruct race, gender, sexuality, mobility, and disability, rather than the lens-based media of photography and video, which came to dominate identity-driven artistic representation in American group art exhibitions.
A Conversation with Paolo Arao, Ron Norsworthy, and Camilo Sanchez
March 29, 2024, 7 p.m.
Join exhibiting artists Paolo Arao and Ron Norsworthy in conversation with Camilo Sanchez, Curator of Exhibitions at the International Quilt Museum. They will speak about their diverse textile practices, quilting, and the diasporic ideas that run through both exhibitions currently on view at Bemis Center—moderated by Rachel Adams, Chief Curator and Director of Programs.
