L.A. Louver presents an exhibition focused on the color red
The First Art Newspaper on the Net    Established in 1996 Tuesday, July 23, 2024


L.A. Louver presents an exhibition focused on the color red
Installation of RED at L.A. Louver, 2023. Photograph by Robert Wedemeyer.



LOS ANGELES, CA.- The color red has held deep symbolic resonance throughout time and across cultures since red pigment made of ochre was employed in cave paintings. Red has symbolized life, health and victory (ancient Egypt); war and triumph (ancient Rome); majesty and authority (Byzantine Empire). In the West it is associated with martyrdom, sacrifice and military pageantry; in the 18th century resistance and revolution; in the 20th century, Communism. It is also a color of contradiction, associated with love but also of war; a signal of alarm and danger; blood and sin; it is a color that stirs emotion. What is it about this color that signifies bright and present danger that can both attract and repel but always demands to be noticed? In RED, fifteen artists embrace the color to varying ends and through various medium: from the pinkish reds of Gajin Fujita’s stencil drawing, through the shimmering reds of Katharina Sieverding’s photograph and to the dark ochre hue of Alison Saar’s print.

John McCracken’s deep red sculpture Centaurus (1988) greets the visitor to the exhibition: an obelisk that invites the viewer to enter the space of red. Frederick Hammersley employed the color as the foundation of his hunch painting On red, 1958 and it dominates his geometric abstraction Adjective #9 (1966) in which the white top right quadrant qualifies the intensity of the bright red three quarters of the canvas plane. Heather Gwen Martin softens the color: ethereal blended reds appear as wispy forms that float across the picture plane, while Dion Johnson creates a lively tempo with the color in Red Rhythm (2023). Matt Wedel uses a deep red glaze on a faceted base to offset the colorful blooms of his ceramic sculpture and Juan Uslé’s patterned abstraction Ocho Incompleto, (1994) bares aloft a single deep red swirl that seems to energetically wiggle across the foreground of his painting.

Two works on paper represent Gajin Fujita and that demonstrating a contrasting use of color: the bright red of Study for Game of Drones (Texaco Star with Cross), 2023 signals the evils of fossil fuels and high Capitalism; while soft, pale reds outline a geisha who drinks from a wine bottle held aloft in Study for Red, Red Wine (2019). The depiction of a richly textured red tartan – punk appropriation and Scottish signifier – forms the background of Rebecca Campbell’s Trevin (2018). Signaling identity, the red of the fabric dominates the visual field and contrasts with the title figure that Campbell paints in muted colors. Tony Bevan employs scumbled acrylic reds in his figurative paintings: red accentuates the turmoil of a deconstructed spinning head, and in Fork (1989) it is the field of color upon which a disembodied arm surges into the foreground.

Confrontation, urgency and danger is strikingly conveyed in Katharina Sieverding’s monumental polarized double portrait Stauffenberg-Block III/XI (1969-96) that is named for the German army officer who attempted to assassinate Adolf Hitler. Red also signals crisis in Tony Berlant’s August 7, 1946-Icon, a day of international tension, while the male head of Alison Saar’s Coal Black Blues (2017) is printed on an appropriated rag that bares the words “Stay Alert Stay Alive” and is the color of dried blood. Accentuating risk also, in Addictions (1991), Tom Wudl paints a snake over a deep slash of red pigment. By contrast it is employed to tongue- in-cheek effect by R.B. Kitaj in his print Romance of the Civil Service (Charge Sheet), 1967, and is enigmatically employed by Don Suggs in his abstraction Big Red Folly (2016).

Viewed in its entirety, RED presents a gamut of intense human emotion and experience through a color that never fails to cause a stir.










Today's News

December 4, 2023

Lucy Lacoste Gallery exhibits recently created sculptures and drawings by Janina Myronova

Met announces 2024 Art Commissions, including Lee Bul, sculptor of cyborgs

Exhibition includes works from the years 1961-2000 by Robert Ryman

Morphy's celebrates holiday season with opulent Dec. 18-19 auction of fine and decorative art, luxury goods

Mica Ertegun, glamorous interior designer and philanthropist, dies at 97

Older and wiser, Peter Gabriel is still looking ahead

Maria Callas was opera's defining diva. She still is.

Fine 18th C. furniture with Churchill family provenance highlights Dec. 12-13 auction

John Nichols, author of 'The Milagro Beanfield War,' dies at 83

MoMA PS1 opens first New York museum exhibition of artist Leslie Martinez

Being a woman in magic may be the hardest trick of all

The Museum of Fine Arts, Houston opens the Albert and Ethel Herzstein Gallery for Judaica

Andrew Kreps Gallery now represents the Estate of Eileen Agar

Beyoncé the auteur takes center stage in 'Renaissance'

Mennour opens an exhibition of works by Elizabeth Jaeger

Visitation to expanded Art Gallery of New South Wales surpasses 2 million

Marco Brambilla's 'Heaven's Gate' opens today at the Sphere in Las Vegas

James Cohan presents Christopher Myers' immersive ice-skating rink at 99 Scott

L.A. Louver presents an exhibition focused on the color red

Tim Dorsey, who turned Florida's quirks into comic gold, dies at 62

GAM - Galleria d'Arte Moderna di Milano extends solo exhibition by Suzanne Jackson

Stijn Alsteens appointed as director of the Fondation Custodia




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful