UWE Bristol researcher discovers identity of mystery figure on Led Zeppelin IV cover
The First Art Newspaper on the Net    Established in 1996 Wednesday, December 18, 2024


UWE Bristol researcher discovers identity of mystery figure on Led Zeppelin IV cover
The image of the Wiltshire thatcher was discovered in a Victorian photo album by UWE Bristol researcher Brian Edwards.



BRISTOL.- A grey beard underlining his weathered face, the figure stoops whilst apparently pausing for the photographer, his leathery hands grasp the pole supporting the bundle of hazel on his back.

The framed colour image of an elderly man carrying a large bundle of sticks on his back will be recognised worldwide. It is the centrepiece of the iconic front cover of Led Zeppelin IV which famously features no words.

The origin of the central figure has remained a mystery for over half a century. It can now be revealed as a late Victorian coloured photograph of a Wiltshire thatcher.

The original of the photograph made famous by the band was recently discovered in a late Victorian photograph album. The discovery was made by Brian Edwards, a Visiting Research Fellow with the Regional History Centre at the University of the West of England.

This photograph is now in Wiltshire Museum in Devizes. An exhibition featuring the image, along with others taken in the West of England during the Victorian era, is scheduled to be held at the museum in spring 2024.

Released 52 years ago today (November 8, 1971), Led Zeppelin IV has sold more than 37 million copies worldwide. The album’s cover artwork was radically absent of any indication of the musicians or a title. The framed image, often been referred to as a painting, is understood to have been discovered by the band’s lead singer Robert Plant in an antique shop near guitarist Jimmy Page’s house in Pangbourne, Berkshire. Closer inspection reveals this framed image was a coloured photograph, the whereabouts of which is now unknown.

The black and white original Victorian photograph was discovered during ongoing research extending from the Ways of Seeing Wiltshire exhibition (20 May 2021 to 30 August 2021), which was curated by Brian Edwards in partnership with Wiltshire Museum. From paintings to photographs and artefacts to memories, Edwards’ research involved monitoring everyday sources that stimulates public engagement with Wiltshire’s past. While following up on some early photographs of Stonehenge, Edwards came across the Victorian photograph Led Zeppelin made familiar over half a century ago.

Featuring exceptional photographs from Wiltshire, Dorset and Somerset, the Victorian photograph album contained over 100 architectural views and street scenes together with a few portraits of rural workers. Most of the photographs are titled and beneath the photograph made famous by Led Zeppelin the photographer has written ‘A Wiltshire Thatcher’. The Victorian photograph album is titled ‘Reminiscences of a visit to Shaftesbury. Whitsuntide 1892. A present to Auntie from Ernest.’

Brian Edwards said: “Led Zeppelin created the soundtrack that has accompanied me since my teenage years, so I really hope the discovery of this Victorian photograph pleases and entertains Robert, Jimmy, and John Paul.”

A part signature matching the writing in the album suggests the photographer is Ernest Howard Farmer (1856-1944), the first head of the School of Photography at the then newly renamed Polytechnic Regent Street. Now part of the University of Westminster, Farmer had worked in the same building as the instructor of photography since 1882, when it was then known as the Polytechnic Young Men’s Christian Institute.

Further research suggests the thatcher captured in the image is Lot Long (sometimes Longyear), who was born in Mere in 1823 and died in 1893. At the time the photograph was taken, Lot was a widower living in a small cottage in Shaftesbury Road, Mere.

David Dawson, Director of Wiltshire Museum, said: “This exhibition will be a celebration of the work Ernest Farmer, who today is little-known but was a leading figure in the development of photography as an art form. Through the exhibition, we will show how Farmer captured the spirit of people, villages and landscapes of Wiltshire and Dorset that were so much of a contrast to his life in London. It is fascinating to see how this theme of rural and urban contrasts was developed by Led Zeppelin and became the focus for this iconic album cover 70 years later.”










Today's News

November 13, 2023

Largest UK Holbein exhibition in over 15 years opens at The Queen's Gallery

Tate opens 'Women in Revolt! Art and Activism in the UK 1970-1990'

Lice genes offer clues to ancient human history

A Black woman's rise in architecture shows how far is left to go

Smithsonian American Art Museum and National Portrait Gallery acquire film installation by Isaac Julien

Landmark show features works by more than 50 American artists across the 19th, 20th and 21st centuries

Kunstmuseum Luzern opens exhibition of works by Guy Ben Ner

UWE Bristol researcher discovers identity of mystery figure on Led Zeppelin IV cover

Lara Parker, a memorable witch on 'Dark Shadows,' dies at 84

Outland and Southbank Centre, London, open large-scale public exhibition of Leo Villareal's "Cosmic Bloom"

For a disenchanted ironist, revolution and rediscovery

Exhibition of new paintings by Joel Mesler opens at David Kordansky Gallery

Barbra Streisand is ready to tell all. Pull up a seat.

36 hours in Durham, North Carolina

Getting Hollywood back up and running won't be easy

David Bates' Katrina painting leads Heritage's Texas art event

Detroit expands "Sister City" in art connection with Florence, Italy

Mendes Wood DM New York opens 'Gardens of Human Nature' by Mimi Lauter

For Joan Armatrading, classical music is just another genre

Smithsonian expands digital capabilities to drive accessibility, impact and reach

National Museum of Natural History announces Dorothy Lippert as Repatriation Program Manager

An old master's song for the nation that broke his heart

Safest Online Slots: Your Guide to Secure and Exciting Gameplay

หวยไทยออนไลน์ 24/7

Decoding IPTV: How It Works and the Technology Behind It

The Allure of Elegance: Celebrating the Most Beautiful Women Cricketers from Oceania

PVC Edgebanding and Contemporary Furniture Design: Aesthetic Considerations

World of Ol. Magnet

Art of photography: Ricardo Rojas Zamora

How to Customize Action Figures: A Step-by-Step Guide




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful