Museum of Glass opens 'A Two-Way Mirror: Double Consciousness in Contemporary Glass by Black Artists'
The First Art Newspaper on the Net    Established in 1996 Wednesday, November 20, 2024


Museum of Glass opens 'A Two-Way Mirror: Double Consciousness in Contemporary Glass by Black Artists'
Chris Day (British, born 1968). Strange Fruit, 2018. Blown and sculpted glass with steel, hessian cord and reclaimed electrical wire; Dimensions vary. Courtesy of the artist and Vessel Gallery, London. Photo by Duncan Price.



TACOMA, WA.- A Two-Way Mirror is an exhibition of contemporary Black artists who have used glass to create work that deconstructs social, cultural, gender, and racial identity concerns. The artists range in background from African American, to British, to Puerto Rican. Each artist uses glass to reflect thoughts and bodies that have historically been fraught with exploitation. Due to its reflectivity and translucence, glass is an apt medium to interrogate identity constructs such as the theory of double consciousness presented by W.E.B. Dubois in his seminal work, The Souls of Black Folk.

In this exhibition, we explore the historical representation of Black people through the medium of glass, ranging from work that borrows the abstraction of African art by exploiting the sophistication of its planar shifts to the production of traditional glass fetish objects like blackamoor pieces. The perception of self is always warring with that of the outside. Glass art has been predominantly devoid of access for historically marginalized people. This was in large part due to the cost of production, racial oppression, and the class division between artist and artisan. This exhibition cannot rectify this but can explore inequity of this history and offer works by artists of African descent that tell their own stories.

As the production of glass has become more accessible, the medium has become more open to different voices. This is an age of pluralism. People of different racial, gender, sexual, and class identities all can now tell their stories through art. Glass is a medium that reflects not only the inner truths of both the viewers and makers, but that of western society as a whole and all the clandestine and muddied histories that lie within its core. The beautiful parts, abject parts, resilient parts, and the opaque all make themselves more evident as the viewer continues to stare through the glass.

Exhibiting Artists: Anthony Amoako-Attah, Radcliffe Bailey, Layo Bright, Crystal Z. Campbell, Chris Day, Cheryl Derricotte, Alejandro Guzman, Mildred Howard, Jason McDonald, Parfums de Vigny, Ebony G. Patterson, Pellatt & Green, Related Tactics, Salviati and Company, Joyce J. Scott, Shikeith, Therman Statom, Renée Stout, Barbara Earl Thomas, Hank Willis Thomas, Leo Tecosky, Kara Walker, Fred Wilson

“It is a peculiar sensation, this double-consciousness [sic], this sense of always looking at one's self through the eyes of others, of measuring one's soul by the tape of a world that looks on in amused contempt and pity. One ever feels his two-ness,—… two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.”

-W.E.B. Dubois, The Souls of Black Folk










Today's News

October 22, 2023

A Columbus letter dear to thieves and forgers brings $3.9 million

Christie's announces Joan Mitchell's Untitled will be a leading highlight in the 20th Century Evening Sale

In Chloé show, an unseen legacy with quiet Jewish roots

A visionary Brazilian artist is rediscovered

The good, and evil, of money at the Morgan

The Holburne Museum opens the first retrospective of the artist Gwen John in 20 years

The messy energy of turning life into art

Harry Bertoia leads Heritage's design event

At museums and galleries, a spirit of togetherness

The Holmdel Horn, a cosmic shrine in New Jersey, stays put

Christie's Modern British and Irish Art Day Sale achieves $6,181,934

Museum of Glass opens 'A Two-Way Mirror: Double Consciousness in Contemporary Glass by Black Artists'

Cameo was flying high until its wings melted

Rare game consoles plug and play into Heritage's November Video Game event

Review: The Philharmonic welcomes back an old friend

Richard Diebenkorn's 'Recollections of a Visit to Leningrad' to highlight 20th Century Evening Sale

Kenneth Force, the 'Toscanini of Military Marching Bands,' dies at 83

Pushing the body to extremes to find serenity

In praise of the ever-evolving Lauryn Hill

Marie NDiaye raises questions she has no intention of answering

The pianist Vikingur Olafsson on 'History's Greatest Keyboard Work'

Movement and memory: Dance love and dance rejection in Ireland

Eve Bunting, 94, dies; Tackled adult themes in children's books

Review: Ballet Theater revisits its past with a hit and two misses

Best Preserved Flower Shop In Klang Valley 2024 (Top Picks)

Africa's Contemporary Art Offer in 2023




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful