First solo presentation at Victoria Miro of works by New York-based Iranian artist Ali Banisadr to open

The First Art Newspaper on the Net    Established in 1996 Friday, May 24, 2024


First solo presentation at Victoria Miro of works by New York-based Iranian artist Ali Banisadr to open
Ali Banisadr, The Changing Past, 2021. Oil on linen. 182.9 x 243.8 cm, 72 x 96 in © Ali Banisadr. Courtesy the artist and Victoria Miro.



LONDON.- Victoria Miro will be opening tomorrow The Changing Past, an exhibition of paintings by Ali Banisadr. The first solo presentation of works by the New York-based artist since he joined the gallery in 2021 features a substantial body of paintings completed over the past two years. The exhibition will be accompanied by a catalogue featuring new writing on the artist.

A painter of epic vistas and dazzling intricacies, Ali Banisadr creates complex worlds whose syncopated rhythms corral a multitude of references from history and art history, as well as allusions to our own turbulent times. In any single, expansive canvas one might sense the crystalline detail of the Persian miniature tradition, the muscular brushwork of Abstract Expressionism, the narrative dexterity of the early Dutch masters, the bravura technique of the Venetian Renaissance, or the libidinous glyphs of Surrealism, among others.

Banisadr’s works invite the viewer to move through time, encountering different art histories and different cultures while contemplating contemporary issues through the lens of the past. Works on view will include Queen of the Night, 2022, a large-scale painting inspired by The Burney Relief (also referred to as the Queen of the Night relief), which is on display in the British Museum, London. A Mesopotamian terracotta relief made in the Old-Babylonian period (19th–18th century BCE), it depicts a winged deity, with bird feet and prominent talons, wearing a headdress of horns, elaborate jewellery, holding a rod and ring in each hand. In Mesopotamian art, the rod and ring symbol, like the horned helmet or crown, are indicators of the depicted being’s divine status. This symbol also represents ‘respect’, ‘justice’ and the ‘balance of power’.

This figure stands in the centre of Banisadr’s painting, addressing the viewer. To the left stands a high priestess equally adorned with jewellery, with the symbol for ‘woman’ and ‘life’ on the front of her gown. Also in attendance are other bird-like creatures of divine status. In Mesopotamia, birds were often symbolic of the future. Born in Tehran in 1976, Banisadr has commented on childhood memories of the Islamic revolution and the Iran-Iraq war as being ‘a mix of images, half abstract and half recognisable forms.’ Symbolism relating to present-day events in the country, and how these are received and consumed around the world, lend Queen of the Night an urgency that speaks candidly to the contemporary moment.

Also on view, The Changing Past, 2021, evokes the ways in which, throughout history, monuments, buildings and often entire cultures are toppled or erased in order to accommodate new beliefs and ideas, which in turn are succeeded by further layers of thinking or sets of ideals. Reflective of Banisadr’s ongoing interest in iconoclasm, the motifs in the painting are trans-historical: a disc, for instance, refers to a symbol from Ancient Egyptian times that migrates through time, its meaning and significance changed. Shifting thoughts and philosophies similarly echo through the work. G.I. Gurdjieff, the Russian born, Greco-Armenian philosopher, mystic and spiritual teacher whose work helped to bring ancient teachings and mysticism to the West, is cited as an influence. An enduring source of inspiration is the ancient Mesopotamian poem The Epic of Gilgamesh, which provides the artist with a rich source of visual imagery.

In Banisadr’s art such references reveal themselves not as static, sedimentary layers but as successive waves or currents. His abstract and semi-abstract forms flow together, intermingle or collide, submerging and resurfacing through the process of painting to become recast and transformed. With their legions of strafing lines, arcs, blurs and smears of colour, Banisadr’s paintings equally evoke the fractured and shimmering surfaces of our digital world.

Ali Banisadr’s exhibition is accompanied by a publication featuring an interview with John Yau and new writing on the artist by Doris Von Drathen and Charlotte Mullins.

The Artist

Born in 1976 in Tehran, Iran, Ali Banisadr lives and works in Brooklyn, NY. Recent solo institutional exhibitions include Ali Banisadr: Beautiful Lies at Museo Bardini and Palazzo Vecchio, both in Florence, Italy (2021); Ali Banisadr/Matrix 185, Wadsworth Atheneum Museum of Art, Hartford, CT, USA (2020), and Ultramarinus ­– Beyond the Sea, Benaki Museum, Athens, Greece (2020). His work has been included in recent institutional group exhibitions including Daphne without Apollo: Metamorphoses from Richter to Lassnig, The Opelvillen Foundation, Rüsselsheim, Germany, (2022); Epic Iran, V&A, London, UK (2021); A Boundless Drop to a Boundless Ocean, Orlando Museum of Art, Florida, USA (2021); Rebel, Jester, Mystic, Poet: Contemporary Persians, Asia Society, New York, NY, USA (2021); Love Me / Love Me Not, Contemporary Art from Azerbaijan and its Neighbours, Venice Biennale, Italy (2013).

Work by the artist is included in major institutional collections including: Albright-Knox Art Gallery, Buffalo, NY, USA; Akademie der Bildenden Künste, Vienna, Austria; British Museum, London, UK; Centre Pompidou, Paris, France; Het Noordbrabants Museum, Den Bosch, Netherlands; Hirshhorn Museum and Sculpture Garden, Washington, DC, USA; K11 Art Foundation, Hong Kong; Los Angeles County Museum of Art, Los Angeles, CA, USA; The Metropolitan Museum of Art, New York, USA; Museum of Contemporary Art, Los Angeles, CA, USA; The Museum of Fine Arts, Houston, USA; Museum der Moderne, Salzburg, Austria; Miniature Museum, The Hague, Netherlands; Philadelphia Museum of Art, Philadelphia, PA, USA; Francois Pinault Foundation, Palazzo Grassi, Venice, Italy; Wadsworth Atheneum Museum of Art, Hartford, CT, USA; among others. The first major monograph on the artist was published by Rizzoli in 2021.

Victoria Miro Gallery II
Ali Banisadr: The Changing Past
October 11th, 2023 - November 11th, 2023










Today's News

October 10, 2023

A dazzling art collection, hiding in plain sight

National Gallery of Art acquires work by Sam Gilliam

Maurizio Cattelan's Comedian, composed of a banana duct taped to a wall added to NGV Triennial

'Robert Irwin and Mary Corse: Parallax' explores the intersections and convergences between artists and light

Dense in paint and often expansive in scale, Rheingantz's landscapes now on view at White Cube

Site Santa Fe invites visitors to 'scream until you can't breathe' in new exhibition by Nicholas Galanin

Galerie Thaddaeus Ropac opens an exhibition of works by Daniel Richter

'Fragments of Epic Memory' is now open for viewing at the Portland Museum of Art

First solo presentation at Victoria Miro of works by New York-based Iranian artist Ali Banisadr to open

The quiet reading room that gets trippy after dark

Hamiltons Gallery presents exhibition of photographs taken in Skye, Scotland by photographer Albert Watson

Chinese art from a German family collection offered at Bonhams Cornette Saint Cyr

Milestone's Oct. 28 auction to launch multi-year series devoted to toys from famed Wisconsin museum

Group exhibition devised by renowned Turner Prize-winning artist Mark Leckey opens at Turner Contemporary

Mazzoleni and Kukje Gallery present 'The Paradox of Proximity: Agostino Bonalumi and Lee Seung Jio'

Noonans hold three coin sales in a week which total hammer price of £515,885

Ten exceptional new pieces by the American designer Chris Schanck now on view at David Gill Gallery

In 'Naive and Sentimental Painting' artist Liu Ye examines art-historical legacy of portraiture

'Blood on Blood', a solo exhibition by Los Angeles-based artist Austyn Weiner, opens today

Sequences Biennial announces full artist list for 11th Edition, 'Can't See'

Review: In 'Bite Me,' taking aim at familiar teenage tropes

Harry Smith was a culture-altering shaman. Can the Whitney contain him?

Alison Jacques opens 'Sheila Hicks: Infinite Potential'

TOP FIVE BENEFITS OF ENROLLING IN AN ONLINE MBA PROGRAM

Exploring the Enchanting World of Anime: A Gateway to Anime-Zutto

Flyfish Review - A Platform that makes it Easy to send and Receive Payments

Recognizing Employee Burnout Before it's too late




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

sa gaming free credit
Attorneys
Truck Accident Attorneys
Accident Attorneys

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful